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Breaking tradition reaching for the avant-garde in theatre for young audiences /Hoppe, Meredith A. January 2009 (has links)
Thesis (M.F.A.)--University of Central Florida, 2009. / Adviser: Julia Listengarten. Includes bibliographical references (p. 94-96).
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Regional theatre patronage : the efficacy of integrated marketing communication on the 18-24 age cohort /Chronister, Katherine A. January 1900 (has links)
Thesis (M.A.)--Rowan University, 2007. / Typescript. Includes bibliographical references.
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Towards a theater of the common people new interactions between classical, folk and modern theater in Koothu-p-pattarai, Rang Vidushak and Ankanam /Singh, Vidhu. January 2000 (has links)
Thesis (Ph. D.)--University of Hawaii at Manoa, 2000. / Includes bibliographical references (leaves 285-301). Also available on microfiche.
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Proletarisches, agitprop- und antifaschistisches Theater : ein Beitrag zur Geschichte des schweizerischen Arbeitertheaters der Zwischenkriegszeit /Frey, Ivo. January 1983 (has links)
Th. Phil.-hist. Bern, 1983.
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Theater und Polis zur Entstehung des hochkulturell-antiken Typus theatralischen Handelns und Zuschauens /Langenstein, Klaus-Dieter, January 1983 (has links)
Thesis (doctoral)--Freie Universität Berlin. / Bibliography: p. 275-283.
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Operatic music as a theatrical conventionSpencer, Donald Clifton, January 1960 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1960. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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New Chinese opera house in Temple StreetChan, Ping-hung, Joseph. January 2000 (has links)
Thesis (M.Arch.)--University of Hong Kong, 2000. / Special report study entitled : The making of catabiotic city. Includes bibliographical references. Also available in print.
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The traditional theatre of China in its contemporary setting an examination of the patterns of change within the Peking theatre since 1949 /Yang, Daniel Shih-P'eng. January 1968 (has links)
Thesis (Ph. D.)--University of Wisconsin, 1968. / Includes bibliographical references (leaves 258-278).
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Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the OppressedJanuary 2012 (has links)
abstract: The purpose of this study is to explore the question: what are the ways in which the texts An Actor Prepares (1936) by Constantin Stanislavski and Theatre of the Oppressed (1985) by Augusto Boal intersect with each other and diverge from each other such that in their intersection/divergence a new horizons of understanding may emerge? This question is important in the context of rethinking theatre education. The principle methodology of analysis used is what Shaun Gallagher (1992) terms a "moderate hermeneutics" in which the aim is a "dialogical conversation" leading to a "creative communication between the reader and the text" (p.10). The reason for undertaking a hermeneutical analysis of the two texts is that hermeneutics offers an approach in which the researcher may deeply analyze texts and therefore create new understandings and meanings from those texts. Through the use of hermeneutical analysis, the relationship between the writer and text, and a reader and text becomes a dialectical relationship. A "dialectical relationship" is a conversation between writer, reader and the text. This conversation leads to new interpretations. / Dissertation/Thesis / Ph.D. Curriculum and Instruction 2012
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The Directing Problems Involved in a Production of Lennox Robinson's Church StreetWindt, Theodore O. January 1959 (has links)
No description available.
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