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The Swedish \"Riksteater\" : a study of the growth and development of a modern provincial theatre /Carlson, Harry Gilbert January 1959 (has links)
No description available.
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Alfred Ayres, speech teacher, as a critic of late nineteenth-century American theatre /Scully, Daniel William January 1961 (has links)
No description available.
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The dissemination of the dramatic arts in the metropolitan area of MilwaukeeKohlhoff, Ralph Edward, January 1968 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1968. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Imagining the audience as agent of its own history Brecht, grassroots theater and representations of inter-class alliance in the Philippines and Indonesia /Bodden, Michael H. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1993. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 365-380).
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Facts and Dr. Faustus Be Damned: The Evolution of a Cultural IconWoolbert, Elizabeth Tyrrell January 2020 (has links)
No description available.
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Children of the moon by Martin FlavinJackson, Esther M. January 1946 (has links)
No description available.
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From Fact to FarceThe Reality Behind Bulgakov's Black SnowKahoa, Erin January 2015 (has links)
No description available.
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Summer theatre in American colleges and universities : a directory /Slott, Melvin Michel January 1966 (has links)
No description available.
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Some basic specific problems of staging the play in the college and university theatre /Hoak, Eugene Quinter. January 1954 (has links)
No description available.
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A scenic design for Adam Rapp's Red Light Winter| Creating two universes on a small stageLishner, Benjamin C. 25 July 2015 (has links)
<p> Adam Rapp's <i>Red Light Winter</i>, produced by the University Players at California State University, Long Beach is a play that explores the difference between memory, nostalgia, and reality. The creation of an effective scenic design involves zeroing in on the central meaning of the piece and formulating through metaphoric and poetic associations a stage design that effectively communicates these associations and meanings to the audience. <i>Red Light Winter</i> is ultimately about how people struggle to reconcile their memories, the reality of the present, and strong feelings of nostalgia and how these three things can become intertwined, sometimes to disastrous effect. This visual and poetic association allows for the creation of a room space on stage that forces the audience to look metaphorically through the walls of the room into a confined and claustrophobic memory space. The creation of this room by definition also creates a space outside this room. Just as the audience is peering through the walls of the room and into the memories of the characters, all three characters at some point must see beyond their own memories and catch a glimpse of the harsh reality - the "outside" - of their lives.</p>
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