Spelling suggestions: "subject:"cheater productionsection"" "subject:"cheater productionisation""
51 |
Characterisation in contemporary opera and music theatreCarlile, Solfa January 2016 (has links)
This doctoral research comprises a practitioner-based reflective enquiry to bridge the gap between theory and practice and enhance my compositional output. In tandem with the composition of my chamber opera, The Exile, I have undertaken research into characterisation within the context of opera and musical theatre, with a focus on both the delineation of individual characters and the context in which they appear. Parameters of the work are discussed in comparison with canonic works of both opera and music theatre. Contemporary uses of leitmotif, representation of speech and folk music within operatic works are acknowledged and their influence on the composition is presented along with musical examples. The conventional composer-librettist partnership is discussed, along with suggestions for how respective roles for composer and librettist have evolved in recent times. An insight into the collaborative compositional process is presented in the final chapter, as my work with librettist Gillian Pencavel is discussed. The Exile is an original work informed by this research and is a contribution to the repertoire as well as an investigation into many compositional techniques presented in this thesis.
|
52 |
The dramatic criticism of Edgar Allan PoeWard, Janice Lea, 1941- January 1966 (has links)
No description available.
|
53 |
An actor's approach to the character of Richard IIIKendrick, Henry Max, 1942- January 1972 (has links)
No description available.
|
54 |
An art director's project, unifying the technical aspects for a two play Shakespearean festival, Othello and Much ado about nothingSchwanke, Jack H. January 1965 (has links)
No description available.
|
55 |
A group approach to Jean-Paul Sartre's adaptation of Euripedes' The Trojan womenLewis, William, 1938- January 1974 (has links)
No description available.
|
56 |
Danceland: a production recordCairns, Glen 05 1900 (has links)
The thesis is a record of the writing and
rehearsal process which led to the British premiere of
the full length Canadian play, Danceland, at The Old
Red Lion Theatre, London, in November of 1994. The
first chapter is a discussion of the dramatic theories
and historical research which informed the initial
creative writing process. The second chapter is the
final draft of the play itself. The third chapter is a
record of the rehearsal and production process, as well
as an overview of the major dramaturgical problems
which the actors, director and designers encountered
during rehearsals of the play. A full cast and crew
list and the reviews from the British press are
contained in the appendices.
The playwright's "experiment" which sits at the
heart of this production record is that Aristotle's
idea of "place" is essential to the creation of an
indigenous, Canadian dramatic literature. The writing
process, however, is only the beginning of the
translation of drama from the page to the stage; and it
is this final, rehearsal and production process which
demands that all dramatic theory be placed within the
context of believable characterization and dramatic
action.
|
57 |
Unidentified Human Remains And The True Nature Of Love: An Exploration on the Art of DirectingGiroux, Claude A. January 1998 (has links) (PDF)
No description available.
|
58 |
Marias / MariasHenrique, Marina Gomes, 1974- 06 July 2010 (has links)
Orientador: Antonio Fernando da Conceição Passos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-24T21:34:19Z (GMT). No. of bitstreams: 1
Henrique_MarinaGomes_M.pdf: 1393898 bytes, checksum: c3b6192a2da03a56185d3e6db5020ee0 (MD5)
Previous issue date: 2010 / Resumo: Este trabalho é fruto do processo de transcriação do poema de Bertold Brecht "A infanticida Marie Farrar" em uma peça de teatro e um roteiro de curta metragem. Para isso outras fontes literárias e o filme documentário "Camelos também choram" foram fundamentais no processo criativo, assim como os ensaios constantes da peça "Marias". O processo empírico da criação revelou em primeiro plano as histórias a serem contadas no teatro e no cinema / Abstract: This work is a result of the recreation of Bertold Brecht's poem "The infanticide Marie Farrar" in a theater play and a short film. Other sources for this literary and movie-documentary "The story of the weeping camel" were crucial in the creative process as well as the rehearsal for the play "Marias". The empirical process of creation revealed in the foreground the stories to be told in the play and in the movie / Mestrado / Multimeios / Mestra em Multimeios
|
59 |
Danceland: a production recordCairns, Glen 05 1900 (has links)
The thesis is a record of the writing and
rehearsal process which led to the British premiere of
the full length Canadian play, Danceland, at The Old
Red Lion Theatre, London, in November of 1994. The
first chapter is a discussion of the dramatic theories
and historical research which informed the initial
creative writing process. The second chapter is the
final draft of the play itself. The third chapter is a
record of the rehearsal and production process, as well
as an overview of the major dramaturgical problems
which the actors, director and designers encountered
during rehearsals of the play. A full cast and crew
list and the reviews from the British press are
contained in the appendices.
The playwright's "experiment" which sits at the
heart of this production record is that Aristotle's
idea of "place" is essential to the creation of an
indigenous, Canadian dramatic literature. The writing
process, however, is only the beginning of the
translation of drama from the page to the stage; and it
is this final, rehearsal and production process which
demands that all dramatic theory be placed within the
context of believable characterization and dramatic
action. / Arts, Faculty of / Theatre and Film, Department of / Graduate
|
60 |
Antigone : a creative ventureLeach, Marian McArthur 01 January 1965 (has links)
Statement of the problem. It was the purpose of this study (l) to determine and illustrate the influence of time, culture and production situation upon the form and content of two plays based on the Greek legend of Antigone; the texts in question were those of Sophocles and Anouilh; and (2) to determine and illustrate the same influence of time, culture, and production situation upon the means of producing Lewis Galantiere's adaptation of Anouilh's Antigone at the University of the Pacific Play box in the Spring of 1965.
|
Page generated in 0.336 seconds