Examensarbetets mål var att utforma två förslag på ett musik- och konsthus för placering i Växjösjön. Konstruktionen ämnas vara flytande och mobil.Gemensamt undersökte författarna byggnadens förutsättningar och möjligheter, i syfte att underlätta utformningsprocessen. Författarna utformade var sitt förslag. Det resulterade i två förslag med skilda arkitektoniska särdrag, skapade utifrån gemensamt stipulerade avgränsningar.Det ena förslaget är utformat med hjälp av geometriska former med raka sidor. Det kontrasterar mot det andra förslaget som har organiska och mjuka former. / The purpose of this thesis was to produce two alternative architectural designs, of a building, that will house various exhibitions and activities. Mainly those will be culture related; music and arts. The building is to be located in a Swedish lake, called Växjösjön, and the structure is intended to be placed on a floating hull.Initially the authors investigated, and discussed, what possibilities and limitations that were associated with the building. The authors then, separate from one another, created one alternative design each.The first of the two designs found its inspiration in different geometrical shapes, whereas the other was more of an organic design with a smooth and flowing architecture. / De digitala ritningarna finns att tillgå från författarna på begäran.

In der Ausstellung „Bilder machen – Fotografie als Praxis“ stellt die Deutsche Fotothek der SLUB Dresden in Kooperation mit der Universitätssammlung Kunst+Technik die Fotografie als vielgestaltige kulturelle Praxis vor. Fast alle Exponate stammen von der Deutschen Fotothek, deren Bestand mehr als drei Mio. Aufnahmen umfasst. Die Ausstellung wird von einer öffentlichen Ringvorlesung begleitet, in der weitere Gebrauchsweisen der Fotografie in den Blick genommen werden. Außerdem ist ein Katalog erschienen, in dem die Themenbereiche vertieft werden.

The aim of the thesis were to analyze supply and demand of tourism in Písek region, to complete the product for selected segment of visitors based on research of motivation, expectation and image of chosen cultural facilities and to purpose possibilities of communication and cooperation of cultural facilities and tourism industry in Písek region.

La présente thèse est consacrée à l’étude des peignes optiques de Kerr dans les résonateurs àmodes de galerie, au sein desquels la lumière peut être excitée par pompage externe. L’effet Kerrexistant dans ces résonateurs engendre des modes latéraux équidistants (dans le domaine spectral)de part et d’autre du mode excité, c’est à dire un peigne de fréquence. Cette thèse est diviséeen trois chapitres. Le premier est dédié à l’introduction de la génération de ces peignes et leurapplications. Le deuxième chapitre présente l’analyse de l’équation de Lugiato-Lefever, décrivantde manière analytique le système, et conduit à la construction de deux diagrammes de bifurcationpour les dispersions normale et anomale. Ils sont tracés en fonction des deux seuls paramètresexpérimentalement contrôlables une fois le résonateur fabriqué : la puissance du laser et sondécalage de fréquence. Ces diagrammes indiquent les plages de paramètres pour lesquels une,deux, ou trois solutions existent ainsi que leur stabilité. Les simulations numériques renseignentle type exact de solution associée à chaque aire (notamment les solitons brillants et sombres, lesbreathers, les peignes optiques de Kerr de premier et deuxième ordre, et un régime chaotique) ; cesdiagrammes indiquent donc les paramètres du laser à choisir afin de générer la solution souhaitée.Le troisième chapitre est dédié aux peignes de Kerr optique secondaires, lignes additionnelles dansle domaine spectral générées entre les lignes du peigne principal. Ils apparaissent en dispersionanormale, lorsque la quantité de photon pompe excède un seuil dit de second ordre, qui a étédéterminé numériquement. / This thesis is dedicated to the study of the Kerr optical frequency combs in whispering gallery moderesonators, where the light can be excited by the extern pump. Due to the Kerr effect existing in theseresonators, the quasi-equidistant lines in the spectral domain are generated around the excited mode,that is the frequency comb. This thesis is devided in three chapters. The first one is dedicated to theintroduction of the Kerr comb generation and their applications.The second one presents the analysisof the Lugiato-Lefever equation used for the analytical study of the system, leading to the constructionof two bifurcation diagrams for the normal and anomalous dispersions. They are plotted for twoparameters, which can be controlled during experiments once the resonator has been fabricated,which are the pump power of the laser and its frequency detuning. These diagrams show the areas ofthe parameters for which one, two, or three solutions exist and their stability. The additional numericalsimulations show the exact type of the solution in each area (such as the bright and dark solitons,the breathers, the primary and secondary Kerr combs and chaotical regimes), finally these diagramsshow the parameters of the laser needed to be choosen for the generation of the desired solution.The third chapter is dedicated to the secondary Kerr combs, which are the additional lines generatedbetween the lines of the primary comb. They appear in the anomalous dispersion regime, when thequantity of the pump photons crosses the second-order threshold, which has been found numerically.

La thèse interroge la place de la peinture religieuse dans le nouveau genre métapictural du «Cabinet d'amateurs», inventé à Anvers au début du XVIIème siècle par Frans Francken II. Les «Cabinets d'amateurs» anversois ont été considérés jusqu'à présent comme le reflet du collectionnisme et donc du goût de l'époque; on y a vu en même temps l'expression des idées de la Contre-Réforme et, dans une moindre mesure, de la culture humaniste dans les Pays-Bas méridionaux. Cette approche socio-culturelle globale ne saisit pas la diversité des Cabinets et leur spécificité ; la visée de ces tableaux est finalement autre. Sous l'aspect d'une représentation de collection, cette réunion de tableaux et d'objets divers aboutit à l'élaboration d'un discours consacré à un thème d'ordre éthique ou épistémologique. De multiples liens s'instaurent au sein des «Cabinets d'amateurs» entre les tableaux restitués et même entre les tableaux et les objets, liens qui font naître une grande cohérence interne, cachée sous l'apparent désordre. Des rapports fondés sur l'analogie ou l'antithèse sont établis entre les œuvres que le spectateur est appelé à déceler. Les nouvelles identifications d'œuvres que nous avons pu apporter confirment la présence d'un thème qui coordonne l'ensemble d'un Cabinet d'amateurs. L'étude porte sur les «Cabinets d'amateurs» de Frans Francken II et de son frère Hieronymus, puis sur ceux de Cornelis De Baellieur. Tous ces Cabinets sont constitués de tableaux authentiques et suivent le principe d'ordonnancement autour d'un thème. Nous avons posé cette même question de la cohérence interne concernant les célèbres compositions de Willem Van Haecht et tenté d'y apporter une première réponse. / The thesis questions the place of religious pictures in the new metapictural genre of gallery paintings invented by Frans Francken II in Antwerp at the beginning of the seventeenth century. Antwerp gallery paintings have been considered so far as reflecting collecting practices and the taste at that time. They have also been understood as the expression of the ideas of the Counter­Reformation and, to a lesser extent, the humanistic culture in the Low Countries. This global socio­cultural approach does not grasp the diversity and specificity of gallery paintings, the aim of these paintings is definitely another one. Looking like an image of a collection this combination of paintings and diverse objects leads to the construction of a discourse dedicated to an ethical or epistemological theme. Various links can be observed in gallery paintings between the reproduced pictures and even between the pictures and the objects, links which bring forth a strong internal coherence, hidden under apparent disorder. Relationships based on analogy or antithesis are established between the works of art which the beholder is invited to find out. Newly identified works confirm the presence of a theme which coordinates a gallery painting as a whole. My study is devoted to the gallery paintings by Frans Francken II and his brother Hieronymus, further those by Cornelis De Baellieur. All these gallery paintings contain existent paintings and follow the principle of organization according to a theme. My study also puts the question of internal coherence concerning the famous compositions by Willem van Haecht and tries to give a first answer to it.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research aims investigate three spaces of exhibitions, where each one guards its specificity: The Art & Fact Gallery, a commercial space; the Contemporary Art Museum of Rio Grande do Sul MACS/RS, a institutional space and the Torreão, a collective initiative of artists, in a meaningful time covering the years of 1985 and 1997, in Porto Alegre City. What interested us searching, mainly, was the feature common on all three, that is, the extent to which each contributed as a space of legitimation of artists who were beginning their careers in the mid 80's and 90's. From the historiography did the analysis of the performances of such spaces in relation to production, distribution and consumption of art in that period, despite the relationships between spaces, the artists and arts system in force, noting the changes that promoted into the field of art in Porto Alegre. The survey, regarding the methodology, procedures relating to research combines theoretical and field. The first will have its foundation in important authors who wrote about the period as Iclaia Cattani, Blanca Brites, Marilene Burtet Pieta, Anna Maria Albani de Carvalho and Maria Amelia Bulhões, like Gomes and Paulo Tadeu Chiarelli, and other influential theorists different areas such as Anne Cauquelin, Nathalie Heinich, Pierre Bourdieu, Sonia Saltztein, Ricardo Basbaum and Ligia Canongia. To reach our goals the field research was fundamental because the interviews with officials, directors and managers, was instructive, because understanding its dynamic presentation of art, we understand them as spaces of legitimation. / A presente pesquisa tem por objetivo investigar três espaços de exposições, em que cada um guarda a sua especificidade: a Galeria Arte & Fato, espaço de cunho comercial; o Museu de Arte Contemporânea do Rio Grande do Sul MAC/RS, espaço institucional; o Torreão, iniciativa coletiva de artistas, em um recorte temporal que abrange os anos entre 1985 e 1997, na cidade de Porto Alegre. O que interessou pesquisar, principalmente, foi a característica comum aos três, ou seja, em que medida cada um deles contribuiu como espaço de legitimação de artistas que estavam iniciando as suas trajetórias em meados dos anos 80 e na década de 90. A partir da historiografia, realizou-se a análise das atuações dos referidos espaços no que tange à produção, à divulgação e ao consumo de obras de arte no citado período, estabelecendo relações entre os espaços, artistas e sistema de artes vigente, constatando as mudanças que promoveram para o campo da arte em Porto Alegre. A pesquisa, no que diz respeito à metodologia empregada, conjuga procedimentos referentes à pesquisa teórica e à de campo. A primeira tem o seu embasamento em autores importantes que escreveram sobre o período, como Icleia Cattani, Blanca Brites, Marilene Burtet Pieta, Ana Maria Albani de Carvalho e Maria Amélia Bulhões, assim como Paulo Gomes e Tadeu Chiarelli, além de outros teóricos influentes de áreas diferenciadas, dentre eles, Anne Cauquelin, Nathalie Heinich, Pierre Bourdieu, Sonia Saltztein, Ricardo Basbaum e Ligia Canongia. Para atingir os objetivos, a pesquisa de campo revelou-se fundamental, pois as entrevistas com os responsáveis, os diretores e os gestores mostraram-se elucidativas; assim, entendendo as dinâmicas de apresentação da arte, compreende-se tais locais como espaços de legitimação.

Les résonateurs à modes de galerie sont des cavités diélectriques qui supportent des modes à très haut facteur de qualité et à faible volume qui demeurent confinés à l'interface air-diélectrique pour des durées pouvant atteindre voire dépasser la microseconde. L'intérêt de ce fort confinement des modes pour de longues durées est l'accentuation de l'interaction lumière-matière. Par conséquent, de nombreuses interactions non-linéaires telles que l'effet Kerr ou encore l'effet Brillouin à des puissances seuil inversement proportionnelles au carré voire au cube du facteur de qualité du résonateur ont lieu en son sein. Ces propriétés donnent accès à de nombreuses applications dans des domaines divers et variés tels que la spectroscopie, les télécommunications ou encore les micro-ondes. Les travaux de cette thèse ont pour but d'exploiter les non-linéarités Kerr et Brillouin dans les résonateurs à mode galerie à la longueur d'onde de 1550 nm afin de générer des micro-ondes ultra-stables à des fréquences comprises entre 5 et 30 GHz. Le premier chapitre introduit la théorie, la fabrication, le couplage et la caractérisation de résonateurs à des modes de galerie. Le second chapitre concerne la génération de micro-ondes. Nous y présentons nos résultats expérimentaux, la modélisation numérique de peignes de Kerr, ainsi que l'analyse d'instabilités oscillatoires d'origine thermique observées lors de nos travaux expérimentaux, puis nous concluons. Le dernier chapitre traite de l'interaction photons-phonons via le processus de diffusion Brillouin stimulée dans ces mêmes expérimentaux ainsi que le modèle temporel que nous avons développé pour suivre la dynamique de l'onde transmise et de celle rétrodiffusée. Le dernier chapitre conclue nos travaux. Les travaux présentés dans ce manuscrit ont été financé par l'European Research Council dans le cadre du projet NextPhase. / Whispering galery mode resonators are dielectric cavities that support modes with ultra-high quality factor and small volume that remain confined in their inner periphery for time duratioons that can be as long as few microseconds. The strong confinement of these modes for such long durations strongly enhances nonlinear effect suchs as Kerr effect or Brillouin effect. These resonators can therefore be used for several applications such as spectroscopy, telecommunications or microwave generation. The objective of this thesis is to use Kerr and Brillouin nonlinearities in these resonators at the laser wavelength of 1550 nm, in order to generate high spectral purity microwave signals with frequencies rangong fros 5 to 30 GHz. The first chapter oh the thesis intriduces the theory, fabrication, coupling and characterisation of whispering gallery mode resonators. The second chapter is about the generation of Kerr optical frequency combs in these resonators and their application to the generation of microwave signals. We present our experimental resuktsdn the numerical modelling of Kerr combs, the analysis of oscillatory instabilities (due to thermal effect) observed during our experiments, and conclue. The third chapter concerns photon-phonon interactions via stimulated Brillouin scattering in these resonators and their application to the generation of microwave signals. We present our experimental results and the temporal model that we developed to track the dynamics of the forward and backscattered fields. The last chapter conclude the thesis. The research presented in this thesis has benne funded by the European Research Council through the project Nextphase.

The city of Brno has always been a center of Moravian wine. The new draft of wine center responds to this reality and represents the grandeur of wineries in its full glory. Respect for nature, love for traditions and love for order/system are the main aspects of the design. The proposal is essentially open to the public, however, the necessary modesty is preserved. Conversely taciturnity of production part of buliding holds the secrets of the deep traditions of Viticulture and Enology. Designed buildings are used for production, wine storage, administration associated with the production, tasting and selling wine, conferences, accommodation and, finally, wellness and other activities. The size of the building is the result of an optimal design that does not interfere with nearby historical buildings. The emphasis is on minimizing costs both during construction and during operation. Flor plan shape resembling the letter L is oriented towards the west courtyard. This raises a unique viticultural area court with a wide staircase. The amphitheater can be used for seasonal exhibitions, pilgrimages or feast of local entertainment. The yard is connected with the street Hlinky, which paraphrases the historic entrance portals into winecellars. The northern part of the building bites into the ground and connects the original winecellars with new facilities. Small narrow windows reflects the desired taciturnity, just as it was with winecellars in South Moravia for centuries.

This thesis describes design gallery of aviation technology and traditions at the airport in Brno Part of my thesis is focused on urban solution of area layout its interconnections with near districts “Komín“ and “Medlánky“. There is new pedestrian, cycling paths, operational and logistic roads inside the complex layout. This design supposed to keep the two existing historic hangars and demolishing remaining buildings with subsequent completion of necessary objects. Priority and the main idea is to keep compositional and visual axis to ensure visual contact with all airport operational parts to ease of orientation. According to this principle is mass and platform solved with object “gallery”. This object in addition to the exhibition space is also used for administration and operation department of the gallery. In separate part there is ensured catering in form of restaurant with associated technical, operational and sanitary facilities. The gallery is designed to visually and physically separate section used by pilots and airport vehicles from visitors to avoid dangerous situation. Other buildings I have designed in my project are “the clubhouse”, airport administration, emergency accommodation, social activity space mainly designed for aircraft-model pilots and the air traffic control tower. These objects creates border between premises restricted for aero club and visitors.

The subject of my thesis is the project of Gallery aviation technology and traditions of aviation at the airport Medlánky in Brno. The project also includes urban solution of area airport in Medlánky and linking urban areas Medlánky and Komín by newly designed roads and walking paths. The area of airport consists of the two historic hangars and newly designed buildings for the servise and maintenance of aircraft, for the laboratories and the test room of aviation technology, from the control tower and the gallery aviation technology, in which there is also bistro-cafe. The building with gallery aviation technology formed a compact space for visitors with the other buildings, but at the same time the building is separated from the private area, where the planes are moving freely. In the building with gallery, there are besides the exhibition space designed also the bistro-cafe, areas for management and operation of gallery, technical and sanitary facilities, restoration workshop of historic aircraft, conference halls, meeting and training rooms, clubhouse and accommodation. The building serves as a curtural - public building, wheelchair accessible is available throughout the object.