The theme of my diploma thesis is the design and production of the project documentation of art gallery in Brno in Veveří street. The new building of the cultural center corresponds to the city plan of the the city Brno. The object is composed of three above-ground floors with partial basement. The new building has cafe, great hall, workshop for kids and exhibition area of art gallery. The construction system is combinated, it is formed from ceramic walling and columns. The ceilings are cast-in-place reinforced concrete floors. There is counter roof. Load carrying systém of roof are nailed timber trussgirders . The facade is designed as ventilated. The object is situated in a gently sloping plot.

This thesis has been prepared as an architectural study. The subject of solved draft is expansion of Olomouc Museum of Art and the new building of the Central European Forum Olomouc SEFO. In the current building of the museum only street part and middle wing of first floor were significantly changed. In the space of a former cinema was placed the Music Theatre. The extension of street is part of the newly designed building SEFO. New public space is above the underground part of the building. This public space covers upper part of the building, which contain new exhibition spaces for museum. Open street part of new building is the main concept of the design.

The main task of diploma is creating a sacral object and community centre of Salesians in Brno-Líšeň. A construction of the Salesian complex started in 1998. As a result, the whole complex of institution got to the district of Brno-Lisen with the help of the endowment fund for youth. The Congregation focuses on the methods of educating the youth of Don Bosco, the father and teacher of the youth, the first head of the Salesian. The creation of a church is a very desirable step for the Salesian Center, because Masses are currently being celebrated in the existing building in the gym, where not everything is needed to carry out of the event. The church should be developed in the vicinity of Salesian centre and has to be available for a wide range of societies. The architectural project includes the designing of church, parish building and enviroment. The form and view of the complex suit to this environmental area and react on its entire structure. The object consists of two forms, which are connected by the horizontal communication. In the middle of the Salesian complex, there is a semi-open area. The first object is a church with a capacity of approximately 200 hundred visitors, the second object is a parish building, which perform the functions of administration with multifunction space for the exhibitions, aparmtments and offices for its employees.

The master thesis „ Administrative object“ is processed as a project for building construction. The object is situated on plots No. 651/1 and 652/1 in the Brno. The building is designed to use for administration, 1 st floor is used for gallery, sweet-shop, newspaper shop and garrage. The house hasn´t cellar, it has 3 aboveground floors. The skeleton of construction is designed from reinforced concrete, walls are from brick-walled POROTHERM. Roofing is designed from reinforced concrete board. The building will be roofed with arched trusses with metal roofing. In 2nd and 3rd floor are situated offices, meeting rooms, conference halls and social background. The work includes the study of building and heat considerations.

This thesis addresses the construction and technological renovation project ESF MU in Brno. The building will be solved in three main stages. The first phase is the demolition work, the second is the renovation of interier and the third is the inovation of skylight. Reconstruction will take place in the 1st floor and 2nd floor especially in the hall and library. The building is a reinforced concrete skeleton with monolithic reinforced concrete ceiling.

This thesis focuses on the design of a multifunctional building in the village Nebovidy. The building will be used for sports, cultural events, entertainment and administrative activities. The building is located in close proximity to the municipal office. The building is divided into two buildings - rear hall with offices and a hall itself. Background has 3 floors and a partial basement. The structural system is a wall with a gable roof with dormers. Hall has a supporting structure made of steel and is partially sunk below ground level.

The object of this diploma thesis is the concept of architectonic studies of concert hall – theatre music. The main functional scope of the projected building is concert hall with capacity of 542 visitors. Hall enables performances of choir up to 50 members and orchestra up to 80 members. Operative and service room of the concert hall background is one of the parts of handled task. The main accent was put on acoustic solution of the main hall and overall limpidity of the building operation. Building look and its solution is trying to supplement compactness of the urban unit with the respect to the surrounding build-up area.

Main goal of the diploma thesis was to create an architectural study of the Ponava Centre, Brno, Královo Pole. This compound includes the set of buildings, which together set up valuable public space filled with different functions (cultural centre, gallery, restaurant, café, music club, housing, leasable units, family centre and roofed public space). The thesis was preceded by elaboration on the urban concept which defined the problems of this compound and determined the placement of proposed objects. The area is located in city of Brno, in Královo Pole district, cadastral of Ponava local authority, between the streets Střední and Staňkova.

Optoplasmonic microtube cavities, the combination of dielectric microcavities and noble metal layers, allow for the interactions between photonic modes and surface plasmons, leading to several novel phenomena and promising applications. In this thesis, the hybrid modes with different plasmon-types of evanescent field in the optoplasmonic microtube cavities are discussed. The basic physical mechanism for the generation of plasmon-type field is comprehensively investigated based on an effective potential approach. In particular, when the cavity wall becomes ultra-thin, the plasmon-type field can be greatly enhanced, and the hybrid modes are identified as strong photon-plasmon hybrid modes which are experimentally demonstrated in the metal-coated rolled-up microtube cavities. By designing a metal nanocap onto microtube cavities, angle-dependent tuning of hybrid photon-plasmon modes are realized, in which TE and TM polarized modes exhibit inverse tuning trends due to the polarization match/mismatch. And a novel sensing scheme is proposed relying on the intensity ratio change of TE and TM modes instead of conventionally used mode shift. In addition, localized surface plasmon resonances coupled to resonant light is explored by designing a vertical metal nanogap on microtube cavities. Selective coupling of high-order axial modes is demonstrated depending on spatial-location of the metal nanogap. A modified quasi-potential well model based on perturbation theory is developed to explain the selective coupling mechanism. These researches systematically explore the design of optoplasmonic microtube cavities and the mechanism of photon-plasmon coupling therein, which provide a novel platform for the study of both fundamental and applied physics such as the enhanced light-matter interactions and label-free sensing.

Friedrich Press war ein namhafter Bildhauer und Gestalter, der bis zu seinem Tod 1990 in etwa 40 überwiegend ostdeutschen Kirchen Werke geschaffen hat. Ein umfangreiches, von Press maßgeblich bestimmtes Projekt ist die 1970 begonnene Neugestaltung der Kirche Sankt Josef in Dresden. Der Entwurf des Künstlers umfasst auch ein Relief für die Brüstung der Orgelempore, dessen Herstellung durch die Kirchgemeinde seit 2013 diskutiert und etwa 2014-2018 realisiert wurde. Da Friedrich Press 1990 verstorben ist, war eine unmittelbare Mitwirkung bei der Realisierung nicht möglich. Authentizität bedeutet Echtheit im Sinne von „als Original befunden“ (wikipedia 2019). Authentizität ist keine objektive Kategorie, sondern von der Wahrnehmung und Interpretation der Rezipienten geprägt. In der bildenden Kunst ist die Authentizität eines Werkes unbestritten, wenn der Künstler das Werk eigenhändig schafft. Dies trifft für Maler, Bildhauer oder Grafiker zu-mindest weitgehend zu, die nur unwesentlich auf Fähigkeiten und Mitwirkung anderer Menschen zurückgreifen müssen, um ihre Ideen in Werke umzusetzen. Anders ist die Situation in der Baukunst oder in der Produktgestaltung, wo der Architekt oder Designer seinen Entwurf nicht selbst handwerklich umsetzen kann. Die Arbeitsteilung bewirkt zwangsweise Abweichungen von der ursprünglichen Gestaltungsidee. Meist wird man entsprechende Werke dennoch dem entwerfenden Gestalter zuschreiben und insofern das Werk als authentische Umsetzung einer Entwurfsidee beurteilen. Eine Skulptur wird unter verschiedenen Aspekten wahrgenommen. Neben der Gesamtform und der Komposition der Bestandteile, die aus dem Entwurf klar hervorgehen, bestimmen auch Material, Farbe, Textur und Einordnung in den räumlichen Kontext die Wahrnehmung der Skulptur. Diese Merkmale sind durch den Entwurf oft weniger dokumentiert und entstehen erst im Prozess der Umsetzung. Es ist davon auszugehen, dass eine vollständig authentische Umsetzung der künstlerischen Intentionen nicht möglich ist [...] Der vorliegende Beitrag befasst sich mit der Realisierung des von Friedrich Press entworfenen Reliefs an der Orgelempore und der Frage, inwieweit das Ergebnis als authentisches Werk des Künstlers gesehen werden kann. [... aus der Fragestellung]