Thesis (Ph. D.)--Institute of Fine Arts, 1990. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 1, p. 213-231).

Thesis (D.M.A.)--University of Rochester. / Reproduced from typescript. Vita. Includes bibliographical references (leaves 139-145). Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5896

Thesis (Ph. D.)--University of Chicago, Department of Romance Languages and Literatures, December 1999. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Michigan, 1999. / "UMI number: 9938401"--T.p. verso. Includes bibliographical references (p. 413-436) and index.

Thesis (Ph. D.)--Wesleyan University, 2005. / Includes bibliographical references (leaves 416-422) and index.

Maîtrise--Arts plastique--Lille 3, 1997. / Bibliogr., 19 p.

Texte remanié de: Th. doct.--Freie Universität Berlin, 1998. Titre de soutenance : Hologramme der Kunst : Avantgardismus im Werk Else Lasker-Schülers. / Bibliogr. p. [337]-366.

Texte remanié de: Dissertation--Saarbrücken--Universität des Saarlandes, 1994. / Bibliogr. p. 247-262.

<p>My dissertation, Wanderers in Contradiction. The Italian Road to Modernism (1903-1922), analyzes how a generation of intellectuals approach the cultural revolution brought by Modernism. In Chapter One, dedicated to Pirandello’s essay On Humor, modernist themes, such as the perception of life as an unstoppable and unrepresentable flux, are examined in the Italian work that best represents them in the context of nineteenth-century ‘negative thought.’ Chapter Two, which is devoted to the writings of Giovanni Papini and Giuseppe Prezzolini, and Chapter Three, in which I focus on the work of Ardengo Soffici and Aldo Palazzeschi, analyze the ‘positive’ response to Modernism. These intellectuals highlighted how the cultural crisis was an opportunity to reject dangerous forms of essentialism, and opened the way for a new form of art committed to the representation of contingency. Conversely, Chapter Four, which deals with Giovanni Boine and Piero Jahier, and Chapter Five, on Scipio Slataper and Carlo Michelstaedter, illustrate the ‘negative’ reaction to the modernist crisis of values. These authors, who abandoned a purely epistemological perspective in favor of a religious or ethical one, manifest an anti-modernist thread within Modernism itself. Therefore, my research contributes to three different general areas of scholarship: literature, philosophy, and history. Broadly speaking, it advances the understanding of Italian culture and the way Italian intellectuals participate in and are influenced by European interactions. It also engages with philosophical debates concerning the crisis of metaphysical Foundations, including the role of Italian writers in this process.</p> / Dissertation

Herman, Alexandr. Lirical elements in Lorca´s theatre - Bloody wedding. České Budějovice: Pedagogická fakulta Jihočeské univerzity v Českých Budějovicích, 2011, 103 s., Diploma thesis. This diploma thesis presents lyrical elements in teatral work of Federico García Lorca. Author himself belogs among top members of an avantgarde movement in Spain. His dramas are up to now very often shown at the most prestigious theatre house in the world, his poetry, very often explained in new interpretation, absorbing an echoe of the folk lyric. The author was bor in the year 1898, year that ment withdrawal from its ancient position. This new situation is reflected at a new actitude towards an art and Spain. This work is divided into three parts.