Global ETD Search

41	Kumbukizi ya marehemu mwalimu Edwin Semzaba Godwin Mahenge, Elizabeth, Mbogo, Emmanuel 10 March 2017 (has links) (PDF) Pumzika kwa amani, Mwalimu. Raha ya milele umpe, Ee Bwana, na mwanga wa milele umwangazie. Amina. Edwin Semzaba Ngoswe In Memoriam/Nachruf Swahili-Literatur Swahili-Theater/Drama University of Dar es Salaam Tansania Ngoswe Penzi Kitovu cha Uzembe Marimba ya Majaliwa Dar es Salaam University Press Edwin Semzaba Ngoswe in memoriam/obituary Swahili literature Swahili theatre Swahili performing arts University of Dar es Salaam Tanzania Ngoswe Penzi Kitovu cha Uzembe Marimba ya Majaliwa Dar es Salaam University Press ddc:496 Edwin Semzaba Ngoswe In Memoriam/Nachruf Swahili-Literatur Swahili-Theater/Drama University of Dar es Salaam Tansania Ngoswe Penzi Kitovu cha Uzembe Marimba ya Majaliwa Dar es Salaam University Press
42	Omar Babu Marjan ‟Abu Marjan” 14 Julai 1967 – 20 Januari 2015 Kumbukumbu ya kumuenzi mwenzetu marehemu: Omar Babu Marjan ‟Abu Marjan”14 Julai 1967 – 20 Januari 2015Kumbukumbu ya kumuenzi mwenzetu marehemu Peter Gikambi, Hezekiel 10 March 2017 (has links) Familia yake, ndugu, jamaa, marafiki na jumuiya ya wasomi watamkosa sana Omar Babu. Mungu aiweke roho yake mahali pema. info:eu-repo/classification/ddc/496 ddc:496
43	Kumbukizi ya marehemu mwalimu Edwin Semzaba Godwin Mahenge, Elizabeth, Mbogo, Emmanuel 10 March 2017 (has links) Pumzika kwa amani, Mwalimu. Raha ya milele umpe, Ee Bwana, na mwanga wa milele umwangazie. Amina. info:eu-repo/classification/ddc/496 ddc:496
44	Ishara na uashiriaji kama nyenzo ya mtindo, maana na kiwakilishi cha itikadi katika riwaya ya Nyuso za Mwanamke Wanyonyi, Mukhata Chrispinus January 2015 (has links) Makala haya yanachanganua ishara na uashiriaji kama mbinu ya kimtindo ya kuwasilisha maana na kukuza uhusika na maudhui katika riwaya ya Nyuso za Mwanamke (2010) ya Said Ahmed Mohamed. Nimechanganua aina tatu za ishara ambazo ni ishara bia, ishara za kaida na ishara za kifasihi kama zinavyoainishwa na Frye na wenzake (1985). Lengo kuu ni kuchanganua na kubainisha jinsi ishara zinavyowasilisha maana na itikadi za jamii katika matini husika. Ishara hizi pia husaidia kukuza maudhui, ploti na kuongeza ujumi katika matini za kifasihi. / This article analyses symbols and symbolism as stylistic devices of communicating meaning and as a technique of characterisation and theme development in Nyuso za Mwanamke (The Faces of a Woman, 2010) written by Said Ahmed Mohamed. I analysed three types of symbols which are natural symbols, conventional symbols and literary symbols following Frye et al. (1985). This study aims at showing how symbols are used in literary works to communicate meaning and the ideology of the society depicted in the text. Symbols also help to build the theme, the plot and adding aesthetic value in literary texts. info:eu-repo/classification/ddc/496 ddc:496
45	Uhalisia na uhalisiamazingaombwe: mshabaha kati ya Dunia yao na The tin drum Waliaula, Ken Walibora 03 December 2012 (has links) Je, kuna uhusiano gani kati ya Euphrase Kezilahabi wa Tanzania na Gabriel García Marquez wa Kolombia, au kati ya Kyallo Wadi Wamitila wa Kenya na Juan Rulfo wa Meksiko ama kati ya Günter Grass wa Ujerumani na Said Ahmed Mohamed wa Zanzibar? Waandishi hawa waliotengwa kitaifa na kilugha wanaunganishwa na uamuzi wao wa kuandika riwaya kwenye mtindo usiokuwa wa kawaida, mtindo wa uhalisiamazingaombwe. Kwa kulinganisha na kulinganua riwaya ya Mohamed na ile ya Grass ninakazia nadhari dayolojia ya kina iliyochipuka kati ya fasihi ya Kiswahili na fasihi ya ulimwenguni pote. Ni maoni yangu kwamba riwaya mbili hizi, zinakikabili kizungumkuti cha kuwepo kwa mwanadamu kwa kuutupilia mbali mfumo wa uwakilishi wenye uhalisia kama tunavyoujua. Badala yake riwaya hizi zimezingatia mtindo wa ujumi wa kisasabaadaye (postmodern aesthetics). Kazi hizi za sanaa zinatumia sifa bainifu za uhalisia mazingaombwe kama nyenzo za kuakisi na kuakisi kwa kubirua hali halisi ya udhaifu, kuyumbayumba na ukosefu wa uthabiti na udumifu katika maisha Afrika na Ulaya. info:eu-repo/classification/ddc/496 ddc:496
46	‘Hammatbihi wahammabiha’: fasihi ya Kiswahili na kisa cha Yusuf H. Samsom, Ridder 14 December 2012 (has links) The story of Joseph (in the Bible), Yusuf (in the Quran), has inspired literatures in many languages. This paper explores how some Swahili writers and translators have dealt with this inspiration, the implications for their language use and the way they have interpreted Yusuf as a theme for their writings. After a brief introduction on the importance of the story itself and putting the focus on a major theme of the plot, the following works are discussed: the new Quran translation by Sh Ali Muhsin (1995), a short novel by Mzee Salim A. Kibao (1975), two short stories by Amur bin Nasur il-Omeiri (1894), the utenzi Qissat-il Yusuf (l913) and Abdulrazak Gurnah\''s English written novel Paradise (1995). The paper concludes with the observation that in analyzing how these Swahili writers have integrated the story of Yusuf in their writings, prose as well as poetry, it becomes clear that attempts in defining what is ‘foreign’ (or ‘Oriental’) and what is ‘indigenous’ (or ‘African’) are bound to fail. info:eu-repo/classification/ddc/496 ddc:496
47	“Time is a wall”: a spectrum representation of traditions and modernities Elvidge, Charlotte E. S. 06 March 2013 (has links) This paper looks at traditions and modernities in terms of a spectrum representation and thus challenges the previously accepted notion of tradition and modernity as an either/or matter where tradition is seen to hold obstacles assumed to block progression towards modernity. With this in mind, it considers Ebrahim Hussein´s title for his play Wakati Ukuta (Time is a Wall) and Euphrase Kezilahabi´s novel Gamba la Nyoka (The snake´s skin) to illustrate the idea of multiple modernities where the relationship between tradition and modernity is seen in terms of tension between cultural homogenisation and cultural heterogenisation where various ´scapes´ containing traditions are inflected by historical, linguistic and political situatedness of different actors. Key themes are discussed in this paper displaying the indigenised ethnoscape of East Africa with various modernities and the different tensions this can produce in view of long-standing traditions. Individualism is the prevailing theme in the emergence of modernity. With this in mind, extramarital relationships, foreign behaviours, education and age/generational differences are discussed with reference to the two literary texts. These themes exemplify the thematic trajectory of the spectrum representation of traditions and modernities in Swahili literature, showing belonging to the present but also awareness of the past. This paper concludes that modernities should no longer be seen as a foreign invasion aiming to eradicate tradition but as metropolises that can be indigenised and incorporated into existing traditions. The observations in this paper demonstrate that the link between traditions and modernities is not a direct transition from one to the other but one of more complex affiliation. This paper lays foundations for broader research into this relationship and gives new insight into the illustration and critique of various texts. info:eu-repo/classification/ddc/496 ddc:496

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