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Looking elsewhere staging the new woman as feminine subject /Wiley, Catherine Ann, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1990. / Includes vita. Includes bibliographical references (leaves 281-289).
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Theater und Fiktion : Spielräume des Fiktiven in Inszenierungen der Gegenwart /Metzger, Stephanie. January 2010 (has links)
Thesis (doctoral) - Ludwig-Maximilins-Universität, München, 2009. / Includes bibliographical references.
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Frames: a Script and Solo Performance of Selected Writings of Anne Morrow LindberghLatham-Jones, Angela 08 1900 (has links)
this thesis explores the writings of Anne Morrow Lindbergh and their potential for oral performance. Lindbergh's life and works are examined, theories of interpretation are explored, and a solo performance script is compiled from various writings of Anne Morrow Lingbergh. The script was rehearsed and presented so that its effectiveness in oral performance could be evaluated. Both the performer and the audience members attest to the appeal of Lindbergh's writings as literature to be performed orally.
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A Study of Summer Theatres Connected with Colleges and UniversitiesEllerton, Judson D. January 1952 (has links)
No description available.
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A Study of the Repertory Company and Its Relationship to the University Academic ProgramMartins, Mary H. January 1965 (has links)
No description available.
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Resisting the Body Invasion: Critical Art Ensemble, Tactical Media, and the AudienceBrewster, Shelby Elizabeth 02 September 2015 (has links)
No description available.
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Indoctrinated Spheres: Intergenerational Education and Gender Constructs in Githa Sowerbys Rutherford and SonKarr, Kasi January 2015 (has links)
No description available.
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Spectacle and illusion : the mechanics of the horse race on the theatrical stage, 1883-1923 /Recklies, Donald F. January 1985 (has links)
No description available.
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The Corsican brothers : its history, and technical problems related to the production of the play /Hunter, Jack Worth January 1963 (has links)
No description available.
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Reducing interference| Harnessing the power of spirituality in actor trainingMay, Asha Kamali 30 July 2016 (has links)
<p> This thesis investigates spirituality as a tool to reduce interference in actor training. Interference is defined as anything that inhibits the actor from reaching full potential in performance. Actor training promises to prepare the actor for performance; however, the looming threat of anxiety often debilitates the actor, blocking him/her from reaching full potential. This thesis investigates spirituality as a tool to reduce interference, while exploring the relationship between the actor and fear. This thesis defines spirituality as a metaphysical power used to release habitual tension in the actor, and not as a religious term. Through Eastern practices, sports psychology, and techniques espoused by master teachers Michael Chekhov and Jerzy Grotowski, this thesis argues that harnessing the power of spirituality can be an effective way to reduce interference in performance.</p>
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