Orientador: José Leonardo do Nascimento / Banca: Neide Antônia Marcondes Faria / Banca: Oscar Alejandro F. D'Ambrosio / Resumo: A artista plástica Adriana Varejão, está entre as mais bem-sucedidas do circuito mundial. É atualmente uma das artistas brasileiras de mais destaque na cena contemporânea, no Brasil e também no exterior. O espaço de representação pictórica proposto por Adriana visa a angariar o olhar plurívoco do espectador, sua obra tem como base o período colonial brasileiro. Desse modo, suas obras são vistas como ponto de convergência entre saberes históricos e a cada descrição de suas obras, uma difusão de referências, casos e imagens se desdobram. Os trabalhos de Adriana exploram as histórias implícitas e não contadas, criando um tipo de historiografia crítica em que, a sua maneira, osretratos acadêmicos iluminam o que ficou oculto da experiência violenta no universo doBrasil colonial. / Abstract: The artist Adriana Varejao, is among the most successful on the world circuit . It is currently one of Brazil's most prominent artists ofthe contemporary scene in Brazil and abroad. The pictorial space proposed by Adriana aims to raise the plurivocal eye of the beholder, his work is based on the Brazilian colonial period. In this way, his work is seen as a point of convergence between historical knowledge and every description of his works, a broadcast references, cases and images unfold. The Adriana's works explore the implicit stories and untold, creating a kind of critical historiography in which your way, academic portraits illuminate what was hidden from the violent experience in the world of colonial Brazil. / Mestre

Thesis (M.Ed.)--Kutztown University of Pennsylvania, 1967. / Source: Masters Abstracts International, Volume: 45-06, page: 2745. Typescript. "A mural presented to the Department of Art Education, Kutztown State College" Includes bibliographical references (leaves [33]-34)

Thesis (M.Ed.)--Kutztown State College, 1966. / Source: Masters Abstracts International, Volume: 45-06, page: 2726. Typescript. Includes bibliographical references (leaf 33)

The purpose of this creative project was to research, build, and replicate portions of the history of the town of Bradford, Ohio in order to create a permanent community monument. Glazed tiles were mounted together to form an artpiece four feet by sixteen feet, preserved for future generations to appreciate and enjoy.Upon completion of research on the community, drawings of area business establishmentswere diligently developed for the clay bas relief tiles, which were sculptured by the artist and his Art I-IV students. Individual clay tiles, composed of terra-cotta stoneware, were bisque fired, underglazed, and refired. To mount the tiles, concrete was applied to sections of plywood (which had been covered with chicken wire). The stoneware tiles were then organized, arranged, and embedded in concrete to create a mosaic mural.The process of the mural forged an unmistakable bond between teacher, students, school, and community. The completed mosaic mural was framed and permanently mounted on location at the Bradford Public Library, 138 E. Main Street, Bradford, Ohio, involving the remodelling of the facility to accommodate the sculpture's size. / Department of Art

Made available in DSpace on 2015-09-17T15:26:41Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-18. Added 1 bitstream(s) on 2015-09-17T15:45:22Z : No. of bitstreams: 1 000847209.pdf: 5266454 bytes, checksum: 0d8bbc541a0829ab53a490270977e355 (MD5) / A artista plástica Adriana Varejão, está entre as mais bem-sucedidas do circuito mundial. É atualmente uma das artistas brasileiras de mais destaque na cena contemporânea, no Brasil e também no exterior. O espaço de representação pictórica proposto por Adriana visa a angariar o olhar plurívoco do espectador, sua obra tem como base o período colonial brasileiro. Desse modo, suas obras são vistas como ponto de convergência entre saberes históricos e a cada descrição de suas obras, uma difusão de referências, casos e imagens se desdobram. Os trabalhos de Adriana exploram as histórias implícitas e não contadas, criando um tipo de historiografia crítica em que, a sua maneira, osretratos acadêmicos iluminam o que ficou oculto da experiência violenta no universo doBrasil colonial. / The artist Adriana Varejao, is among the most successful on the world circuit . It is currently one of Brazil's most prominent artists ofthe contemporary scene in Brazil and abroad. The pictorial space proposed by Adriana aims to raise the plurivocal eye of the beholder, his work is based on the Brazilian colonial period. In this way, his work is seen as a point of convergence between historical knowledge and every description of his works, a broadcast references, cases and images unfold. The Adriana's works explore the implicit stories and untold, creating a kind of critical historiography in which your way, academic portraits illuminate what was hidden from the violent experience in the world of colonial Brazil.