This project examines the ways in which several texts written in the late twentieth century by African American and Caribbean writers appropriate history and witness trauma. I read the representational practices of Toni Morrison, Ernest Gaines, Paule Marshall, and Fred D'Aguiar as they offer distinct approaches to history and the resulting effects such reconstituted, discovered, or, in some cases, imagined histories can have on the affirmation of the self as a subject. I draw my theoretical framework from the spaces of intersection between diaspora and postcolonial theories, enabling me to explore the values of the African diaspora cross-culturally as manifested in the representational practices of these writers. This study creates an opening into recent discourses of the African diaspora by comparing texts in which the effects of history rooted in diaspora are explored, both in how this history cripples with the impact of trauma and how it empowers dynamic self-actualization and the resistance of the status quo. I argue that in these novels, challenging hegemonic historical narratives and bearing witness to the past are necessary for overcoming the isolating and disempowering effects of trauma, while affirming diasporic consciousness enhances the role of communal belonging and cultural memory in the process of self-actualization.

This dissertation examines how postcoloniality affects identity formation in contemporary women's immigrant literature. In order to do so, it must interrogate the critical fields that are most interested in issues of national and cultural identities, migration, and the appropriation of women by both Western and postcolonial projects. By examining the fiction of Bharati Mukherjee, Elizabeth Nunez, and Jhumpa Lahiri through the triple lens of ethnic American studies, postcolonial theory, and transnational feminism, I will argue that theorizing postcolonial women's writing in the United States involves sustained analysis of how particular socio-political experiences are translated into the context of American identity. I am particularly interested in the manner in which female subjects in these texts navigate between the various and often contradictory demands placed on them by their respective homeland cultures and their new immigrant positions in the United States. Although each of these writers depict immigrant women protagonists who adapt to these demands in their own particular ways, a study of these characters' gendered and cultural identities reveals a powerful relationship between the manner in which women are figured into the preservation of the postcolonial nation-state and the ways in which these women utilize immigration as an occasion to appropriate and subvert this role in the establishment of a new, negotiated identity. This project draws on three important and current fields of interest to both cultural and literary studies. Postcolonial studies, which has been central to the study of literature by minority writers, provides a useful foundation for understanding hybrid identities, dislocation, and the ways in which empire gave rise to nationalisms that utilized women in the formation and preservation of the nation-state. Transnational feminist theories are critical to understanding the implications of nationalism's appropriation of women and their bodies in it projects, and are especially useful in establishing feminisms that are not limited by American or European definitions and that defy homogenizing the experiences of postcolonial women. They affirm that there are many strategies for employing female agency, and that we must consider the particular circumstances (economic, cultural, racial, national, gender) that allow women of color to favor one strategy over another. Finally, U.S. Ethnic studies will inform my readings of texts that are, at their core, narratives of immigration to the United States and the seeking out of the American Dream. However, this dissertation suggests, the precarious position of immigrants in a nation whose ideals and dominating mythology are marred by a dark history of racism and exclusionary practices plays an important role in the establishment of an ethnic American identity in the United States.

By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 1998 onward, this study pinpoints examples of film analysis that articulate the shared ethical themes of New Danish Cinema. These themes include Danish citizenship and identity, the reduction of family risk, negotiating prejudice and inclusion through desire, humility and empathy, and transnational belonging during a time of rising globalization. A number of the realistic fiction films of New Danish Cinema reflect Denmark’s preceding anti-Hollywood film movement dubbed Dogme 95. This movement first provided the political push for ethically valuable film making in a “realistic” aesthetic. Egalitarian in substance, and also in production, Denmark has a similar number of recently successful female writer-directors as male writer-directors. Known as a largely homogenized country with a recent rise in immigrants, Denmark has demonstrated that it is possible for film to be used as a vehicle to reinforce cultural ethics and political values while also navigating through the ongoing and mounting forces of digital communication and globalization.

Discourses of diaspora and transnationalism have begun to question previous traditional assumptions about the inevitability of ethnic assimilation by drawing attention to various kinds of hybrid identities, but I contend that, in contemporary Canadian literature, we cannot replace an outmoded model of eventual integration with an uncritical vision of ethnic persistence and hybridity. Much thinking about diasporic and ethnic identities suggests that, on the one hand, there are genuine marginalized identities worthy of inquiry and, on the other, there are symbolic ones undeserving of serious study. This dissertation focuses on the supposedly disingenuous or symbolic kinds of ethnic and diasporic identities, providing an analysis of Ukrainian-Canadian ethnic identity retention in a case study of second-, third-, and fourth-generation Canadians of Ukrainian descent who both read and write in English (not Ukrainian). Looking at Ukrainian-Canadian literature from 1954 to 2003, this dissertation argues: (1) ethnic identity affiliation does not necessarily dissipate with time; (2) ethnic identity in a hostland manifests itself as imagined ties to a homeland; and (3) lacking meaningful public and private recognition of ethnic group membership yields anxiety about subjectivity. I first argue that as multicultural policies drew attention to racial marginalization, Ukrainian-Canadian ethnic identity shifted from being an aspect of socio-economic disenfranchisement to becoming a hyphenated identity with links to Ukraine. I then suggest that in order to make that connection to Ukraine viable, writers attempt to locate Ukraine on the Canadian prairie as a substitute home-country. Such attempts give rise to various images Ukrainian-Canadian uneasiness and discomfort, primarily as authors struggle to account for First Nations’ prior presences on the landscape that they want to write as their own. Further, I analyze attempts to locate ethnic authenticity in post-independence Ukraine that also prove unsatisfactory for Ukrainian-Canadian subject formation. The many failed attempts to affix Ukrainian-Canadianness as a meaningful public and private identity give rise to unsettled and ghostly images that signal significant ethnic unease not to be overlooked in analyses of ethnic and diasporic identities. In these ways, this dissertation contributes to ongoing debates and discussions about the place of contemporary literary ethnicity in Canada.

With a general concern for the role played by media and communication in individuals’ mobility  in a world where national borders are dissolving and people’s lives are becoming increasingly mediated, this empirical study sought to investigate a group of transnational young professionals’ daily news consumption and their mobile life experiences by conducting face-to-face interviews with target individuals in both Thailand and Sweden, and combining the results with an analysis from a theoretical perspective enlightened by cosmopolitanism and cultural capital. The study identified a set of distinctive news consumption tastes and multiple mobilities possessed by the interviewees. It demonstrates that news consumption can: 1) directly affect the mobile young professionals’ corporeal mobility by providing information about potential movement opportunities; 2) increase their social mobility by enabling them to accumulate cultural capital; and 3) expand their imaginative mobility by increasing their visuality of the multiple communities to which they belong. Conversely, any change in their multiple mobilities is reflected in a corresponding change in their choices of news consumption.

Discourses of diaspora and transnationalism have begun to question previous traditional assumptions about the inevitability of ethnic assimilation by drawing attention to various kinds of hybrid identities, but I contend that, in contemporary Canadian literature, we cannot replace an outmoded model of eventual integration with an uncritical vision of ethnic persistence and hybridity. Much thinking about diasporic and ethnic identities suggests that, on the one hand, there are genuine marginalized identities worthy of inquiry and, on the other, there are symbolic ones undeserving of serious study. This dissertation focuses on the supposedly disingenuous or symbolic kinds of ethnic and diasporic identities, providing an analysis of Ukrainian-Canadian ethnic identity retention in a case study of second-, third-, and fourth-generation Canadians of Ukrainian descent who both read and write in English (not Ukrainian). Looking at Ukrainian-Canadian literature from 1954 to 2003, this dissertation argues: (1) ethnic identity affiliation does not necessarily dissipate with time; (2) ethnic identity in a hostland manifests itself as imagined ties to a homeland; and (3) lacking meaningful public and private recognition of ethnic group membership yields anxiety about subjectivity. I first argue that as multicultural policies drew attention to racial marginalization, Ukrainian-Canadian ethnic identity shifted from being an aspect of socio-economic disenfranchisement to becoming a hyphenated identity with links to Ukraine. I then suggest that in order to make that connection to Ukraine viable, writers attempt to locate Ukraine on the Canadian prairie as a substitute home-country. Such attempts give rise to various images Ukrainian-Canadian uneasiness and discomfort, primarily as authors struggle to account for First Nations’ prior presences on the landscape that they want to write as their own. Further, I analyze attempts to locate ethnic authenticity in post-independence Ukraine that also prove unsatisfactory for Ukrainian-Canadian subject formation. The many failed attempts to affix Ukrainian-Canadianness as a meaningful public and private identity give rise to unsettled and ghostly images that signal significant ethnic unease not to be overlooked in analyses of ethnic and diasporic identities. In these ways, this dissertation contributes to ongoing debates and discussions about the place of contemporary literary ethnicity in Canada.

Transnational entrepreneurship (TE) has been in the spotlight as an emerging field during the last decade. Previously being viewed from international entrepreneurship (IE) and ethnic entrepreneurship (EE) perspectives, TE has recently demarcating its own territory. However, the exact boundary in which TE differs from IE and EE is yet to be studied. This research is aiming to explore the interface of TE, IE, and EE through the entrepreneurs’ sets of resources—economic, social, cultural, and symbolic capital. By studying the case of ten immigrant entrepreneurs in Jönköping context, we found four key features that distinguish TE with the rest: access to the sets of resources, economic and social development, ownership structure, and business operations.

<p>What are the meanings of "here" and "there" in a digital age? This dissertation explores how blogs reveal new meanings of being "here" in a political space, how blogs reveal new meanings of being (or not being) "here" in a textually-mediated universe, and how blogs reveal new ways of being seen to be "here" when most internet users are just looking and log on and off without saying a word. Beginning with a reflection on the possibilities of democracy in a world where the interface is drawn to the forefront, I argue that the internet presents a new (and imperfect) way for citizens to operate the machinery of government. Next, I consider the consequences of this interface being available to people regardless of their geographic locations or national origins. I argue that citizenship in a digital moment is more closely bound to participation than it is to blood or territory and construct a notion of virtual transnational citizenship.</p><p> Such a notion of transnational citizenship does not signal the end of place and the irrelevance of presence and absence. Instead, it reveals that these concepts must be rethought and refigured. Bloggers flicker between absence and presence: in the blogosphere, every post may be a blogger's last, but there may just be another one waiting for us if we'll click reload. With this ambiguity in mind, I outline a digital ethics of reading that is attentive to both of these possibilities. Finally, I turn to the vast majority of blog users: the "lurkers" who read silently but do not write. I untangle reading, writing, and inscription in order to produce an understanding of how reading works in the blogosphere and argue that the lurker is not so much the reader who does not write as the reader who has not yet written.</p><p> By tracing the meanings of "here" and "there" through the blogosphere, this dissertation contributes to our understanding of what it means to be -politically and metaphysically -in the age of the internet.</p> / Dissertation

Do nations' allies and trading partners affect their vulnerability to transnational terrorist attacks? Prior research has focused on how the attributes of individual nations, such as regime type, economic stability, and international power, affect their likelihood of being the target of transnational terrorist attacks. However, prior research has not addressed the impact of a nation's economic and foreign policy ties on this phenomenon. Specifically, the question I ask is whether terrorists attempt to indirectly affect the status quo policy stance of a powerful nation by attacking the allies and trading partners of that nation. I develop a theoretical framework to explain why terrorists are likely to target allies of powerful nations in the international arena to force the more powerful nation to change its policy stance. Focusing on the United States, I examine how a nation's economic and foreign policy ties to the U.S. affect its vulnerability to transnational terrorist attacks. I test my expectations using the ITERATE database of transnational terrorist events from 1968 to 2000. The results suggest that a nation's economic and foreign policy ties may have a significant impact on its vulnerability to transnational terrorism.

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