Thesis (Ph. D.)--University of Hawaii at Manoa, 1995. / Includes bibliographical references (leaves 300-311). / Microfiche. / xxii, 311 leaves, bound ill. 29 cm

Thesis (M. Phil.)--University of Hong Kong, 2008. / Also available in print.

Thesis (Ph. D.)--UCLA, 2009. / Vita. Includes bibliographical references (leaves 255-270).

Architecture is a structured relationship of physical elements in which use, experience and memory are integral to its sense of shelter. Beginning with the drawn and built conceptions of the House at Yellow Sulfur Springs, structural fragments of the project included cast concrete studies, a desired relationship between surface, physical structure and light, an indirect path of entry and pre-existing qualities of the site. These fragments coalesced as a house with varying degrees of enclosure, a structure defined by material distinctions and assembly details, and a sensual path between inside and outside. Throughout the project, memory of the Japanese Tea Ceremony, thoughts about the nature of shelter and the ratifying logic of geometry served as additional guides. / Master of Architecture

published_or_final_version / abstract / Humanities / Master / Master of Philosophy

Thesis (Ph. D.)--University of Hawaii at Manoa, 2005. / Includes bibliographical references (leaves 325-356).

Thesis (Ph. D.)--University of Washington, 1998. / Vita. Includes bibliographical references (leaves [229]-236).

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This study explores the development of women's tea ceremony from the Edo (1603-1868) to the Meiji period (1868-1912) onward, focusing on its connection to the "good wife, wise mother" ideology in the Meiji period. Many girls' schools, led by Atomi school, adopted the tea ceremony around the time of establishing the “good wife, wise mother.” During the Edo period, the population of women practitioners increased significantly. This was not limited to just women from samurai families; it extended to commoners as well. The women’s tea ceremony during the Edo period was greatly influenced by Confucianism and its expectations for women. However, when the Meiji period (1868-1912) arrived, Westernization started to have a major impact. This led to a decline in Confucian education and Edo cultural practices, including the tea ceremony. During the mid-Meiji period, the tea ceremony was reevaluated and integrated into girls' education in response to the resistance against Westernization and the surge of nationalism. Alongside the expansion of girls' schools, the practice of the tea ceremony spread throughout the country. Atomi Kakei, educated in Confucianism during the Edo period, is considered the first educator to have included women’s learnings of the Edo period, such as the tea ceremony, in the school curriculum from its inception. Nevertheless, the presence of inconsistencies in the remaining documents has raised doubts about the introduction of tea ceremony during the early Meiji period. Furthermore, in her autobiography, Oriori-gusa (1915), certain descriptions interweave the early and mid-Meiji periods, suggesting that she adjusted her actions and behaviors to align with the respective times. This study highlights that the ideology of "good wife, wise mother" played a pivotal role in the spread of the women's tea ceremony. In addition, careful observation of the operation of the Atomi Kakei’s school reveals that the tea ceremony was modernized in a short period of time, in line with the changing policies of the Meiji government.

Packaging is a topic under debate and scrutiny intoday’s society, due to its obvious environmentaldetriment – but also the business opportunities – tied tominimizing or even eliminating packaging.therefore, in this thesis, the aim is to introduce Chinesetea culture to the Swedish through packaging design,By tea culture studies and surveys of the Swedishmarket, with less is more, and minimalism designtheory to design elegant and Sustainable package. Withthis design, convey the Chinese tea ceremony cultureand Zen philosophy.Through the study of Chinese tea culture, then analysiscurrent tea packaging on Chinese and Swedish markets,from the structure, color, material...every aspects ofpackaging design to show the Chinese tea culture in theSwedish market.4According to our respondents and theory, packaging isa big component in a brand's marketing strategy and tocommunicate the brand’s message and values.Marketing information can be designed into visualelements that are used on the package to communicatea message which could speak out the consumers'emotions. But packaging is a topic under debate andscrutiny in today’s society, due to its obviousenvironmental detriment – but also the businessopportunities.So, how to balance the commercial and environmentalthose two aspects and how to express sustainabledesign in my project, is the major issues I have to figureout.Key words: Chinese tea culture, less is more,sustainable packaging design, graphic design, Zen andtea ceremony, tea business marketing