Ce mémoire se concentre sur les génériques d’ouverture et sur les techniques proposées par les concepteurs de ce segment filmique visant à inviter le spectateur à entrer dans la fiction. Cette étude cherche à catégoriser les génériques d’ouverture étudiés selon les éléments montrés à l’écran pour présenter un univers divergent du nôtre. Les films américains contemporains fantastiques sont mis de l’avant afin d’analyser la présentation d’un nouvel univers. À partir de théories et de définitions sur les génériques, l’analyse se développera à l’aide des bases de la sémio-pragmatique de Roger Odin. L’intérêt de cette recherche est de comprendre les opérations effectuées par le générique pour que le spectateur entre dès le départ en phase avec l’œuvre. / This dissertation focuses on the opening credits and the techniques proposed by the designers of this filmic segment to invite the audience into the fiction. This study seeks to categorize the opening credits studied according to the elements shown on the screen to present a universe divergent from our own. Contemporary American fantasy films are put forward to analyze the presentation of a new universe. Starting with theories and definitions of generics, the analysis will be developed using the foundations of Roger Odin's semio-pragmatics. The interest of this research is to understand the operations carried out by the credits so that the spectator can be in phase with the work.

Desde la llegada del primer caso de COVID-19 en el Perú, diversos medios de comunicación han emitido información sobre la pandemia. Asimismo, durante este contexto, ha existido una serie de disputas entre el poder legislativo y ejecutivo. En ese marco, el 14 de noviembre murieron dos jóvenes en la protesta contra el expresidente Manuel Arturo Merino de Lama. Después de esta trágica sucesión, el programa “Rey con Barba”, del canal Willax TV, brindó cierta data sobre la protesta que fue cuestionada. Del mismo modo, el otro programa “Beto a Saber” proporcionó información sobre la vacuna contra la Covid-19 que fue discutida por diversos medios, ya que fueron catalogadas como fake news. Para poder evidenciar la existencia del componente de las fake news en ambos programas se realizó un decoupage; el cual cuenta con 3 categorías: categoría audiovisual, categoría discursiva y categoría de las fake news. / Since Covid-19 arrived to Perú, several networks have been displaying information about the pandemic. At the same time, there have been plenty discussions around the legislative and Judicial branches. On November the 14th, two young men died during the protest against the past president Manuel Arturo Merino de Lama. After this tragic event, the program “Rey con Barba” from the Willax TV channel, which shared controversial information about the protest. Additionally, the “Beto a Saber” program, the introduces information the Covid-19 vaccine which was debated between different medias, labeled as fake news. In order to provide evidence about the presence component of fake news in both programs, a decoupage has been done, witch consistent at three categories: the audiovisual category, the discursive category and the fake news category. / Tesis

El presente trabajo tiene como objetivo describir cómo la mujer amazónica es representada en la televisión peruana desde el contenido audiovisual y la percepción de la audiencia en los programas Reportaje al Perú y Al Sexto Día. En los antecedentes, los estudios se establecen en los siguientes ejes: grupos étnicos y su representación en los medios; sexualización de la mujer en los medios; el indígena en los medios; y la mujer indígena en los medios. Las teorías tratadas en el marco teórico son: representaciones sociales y estereotipos televisivos; mujer y roles de género; y la Amazonía y sus representaciones. El paradigma utilizado es el interpretativo, bajo el enfoque cualitativo. Las técnicas de recolección de datos son el análisis de contenido y la entrevista semiestructurada. Los elementos a analizar son por contraste en ambos casos. En el primer elemento, se analizan 4 reportajes de Al Sexto Día y 4 reportajes de Reportaje Al Perú. En el segundo elemento, se entrevistan a 5 mujeres y 5 hombres amazónicos; y a 5 mujeres y 5 hombres no amazónicos. / The present research aims to describe how the Amazonian woman is represented on Peruvian television from the audiovisual content and the perception of the audience in the programs ‘Reportaje Al Perú’ and ‘Al Sexto Día’. In its background, the studies are established in the following axes: ethnic groups and their representation in the media; sexualization of women in the media; the indigenous in the media; and indigenous women in the media. The theories addressed in the theoretical framework are: social representations and television stereotypes; women and gender roles; and the Amazon and its representations. The paradigm used is the interpretative one, under the qualitative approach. Data collection techniques are content analysis and semi-structured interview. The elements to be analyzed are by contrast in both cases. In the first element, 4 reports from ‘Al Sexto Día’ and 4 reports from ‘Reportaje Al Perú’ are analyzed. In the second element, 5 women and 5 men from the Amazon; and 5 women and 5 men not from the Amazon are interviewed. / Trabajo de investigación

Made available in DSpace on 2014-12-17T14:55:56Z (GMT). No. of bitstreams: 1 HugoTAS_DISSERT.pdf: 1403051 bytes, checksum: 082930bba50f7afe6808198a25388862 (MD5) Previous issue date: 2012-02-13 / Due to the large amount of television content, which emerged from the Digital TV, viewers are facing a new challenge, how to find interesting content intuitively and efficiently. The Personalized Electronic Programming Guides (pEPG) arise as an answer to this complex challenge. We propose TrendTV a layered architecture that allows the formation of social networks among viewers of Interactive Digital TV based on online microblogging. Associated with a pEPG, this social network allows the viewer to perform content filtering on a particular subject from the indications made by other viewers of his network. Allowing the viewer to create his own indications for a particular content when it is displayed, or to analyze the importance of a particular program online, based on these indications. This allows any user to perform filtering on content and generate or exchange information with other users in a flexible and transparent way, using several different devices (TVs, Smartphones, Tablets or PCs). Moreover, this architecture defines a mechanism to perform the automatic exchange of channels based on the best program that is showing at the moment, suggesting new components to be added to the middleware of the Brazilian Digital TV System (Ginga). The result is a constructed and dynamic database containing the classification of several TV programs as well as an application to automatically switch to the best channel of the moment / Devido ? grande quantidade de conte?do televisivo, que surgiu junto com a TV Digital, os telespectadores est?o diante de um novo desafio, saber como procurar conte?do interessante de maneira intuitiva e eficiente. Os guias eletr?nicos de programa??o personalizada (pEPG) surgem como uma resposta para esse complexo desafio. Propomos a TrendTV, uma arquitetura em camadas que permite a forma??o de redes sociais entre telespectadores de programas de TV Digital Interativa baseada em microblog de conte?do on-line. Associado a um pEPG, esta rede social permite que um telespectador realize filtragens de conte?do sobre um determinado assunto a partir das indica??es feitas por outros telespectadores de sua rede. Isto permite que o telespectador crie sua pr?pria indica??o para um determinado conte?do no momento em que ele ? exibido, ou ainda analisar a import?ncia de um determinado programa on-line, baseado nessas indica??es. Isto permite que qualquer usu?rio possa realizar filtros no conte?do, al?m de gerar e trocar informa??es com os outros usu?rios de modo flex?vel e transparente, utilizando v?rios dispositivos diferentes(TVs,Smartfones, Tablets ou PCs). Al?m disso, essa arquitetura define um mecanismo para realizar a mudan?a autom?tica de canais baseado no melhor programa que est? passando no momento, sugerindo novos componentes a serem agregados ao middleware do Sistema Brasileiro de TV Digital (Ginga). Como resultado ? constru?da uma base de dados din?mica e que cont?m a classifica??o de v?rios programas de TV, bem como uma aplica??o que permite mudar automaticamente para o melhor canal do momento

The point of this essay was to conduct research on the market and the consumers influence over the cultural industry in regard to adaptations. The paper analyses some of the changes that can be done by the producers in order to please the consumer, and therefore increase the popularity among the viewers. The analyse has studied how the adapted works; The Walking Dead, A Game of Thrones/ A Song of Ice and Fire, Legend of the Seeker/ Sword of Truth, has implemented changes when it comes to three matters; motherhood, looks and character development. Furthermore, the paper analyses how these changes may affect the plot, and how the viewers have reacted to this. The thesis is based on Pascal Lefèvre’s adaptation research and John Fiske’s popular culture study. The consumer’s opinions regarding the TV-shows and what changes they wish to see in movies and TV-shows are expressed through comments on YouTube and Reddit. / <p>Slutgiltigt godkännandedatum: 2022-06-10</p>

1 ABSTRACT The thesis is divided into three major parts, the first giving an overview of the history of films and TV series about ancient Rome. This overview is based on scientific literature written in English. The second part, using scientific literature and classical sources, mostly pictorial, briefly describes weapons and armour of Roman soldiers from the Roman Republic until the end of the 2nd century A.D. The third part describes the costumes and weapon props in 25 films and TV shows picked on the basis of their popularity on Internet movie databases. The aim of this thesis is to find out, how does the stereotypical Roman soldier, created by this branch of popculture, looks like. The conclusion shows, that in the films and series about ancient Rome, the costumes rarely correspond to our historical knowledge about the armours from the times in which these films and series are set. Some costume attributes are constant and are supposed to serve as indicators, that the actor in the view of the camera is a Roman soldier. One of these attributes is lorica segmentata, armour made famous by its appearances in films like Ben-Hur, Gladiator and films about Asterix. Other attributes are attic style helmet, known from antique reliefs, big rectangular shields and bracers. Those pieces of equipment were not the...