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This study examines the reasons for the Saudi media mdustry's dependence on imported foreign productions. In a departure from traditional dependency theory, which emphasises the role of external factors in the context of the world system, this study explains the state of dependency and underdevelopment in a more locally grounded analysis which evaluates the role of Saudi media policies and regulatory functions in perpetuatmg this dependency status. Two methodologies were applied, firstly, content analyses of a two-week period of Saudi television programming on Channel 1 were earned out to examine the quantity and quality of both local and imported television fare in terms of genre and format, Secondly, mterviews were conducted with Saudi media officials, media pohcy makers, and mdependent local producers to ascertain, from their perspective, what exactly constrains the Saudi media industry and limits its potential, and why the Saudi media is dependent on imported television fare. The results of the content analyses and interviews showed that political, professional and economic constraints handicap STV's performance. This has led to output which is considered to be irrelevant to the needs and mterests of the Saudi viewing population. It has also led to an increase in imported foreign programming and DBS populanty, thus creating a cause of concern among culturalists and Islamists who object to content which, they argue, conflicts with the basic principles of the Islamic faith. Recommendations are proposed to Saudi media policy makers in order to counteract the foreign competition and enhance mdigenous, self-reliant development.

The pattern of specific examples of the processes of globalization is described. The examples all concern information f lows, which are illustrated through a comparative study of three television case histories in Asia. Also illustrated are the three different approaches to providing television services: public service (NHK in Japan), state (CCTV in China) and commercial (STAR TV, based in Hong Kong). Information flows are seen as global forces, constituted at a distance, and the focus is on the ways in which they are resisted or negotiated. NHK and CCTV are depicted as "front line" organizations which are forced to deal with globalization forces in the first instance, while the state may be slow to comprehend or react to the new realities facing it. The case histories show how television is becoming global. From that perspective, the condition of the television industry, of the production of news, and in particular of the public service broadcaster appear in a symbolic role, metaphors for the reconfiguration of relationships between the global and the local. Conclusions on the nature of globalization are linked directly to the research findings. All three case histories are based on interviews with leading participants in exemplar events: the attempts to set up GNN, and to internationalize' NHK; CCTV's defense of its dominant position, under pressure from upheavals both in Chinese society and the government bureaucracy, at the same time as it has itself become a major revenue earner and its role has changed as China enters the WTO; and the establishment, sale and erratic progress of STAR TV. This is contextualized through a broader discussion about the role of public service broadcasters, and of information and communication generally. A causal layered analysis is applied, with a concluding argument in favor of public service television. Several models are suggested, and four scenarios offered, to indicate how public service television could develop. / Thesis (Ph. D.)--University of Hawaii at Manoa, 2003. / Includes bibliographical references (leaves 319-353). / Mode of access: World Wide Web. / Also available by subscription via World Wide Web / x, 353 leaves, bound ill. 29 cm

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Thesis (M.B.A.)--University of Hong Kong, 1996. / Includes bibliographical references (leaf 43-46).

Nation-building has always been considered the responsibility of a public service broadcaster while, on the other hand, commercial broadcasters are associated with profitmaking. This study was designed to investigate whether a commercially driven broadcasting venture could be used for the purposes of nation-building; The case of Lesotho Television. Established by the Lesotho Government in partnership with M-net, Lesotho Television informs, educates and entertains, thus attempting to follow the tenets of public service broadcasting. Upon its establishment in 1988, Lesotho Television was mandated to contribute in the nation-building initiatives of the Lesotho leaders. The station, which is embedded within the South African based pay-channel M-Net, was expected to positively contribute in the Lesotho Government's endeavours to re-build the nation divided along political lines. In the discussion I highlight the fact that Lesotho Television encounters some problems due to the paradoxical relationship between it and M-Net (The former aspiring to serve as a public service broadcaster while the latter is a commercial television service). Nevertheless, considering its programming and activities, Lesotho Television contributes in nation-building. Therefore, I conclude that the potential for Lesotho Television to inform, educate and entertain would seem to outweigh the limitations. / Thesis (M.A.)-University of Natal, Durban, 2001.

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published_or_final_version / Business Administration / Master / Master of Business Administration