Thesis (M A)--Zhongguo wen hua xue yuan. / Reproduced from typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 78-81.

Thesis (M A)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Bibliography: leaves 78-81. Also issued in print.

published_or_final_version / abstract / Chinese Historical Studies / Master / Master of Arts

Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

This essay will present the vertex pursuit game of cops and robbers and the problem that made it famous: Meinyel's conjecture. The conjecture stood unproved from 1987 until 2010 when Łuczak and Prałat proved the conjecture with their "Zig-Zag Theorem", which is also covered in the essay.

Thesis (M.A.)--University of Wisconsin, 1966. / Title from opening screen. Description based on display of Aug. 2, 2002. Includes bibliographical references. Mode of access: Internet.

Thesis (MPhil)--University of Stellenbosch, 2006. / On title page: MPhil (Ancient Cultures). Bibliography. Also available via the Internet.

Thesis (Ph. D.)--University of Washington, 2005. / Vita. Includes bibliographical references (leaves 235-246).

O estilo de época Sturm und Drang, o primeiro movimento literário genuinamente alemão, surgido na segunda metade do século XVIII, possibilitou a emancipação literária da Alemanha e introduziu naquele país o conceito de gênio original. A partir da descoberta da obra do gênio inglês Shakespeare (possibilitada pelas traduções de Christoph Martin Wieland), os alemães se depararam com o modelo de revolução literária que necessitavam para instituir as bases da originalidade literária alemã. Pautando-se na estrutura dramática shakespeariana, Johann Wolfgang von Goethe e Friedrich Schiller elaboraram seus dramas de estreia, obras foco da presente pesquisa: Götz von Berlichingen e Os bandoleiros, respectivamente. O presente estudo propõe-se, por conseguinte, a analisar as obras supracitadas à luz da temática do gênio original. Mas, primeiramente, são observados os fatores (como a ascenção do romance inglês) e escritores (como Gothold Ephraim Lessing, Johann Jakob Bodmer, Johann Jakob Breitinger, Friedrich Gottlieb Klopstock, Johann Joachim Winckelmann, Wieland e Johann Gottfried von Herder) que colaboraram para a instituição da era genial na Alemanha / The Sturm und Drang period, the first literary style genuinely German, emerged in the second half of the 18th century, turned the literary emancipation of Germany possible and introduced in that country the concept of original genius. As from the discovery of the English genius Shakespeares works (enabled by Christoph Martin Wielands translations), the Germans came across the model of literary revolution they needed to establish the basis of Germans literary originality. Basing themselves on Shakespearean dramatic structure, Johann Wolfgang von Goethe and Friedrich Schiller worked out their first plays (works that are the focus of the present research): Götz von Berlichingen and The robbers respectively. The present thesis intends therefore to analyse the above-mentioned works, considering the concept of original genius. But foremost the factors (as much as the rise of the English novel) and writers (as Gothold Ephraim Lessing, Johann Jakob Bodmer, Johann Jakob Breitinger, Friedrich Gottlieb Klopstock, Johann Joachim Winckelmann, Wieland and Johann Gottfried von Herder) that cooperated for the establishment of the ingenious era in Germany are examined