This thesis seeks to examine the nineteenth-century art collections and architectural style of the original buildings at the University of Sydney in order to demonstrate ways in which visual material may be employed to shape public perception of an institution. I shall argue that the architectural style of the original university buildings was specifically chosen with particular aims which extended beyond the mere establishment of a tertiary institution for the colony. I will also argue that the style shaped the character of the institution, contributed to the maintenance of law and order in the colony, linked the colony more firmly than hitherto to the mother country and provided social benefits for the founders of the institution. The instant history and character thus imposed upon the institution was reinforced by the assembly of a portrait collection in emulation of other collections of portraits at leading institutions of the colony and the mother country, including the Oxbridge universities. Once the building proclaimed that the institution was comparable with the great universities of the world, the subjects of the portraits at the university could be placed in the class of founders of a great historical institution, thus at the same time enhancing the reputation of the institution and the individuals. The construction of an indentity through visual images was extended by the benefactions of Sir Charles Nicholson, the principal donor of works of art to the university in the nineteenth century. I argue that his intentions in relation to his collections were didactic but were also concerned with the entrenchment of the imperial hegemony over the colony, and again with the enhancement of his personal repuatation. This analysis shows how, by a complex of personal ambition and aspiration for the colony, the style of the buildings and the art collections formed were used to establish the colony as civilized and the new university as a bastion of English tradition.

This thesis presents a feminist genealogy of ideas concerned with male violence against women from the late nineteenth to the late twentieth century. The thesis has two components: the first examines feminist, psychotherapeutic and socio-legal literature, examining how knowledge about female victims of male violence has been constituted; the second analyses memory work conducted with two groups of women exploring personal meanings about victims and violence. Each chapter describes pivotal moments in the history of women and violence showing how seemingly disparate ideas emerged to become precursors of contemporary knowledge which have given rise to a range of institutional responses to violence. Late nineteenth-century feminists created new ways of speaking about violence against women, however, their ideas were incongruent with prevailing discourses of the era. The advent of Freudian thought also brought about a new language with which to talk about violence placing the victim of violence firmly under the therapeutic gaze. During the 1930s and 1940s the founders of victimology utilised Freud's work as evidence for their proposition that female victims were often complicit in their own victimisation. In the1970s feminists challenged victim blaming ideology and redefined violence as a social and political issue. Twentieth century psychotherapeutic discourses tended to position victims of violence within discourses of psychopathology. However, more recently survivors have been defined in terms of traumatisation, constituting alternative possibilities for subjectivity following victimisation. The memory work used in this study enabled a consideration of the relationship between discourse and women's understandings of violence. Although remnants of all the discourses could be found in the women's narratives, some resonating with more authority than others, no one discourse operated deterministically to totalise subjectivity. Rather, it is evident that identities associated with survival are complex, dynamic and fluid. The legacy of the discourses described in this thesis continues to be apparent in community attitudes, institutional responses to violence and survivors' concepts of self. This thesis considers the potential implications of these discourses for women's subjectivity.

Ilha Formosa, meaning the ‘evergreen resplendent isle’, today known as Taiwan was named by passing European navigators in the sixteenth century. Although it had never been officially a part of the British Empire, the island – like a large portion of the world, was influenced by Great Britain, its activities, and policies. The aim of this thesis is to explore the development of the British concept, or image, of Formosa through the second half of the nineteenth century. During this period, British influence in Formosa picked-up significantly due to British commercial interests. Under British influence in the second half of the nineteenth century, Formosa started to produce and export famous Taiwanese tea on a much larger scale. The popularity of Oolong tea brought Formosa into the sphere of British public interest and the British community in Taiwan grew as a result. As time went on, more missionaries and their wives, officers, and merchants visited and lived in Taiwan. Their interactions with the Chinese and indigenous populations were carried back to Britain through visitors´ journals, letters, photographs, and stories, all of which effected the British public perception of Formosa. The popularization of Taiwanese tea together with other commercial and political interests played an important role in the British public reflection of Formosa, which evolved from the opening of the Taiwan seaports to foreign trade at the end of the 1850s and the beginning of the 1860s until the end of the nineteenth century, when the Japanese began its colonization of Taiwan.

This thesis examines the emergence of the nation in the British Empire in the process of thinking about empire, economy and biology during the late-Enlightenment and the nineteenth century. A key aspect of this, Knapman argues, was concern over the dialectic of civilization and order as it related to the barbarian and the savage. The notion of the barbarian grounded the European nations in time and therefore constructing a sense of origin and particularism. Equally the savage and the barbarian placed non-European cultures in time. The thesis draws on a range of writers from eighteenth and nineteenth centuries such as Adam Smith, Edward Gibbon, David Hume, Thomas Malthus, John Stuart Mill, Charles Darwin, James Cowles Prichard, Robert Knox and many other lesser-known figures. This is related to an examination of the nation in British representations of Southeast Asia, including colonial officials such as Stamford Raffles, John Crawfurd, and James Brooke who produced encyclopaedic accounts of their experiences in Asia. The thesis argues that while the complex grammar of the British Empire divided the world into spheres of civilisation and barbarism, it retained a special place for barbarians within the core and thus allowed for the naturalisation of nations within the context of an empire of civilizing others.

The aim of this thesis is to investigate the relationship between Finnish and non-Finnish by-names in the church registers of Nedertorneå in the nineteenth century. The investigation shows that the by-names are rather heterogeneous in character and a portion of them consists of elements from different languages. The by-names are divided into Finnish, non-Finnish and parental names, i.e. patronymics and metro-nymics. In order to study the development within the by-name stock in the rural communities of Nedertorneå and in the town of Haparanda, the numbers of Finnish and non-Finnish by-names and of parental names (including comibnations with these bynames), found within the population over the age of 20, are calculated at approximately 20-year intervals during the period 1825-1886. The investigation shows that the by-name stock in Nedertorneå is far more stable than in Haparanda. Individual changes of by-name from one selected year to the next are also taken up, together with certain causes and their possible effect on the changes in the byname stock for the population. By-name changes seem to be more common in Nedertorneå than in Haparanda. However, no real tendencies towards Swedicized forms emerge before the 1890s and the name changes tend rather to have social causes. Finally, an attempt is made to relate the number of Finnish and non-Finnish bynames (including combinations with these by-names) to certain population figures for men and women for the different selected years. The instability in Haparanda's byname stock depends on the faster population growth in the town. The value of various church registers for investigating by-names in the nineteenth century is also discussed. / digitalisering@umu

The Lacy Hotel was a part of the "Great Locomotive Chase", a significant historical event in Kennesaw, Georgia during the Civil War (AD 1861-1864), yet little is known of this site. The Lacy Hotel was a boardinghouse that operated for roughly six years until General William Tecumseh Sherman burned it in 1864. This research utilizes historical records along with archaeological fieldwork in order to provide a more detailed analysis of daily life within the Lacy household. Dominant ideologies influence the roles of women concerning their activities and choices of consumption within the household. Although the results show that the boardinghouse is not a typical household, the social dynamics and consumption are still constrained by the culture and ideology of the time period. In conclusion, this research offers a case study about the role of women on the eve of turmoil and contends that the boardinghouse is emblematic of broader changes within the rural South during the 19th century.

This thesis examines press framing of immigrant issues and epidemics in newspapers and periodicals, 1891 to 1893. During these years, immigration policies became more restrictive because of the Immigration Act of 1891, the opening of Ellis Island in 1892, the Chinese Exclusion Act of 1892, the New York City epidemics of 1892, the National Quarantine Act of 1893, and the nativist movement. Framing theory guided the following research questions: 1) How did articles in newspapers and periodicals frame immigrants and immigration issues in the context of epidemics from 1891 and 1893?; and 2) How did the press framing of immigrants and immigration issues in the context of epidemics from 1891 to 1893 reflect themes of nativism? This thesis contributes to the discourse about immigration because many Americans historically have learned about immigration issues from the press.

This thesis discusses discourses surrounding the urban prostitute in mid-nineteenth century Paris and London. During the nineteenth century, sexuality became a topic of increasing concern and an outpouring of literature on deviant sexuality and ways to regulate it appeared from moral commentators, social scientists, and physicians. Different historical moments saw the prevalence of different approaches taken, whether it was through the moral counsel of religious pamphlets, or through the methodological approach implemented by medical journals and social surveys. My study will trace the evolution of sexual discourses on prostitutes as well as how their authors influenced attempts to regulate these women. My primary argument is that sexual discourses of this period were organized around definitions of normality and deviancy, the understanding of what constitutes respectability, and the desire to control marginalized populations. The discursive literature on prostitution that appeared during this century thus provides an indication of how power manifests itself in unseen ways and how the power of words can shape definitions of sexuality and deviance.

This dissertation explores the nature of marriage, violence, and region in the mid-nineteenth-century United States. Based on more than 1,500 divorce cases, it argues that marriages were often characterized by open enmity, not companionate harmony. Violence and cruelty between spouses generally erupted as part of ongoing struggles for power in the household and in the relationship. As the only book-length study of marital cruelty for a southern state, this work challenges much of what historians have argued about the relationship between violence and region. It finds that, contrary to what is generally understood about the American South, marriages in Texas and Virginia were not exceptionally violent, at least not compared with those in Wisconsin. The presence of marital cruelty was most pronounced in environments suffering from gender role instabilities. As the statement above shows, this dissertation takes seriously the use of gender as a lens through which to analyze marital discord. Correcting the historical perception of women’s violence as trivial, rare, or defensive, this dissertation contends that antebellum wives were indeed capable, and often willing, to commit a wide variety of cruelties within marriage. This work presents the first multi-state comparative study of marital discord focusing on the United States. Exploring nineteenth-century marriages from “way, way below” allows us to move beyond ideals to examine the messiness and unhappiness that characterized many conjugal unions.

This thesis involves both editorial practice and literary analysis. In order to establish an editorial framework for the electronic scholarly edition of Dr. Ralph Barnes Grindrod's pamphlet <em>Slaves of the Needle</em>, I examine current issues in electronic textual editing. In the electronic scholarly edition, approximately twelve of the pamphlet's thirty-five pages are transcribed and encoded using TEI-based code. The second aspect of my master's thesis concerns the depiction of seamstresses in nineteenth-century British literature. <em>Slaves of the Needle</em> provides a non-fiction counterpart to the fictional seamstresses of mid-nineteenth-century literature. Using <em>Slaves of the Needle</em> as a basis for evaluating the accuracy of mid-nineteenth-century characterizations of seamstresses, I show that authors such as Charles Dickens, Elizabeth Gaskell, Ernest Jones, and Charlotte Elizabeth Tonna were familiar with the working conditions of seamstresses. By conducting a close reading of certain representations of the seamstress in both fiction and non-fiction, I develop a theory of why the depiction of some aspects of the seamstress story are more accurate than others.