Programm--K. Studienanstalt Speier. / eContent provider-neutral record in process. Description based on print version record.

n/a

Made available in DSpace on 2016-08-29T14:11:03Z (GMT). No. of bitstreams: 1 tese_8248_João Paulo Matedi - arquivo completo.pdf: 2273624 bytes, checksum: aff5441c0e85a81a9e9a00fffc2f4da6 (MD5) Previous issue date: 2014-10-27 / Propõe-se uma tradução literária da obra do escritor romano antigo Álbio Tibulo e um comentário-estudo que revele, simultaneamente, aspectos das elegias do poeta e um pouco do passo a passo da tradução, da engenharia de sua construção. Em um quadro assim, pressupõe-se a gênese concomitante de tradução e comentário, uma vez que um é pretexto e argumento para a existência do outro. No interior do comentário, a obra de Tibulo e as escolhas de tradução surgem lado a lado, em um só movimento. Para a confecção de tal proposta, esta pesquisa aponta, como artifício necessário e enriquecedor, o trabalho tradutor-literário como fruto de teoria da tradução, de alguns estudos críticos sobre Tibulo e a poesia antiga e da leitura de comentários filológicos às elegias do poeta clássico. Da reunião e leitura de material desse tipo, espera-se construir o entendimento de aspectos das elegias de Tibulo e do projeto de versão constante destas páginas, além de cooperar para a compreensão do gênero elegíaco antigo entre nós.

CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / A presente dissertaÃÃo investiga a elocuÃÃo de onze poemas da obra atribuÃda ao poeta latino Ãlbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitaÃÃo desse corpus de anÃlise baseia-se na temÃtica erÃtica e nos personagens aos quais os poemas sÃo direcionados, DÃlia, MÃrato e NÃmesis; a investigaÃÃo formal da elocuÃÃo ampara a discussÃo de aspectos dessa temÃtica; em funÃÃo disso, dividimos em trÃs ciclos os poemas a serem analisados; a elocuÃÃo de cada ciclo serà examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentaÃÃo teÃrica estudos e comentÃrios da obra de Tibulo, textos de retÃrica da Antiguidade greco-latina e estudos de retÃrica, especialmente os que abordam a elocuÃÃo. A anÃlise dos poemas foi fundamentada principalmente na RetÃrica a HerÃnio e no Manual de RetÃrica LiterÃria, de Lausberg. Uma discussÃo mais aprofundada de poesia latina requer um exame da elocuÃÃo, pois os poetas latinos tinham o estudo da retÃrica como formaÃÃo bÃsica. Na obra de Tibulo, à perceptÃvel que a seleÃÃo e a disposiÃÃo de palavras nos versos servem-se de figuras de linguagem em consonÃncia com o conteÃdo e ainda sublevam o teor erÃtico dos poemas. / This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de RetÃrica LiterÃria, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.

Thesis (doctoral)--Friedrich-Alexander-Universität, Erlangen-Nürnberg. / Includes index. Bibliography: p. 205-215.

Königliches Gymnasium, 1875--Gnesen.

MARTINS, Maria Helena Aguiar. A elocução do amor em Tibulo. 2016. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2016. / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2016-09-23T15:52:49Z No. of bitstreams: 1 2016_dis_mhamartins.pdf: 841895 bytes, checksum: 186a2ed60552b4b83f31c9b60604c867 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-09-24T17:33:37Z (GMT) No. of bitstreams: 1 2016_dis_mhamartins.pdf: 841895 bytes, checksum: 186a2ed60552b4b83f31c9b60604c867 (MD5) / Made available in DSpace on 2016-09-24T17:33:37Z (GMT). No. of bitstreams: 1 2016_dis_mhamartins.pdf: 841895 bytes, checksum: 186a2ed60552b4b83f31c9b60604c867 (MD5) Previous issue date: 2016 / This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de Retórica Literária, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems. / A presente dissertação investiga a elocução de onze poemas da obra atribuída ao poeta latino Álbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitação desse corpus de análise baseia-se na temática erótica e nos personagens aos quais os poemas são direcionados, Délia, Márato e Nêmesis; a investigação formal da elocução ampara a discussão de aspectos dessa temática; em função disso, dividimos em três ciclos os poemas a serem analisados; a elocução de cada ciclo será examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentação teórica estudos e comentários da obra de Tibulo, textos de retórica da Antiguidade greco-latina e estudos de retórica, especialmente os que abordam a elocução. A análise dos poemas foi fundamentada principalmente na Retórica a Herênio e no Manual de Retórica Literária, de Lausberg. Uma discussão mais aprofundada de poesia latina requer um exame da elocução, pois os poetas latinos tinham o estudo da retórica como formação básica. Na obra de Tibulo, é perceptível que a seleção e a disposição de palavras nos versos servem-se de figuras de linguagem em consonância com o conteúdo e ainda sublevam o teor erótico dos poemas.

Pendant l’été 2012, des sondages d’archéologie préventive réalisés à Ciampino, au Sud-Ouest de Rome ont mis en lumière les vestiges d’une luxueuse villa romaine attribuables, dans sa première phase, à l’époque augustéenne et des sculptures en marbre représentant le groupe des Niobides retrouvé dans la natatio de la villa. La découverte déjà ancienne, dans le même lieu de notre fouille, d’un tuyau en plomb au nom de Valerius Messala avait fait justement penser que la villa était une des résidences suburbaines de la puissante famille sénatoriale des Valerii. La zone de la recherche, appelée Mur/s des Français, fait partie des derniers contreforts des Colli Albani, un ensemble de reliefs qui descend vers la Campagne Romaine au Sud Ouest de Rome. Du point de vue géomorphologique, il s'agit d'une plaine traversée par de nombreux fossés naturels et par un petit relief qui formait un lien naturel entre les Colli Albani et la vallée du Tibre. Il est donc l’un des secteurs les plus importants pour l’implantation de villas à la fois agricoles et résidentielles de l’aristocratie romaine. Les statues des Niobides appartiennent à une version semblable à celle conservée au Musée des Uffizi de Florence, dont elle diffère légèrement en raison de la présence de quelques types nouveaux et du rendement iconographiques de certains détails. Cet aspect à offert justement des éléments novateurs sur le plan de la connaissance et de l’interprétation, puisqu’il s’agit du seul groupe à être été découvert dans un site archéologique méthodiquement étudié. La recherche a été développée à travers deux moments principaux : la récolte et l'analyse critique des données d'archives et, en ce qui concerne la recherche sur le terrain, l'analyse des stratigraphies des maçonneries et de leurs relevés, en vue d’acquérir des informations sur les structures. L’analyse et l’examen archéométrique de certains matériaux provenant de la fouille nous ont permis de déterminer la chronologie du site. / In summer 2012 a luxuriosus roman villa, dated to augustean age, is been discovered during an archeological escavation in Ciampino (Rome). A group of marble statues, showing the Niobids, is finded into the natatio pool. During the XIX century, in the same place, a lead pipe mentioning Valerius Messalla was discovered; this finding suggested that the villa was owned by this powerful senatorial gens. The research area, called Muro/Muri dei Francesi, is located beyond the last slope of Alban Hills in their congiuction point with Campagna Romana plan, in Rome's South-East suburbium. The plan, from the geo-morphological point of view, is crossed by a several natural ditches and a low straight ridge who link the Alban Hills to Tiber river valley: therefore – also tanks to the development of ancient roads network – this area well be one of most populated by roman aristocracy villas. The Ciampino's Niobids are similars to Florence Uffizi Museum Group, but different for the presence of some unknown characters and for iconographic rendering of details. This offer new possibilities for the knowledge and interpetation of the first Niobides group of which we dispose of an archaeological data set. The two research approaches are been: the collection and critical analysis of archives documents dated at XIX century and, as regards fieldwork research, the stratigraphic analysis of the available masonry structures (excavated for less than 40%), with the complementary realisation of detailed relief and graphic documentation. At last, the study and documentation of the archaeological materials coming from the excavation, which allowed, with sufficient tolerance, the chronology of the site to be determined.

No description available.

This thesis examines the hair imagery that runs through the works of Propertius, Tibullus, and Ovid. Comparative analysis of the elegists’ approaches to the motif, with particular emphasis on determining where and how each deviates from the cultural assumptions and literary tradition attached to each image, sheds light on the character and purposes of elegy as a genre, as well as on the individual aims and innovations of each poet. The Introduction provides some background on sociological approaches to the study of hair, and considers the reasons why hair imagery should have such a prominent presence in elegy. Chapter 1 focuses on the elegists’ engagement with the idea of cultus (‘cultivation’), and their manipulation of the connotations traditionally attached to elaborate hairstyles, of sophistication on the one hand, and immorality on the other, to suit an elegiac context. Chapter 2 looks at how the complexities of the power relationship between the lover and his mistress play out in references to violent hair-pulling. Chapter 3 focuses on the sometimes positively and sometimes negatively spun image of grey-haired lovers, as a reflection of the lover-poet’s own contradictory wishes for his relationship with his mistress; it also considers grey hair as a symbol of physical mortality, as contrasted with poetic immortality. Chapter 4 examines the use of images of loose hair (especially images of dishevelled mourning) to suggest connotations ranging from the erotic to the pathetic, and focuses on the effects the elegists achieve by using a single image to communicate multiple implications. The Conclusion considers the ‘afterlife’ of elegiac hair imagery: the influence that their approaches had on later authors’ handling of similar images.