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Rancho Folclórico - hudební dědictví Portugalska / Rancho Folclórico - Musical Heritage of PortugalChumová, Markéta January 2017 (has links)
Thesis is dedicated to traditional folklore music of Portugal and introduces different kinds of traditional music. Chosen are those kinds that are even nowadays very popular and that are to be found around the country. The main focus of thesis is on music and tradition of folklore groups called Rancho Folclórico. History of Portuguese traditional music in general as well as the origins of rancho are introduced. Those are connected to the context of general Portuguese history. Furthermore, traditional musical instruments typical for rancho groups are described as well as the musical repertoire and traditional dances. The character of rancho groups, their members, rehearsals, costumes and festivals the groups preform in are closely examined. Final chapter introduces concrete activities and ideas for utilization of Portuguese traditional music in pedagogical practice. Thesis is also based on information obtained from interviews with current members of variant rancho groups. Hereafter, appendix is attached to thesis consisting mainly of photographs and video recordings taken personally by the author in Lisbon.
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Intimidation as a factor in the liberation struggle in South Africa with special reference to Bela Bela (Warmbaths) : an anthropological perspectiveVan Niekerk, Letitia 07 1900 (has links)
INTIMIDATION AS A FACTOR IN THE LIBERATION STRUGGLE OF
SOUTH AFRICA WITH SPECIAL REFERENCE TO BELA BELA
(WARMBATHS): AN ANTHROPOLOGICAL PERSPECTIVE
The cultural revitalisation or adjustment model of Anthony Wallace provides a basis for
interpreting religious, political and other revitalisation movements. This study focuses on
political revitalisation movements. Participation in the activities of revitalisation movements does
not always occur voluntarily. Leaders of such movements apply techniques and methods of
intimidation enforcing change and participation. In South Africa, political revitalisation was
inter alia brought about by the ANC as political liberation movement who used methods of
violent and non-violent intimidation to force people, regardless of their ethnic affiliation, to
support the movement and enforce political change. The ANC inter alia used charactersitic
cultural phenomena and components of Bantu-speakers as resources for intimidation to ensure
unanimity, participation and ultimately to achieve political liberation. Cultural components that
were exploited included communality, group solidarity, administration of justice, songs and
dances. / INTIMIDASIE AS 'N FAKTOR IN DIE VRYHEIDSTRYD IN SUID-AFRIKA
MET SPESIALE VERWYSING NA BELA BELA (WARMBAD): 'N
ANTROPOLOGIESE PERSPEK.TIEF
Kulturele vernuwmg ts 'n universele verskynsel. Anthony Wallace se model van kulturele
vernuwing of -aanpassing bied 'n raamwerk vir die verduideliking en interpretasie van die fases
waardeur kulturele vernuwingsbewegings van 'n godsdienstige, politieke of ander aard ontwikkel.
In hierdie studie word daar uitsluitlik gefokus op vernuwingsbewegings van 'n politieke aard.
Aangesien deelname aan die aktiwiteite van kulturele vernuwings- en aanpassingsbewegings nie
noodwendig vrywillig geskied nie, het leiers van hierdie bewegings gebruik gemaak van tegnieke
en metodes van intimidasie om deelname en vernuwing op die massas af te dwing. In SuidAfrika
is politieke vernuwing onder andere teweeggebring deur die ANC as politieke
bevrydingsbeweging. Die ANC het gebruik gemaak van gewelddadige (harde of direkte) sowel
as nie-geweldadige (sagte of indirekte) intimidasie om mense, ongeag hulle etniese aanhorigheid,
te dwing om die beweging se oogmerke aktief te ondersteun om politieke verandering te weeg te
bring. As dee! van die strategie om deur intimidasie mense tot deelname aan massa-aksies soos
optogte, betogings en massa-vergaderings te dwing, het die ANC gebruik gemaak van bepaalde
kultuur verskynsels en -komponente wat eie is aan die lewensbeskouinge en lewenswyse van
Bantoe-sprekendes.
Kultuurkomponente wat suksesvol benut is deur die leiers en lede van bevrydingsbewegings
omvat, onder andere verskynsels soos kommunaliteit, groep solidariteit, die regspraak, liedere en
danse. Hierdie kultuurkomponente en verskynsels is verander en aangepas om ten eerste eenheid
en deelname te bewerkstellig en te verseker en uiteindelik om die hoofdoelwit van politieke
bevryding te bereik. / Anthropology and Archaeology / M.A. (Anthropology)
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Intimidation as a factor in the liberation struggle in South Africa with special reference to Bela Bela (Warmbaths) : an anthropological perspectiveVan Niekerk, Letitia 07 1900 (has links)
INTIMIDATION AS A FACTOR IN THE LIBERATION STRUGGLE OF
SOUTH AFRICA WITH SPECIAL REFERENCE TO BELA BELA
(WARMBATHS): AN ANTHROPOLOGICAL PERSPECTIVE
The cultural revitalisation or adjustment model of Anthony Wallace provides a basis for
interpreting religious, political and other revitalisation movements. This study focuses on
political revitalisation movements. Participation in the activities of revitalisation movements does
not always occur voluntarily. Leaders of such movements apply techniques and methods of
intimidation enforcing change and participation. In South Africa, political revitalisation was
inter alia brought about by the ANC as political liberation movement who used methods of
violent and non-violent intimidation to force people, regardless of their ethnic affiliation, to
support the movement and enforce political change. The ANC inter alia used charactersitic
cultural phenomena and components of Bantu-speakers as resources for intimidation to ensure
unanimity, participation and ultimately to achieve political liberation. Cultural components that
were exploited included communality, group solidarity, administration of justice, songs and
dances. / INTIMIDASIE AS 'N FAKTOR IN DIE VRYHEIDSTRYD IN SUID-AFRIKA
MET SPESIALE VERWYSING NA BELA BELA (WARMBAD): 'N
ANTROPOLOGIESE PERSPEK.TIEF
Kulturele vernuwmg ts 'n universele verskynsel. Anthony Wallace se model van kulturele
vernuwing of -aanpassing bied 'n raamwerk vir die verduideliking en interpretasie van die fases
waardeur kulturele vernuwingsbewegings van 'n godsdienstige, politieke of ander aard ontwikkel.
In hierdie studie word daar uitsluitlik gefokus op vernuwingsbewegings van 'n politieke aard.
Aangesien deelname aan die aktiwiteite van kulturele vernuwings- en aanpassingsbewegings nie
noodwendig vrywillig geskied nie, het leiers van hierdie bewegings gebruik gemaak van tegnieke
en metodes van intimidasie om deelname en vernuwing op die massas af te dwing. In SuidAfrika
is politieke vernuwing onder andere teweeggebring deur die ANC as politieke
bevrydingsbeweging. Die ANC het gebruik gemaak van gewelddadige (harde of direkte) sowel
as nie-geweldadige (sagte of indirekte) intimidasie om mense, ongeag hulle etniese aanhorigheid,
te dwing om die beweging se oogmerke aktief te ondersteun om politieke verandering te weeg te
bring. As dee! van die strategie om deur intimidasie mense tot deelname aan massa-aksies soos
optogte, betogings en massa-vergaderings te dwing, het die ANC gebruik gemaak van bepaalde
kultuur verskynsels en -komponente wat eie is aan die lewensbeskouinge en lewenswyse van
Bantoe-sprekendes.
Kultuurkomponente wat suksesvol benut is deur die leiers en lede van bevrydingsbewegings
omvat, onder andere verskynsels soos kommunaliteit, groep solidariteit, die regspraak, liedere en
danse. Hierdie kultuurkomponente en verskynsels is verander en aangepas om ten eerste eenheid
en deelname te bewerkstellig en te verseker en uiteindelik om die hoofdoelwit van politieke
bevryding te bereik. / Anthropology and Archaeology / M.A. (Anthropology)
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