Thesis (Ph.D.)--Ohio University, August, 2004. / Title from PDF t.p. Includes bibliographical references (p. 267-295)

No description available.

No description available.

No description available.

This thesis is a study of key broadcasting magazines published in the United Kingdom prior to the Second World War. At its centre is the premise that the relationship between broadcasting and the magazine industry evolving around it was symbiotic in nature. The relationship was complex because the broadcasters provided much of the material for the magazines to publish and therefore could potentially use this as a tool for influence and publicity, as they sought to stimulate the demand for their output in the British public. However, the magazines were the mediators of the flow of communication. Their editorial content not only provided a critical commentary on material broadcast but also represented a direct conduit between the readers/audience and the broadcasters by providing a forum for the readers/audience to publish their views. Exploring the history of early broadcasting from the perspective of this material reveals the interdependency between the radio stations/broadcasters, the magazines and ultimately, how they connected to the readers/audience. While there have been other partial studies of broadcasting magazines, particularly the Radio Times, these have not assessed the magazine against other contemporary magazines, nor have they placed the magazine within a broadcasting history context. This study not only considers the magazines against the background of the growing broadcasting industry, it also explores what wireless meant to its first audience. This was a crucial element for understanding how the public responded to the developments which were taking place in the 1930s, when commercial enterprises encroached on the BBC’s monopoly and attempted to poach its listeners.

No description available.

No description available.

Tesis para optar al grado de maestría en dirección teatral. / La presente tesis tiene por objeto el control de la televisión durante la época de dictadura y postdictadura chilena. Esto se encuentra fundamentado bajo las teorías de la filosofía contemporánea liderada por las ideas de Michel Foucault en relación a la perspectiva de vigilancia y control como métodos de represión, relacionando con la figura de la TV como un espacio de control, pero también de entretención. Este mundo teórico se encuentra representado en la adaptación escénica de la obra “Los vigilantes” de la escritora chilena Diamela Eltit, en donde se conjugan dichas líneas directamente en el espacio teatral. / 22 marzo 2020

Thesis (M.S.)--Kutztown University of Pennsylvania, 1999. / Source: Masters Abstracts International, Volume: 45-06, page: 2704. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 34-35).

Thesis (Ph. D.)--University of Wisconsin-Madison, 1988. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.