O fenômeno do ativismo jurisdicional tem como causa a crise do direito. Uma releitura do tema a partir de uma perspectiva existencial permite concluir que sua origem assenta-se na perda do sentido da ocupação e preocupação do homem em relação ao direito. Esta crise articula-se, grosso modo, em dois níveis distintos. De um lado, pelo desgaste do modelo de racionalização contido na proposta da tripartição de poderes de Montesquieu; de outro, na perda do sentido do direito como forma de controle social no processo de incorporação da armação da técnica. Diante da anomia do legislador e do Estado aos desafios atuais em torno do direito, presencia-se, na atualidade, o aumento do ativismo jurisdicional na definição do conteúdo do direito continental. Dentro das possibilidades abertas no horizonte da experiência histórica, a evolução do direito continental permite constatar que esta se formou e perpetua-se a partir dos conceitos antagônicos de mutabilidade (em ajuste às necessidades da evolução da sociedade), mas também de segurança jurídica (representada pela norma posta). Um aumento do ativismo jurisdicional que pretenda preservar a experiência da tradição do direito continental exige que a ocupação e preocupação em torno do Direito se deem em aderência à experiência compartilhada dentro do mundo das vivências e no fino equilíbrio dos conceitos de normas sociais e de garantia, sem o que, no extremo da projeção do Dasein no horizonte de sua injunção social, teríamos inevitavelmente um processo de ruptura conceitual da experiência do Direito ou a anulação do Dasein perante o Direito. / The phenomenon of the jurisdictional activism is caused by the crisis of law. A re-reading of the theme from an existential perspective allows for the conclusion that its origin is based on the loss of mans care and concern sense regarding the law. Broadly, this crisis articulates in two distinct levels. On one side, by the rationalization model exhaustion contained in the tripartite division of powers proposed by Montesquieu; on the other side, in the loss of law sense as a way of social control in the incorporation process of the frame of the technique. As a consequence of the anomy of the legislature branch and the State to the current challenges around the law, the increase of the jurisdictional activism in the definition of the continental law content can be contemporarily noticed. Within the possibilities opened in the historical experience scope, the evolution of the continental law allows for the observation that it was formed and continues from the antagonistic concepts of mutability (adjusted to the evolution needs of the society), but also of legal security (represented by the rule provided for). An increase of the jurisdictional activism intending to preserve the experience of the continental law tradition requires that the care and concern concerning the law comply with the experience shared within the world of experiences and in the fine balance of the social rules and guarantee concepts, without which, in the extreme of the Dasein projection in the scope of its social injunction, we would inevitably have a process of conceptual rupture of the law experience or annulment of Dasein before the law.

O fenômeno do ativismo jurisdicional tem como causa a crise do direito. Uma releitura do tema a partir de uma perspectiva existencial permite concluir que sua origem assenta-se na perda do sentido da ocupação e preocupação do homem em relação ao direito. Esta crise articula-se, grosso modo, em dois níveis distintos. De um lado, pelo desgaste do modelo de racionalização contido na proposta da tripartição de poderes de Montesquieu; de outro, na perda do sentido do direito como forma de controle social no processo de incorporação da armação da técnica. Diante da anomia do legislador e do Estado aos desafios atuais em torno do direito, presencia-se, na atualidade, o aumento do ativismo jurisdicional na definição do conteúdo do direito continental. Dentro das possibilidades abertas no horizonte da experiência histórica, a evolução do direito continental permite constatar que esta se formou e perpetua-se a partir dos conceitos antagônicos de mutabilidade (em ajuste às necessidades da evolução da sociedade), mas também de segurança jurídica (representada pela norma posta). Um aumento do ativismo jurisdicional que pretenda preservar a experiência da tradição do direito continental exige que a ocupação e preocupação em torno do Direito se deem em aderência à experiência compartilhada dentro do mundo das vivências e no fino equilíbrio dos conceitos de normas sociais e de garantia, sem o que, no extremo da projeção do Dasein no horizonte de sua injunção social, teríamos inevitavelmente um processo de ruptura conceitual da experiência do Direito ou a anulação do Dasein perante o Direito. / The phenomenon of the jurisdictional activism is caused by the crisis of law. A re-reading of the theme from an existential perspective allows for the conclusion that its origin is based on the loss of mans care and concern sense regarding the law. Broadly, this crisis articulates in two distinct levels. On one side, by the rationalization model exhaustion contained in the tripartite division of powers proposed by Montesquieu; on the other side, in the loss of law sense as a way of social control in the incorporation process of the frame of the technique. As a consequence of the anomy of the legislature branch and the State to the current challenges around the law, the increase of the jurisdictional activism in the definition of the continental law content can be contemporarily noticed. Within the possibilities opened in the historical experience scope, the evolution of the continental law allows for the observation that it was formed and continues from the antagonistic concepts of mutability (adjusted to the evolution needs of the society), but also of legal security (represented by the rule provided for). An increase of the jurisdictional activism intending to preserve the experience of the continental law tradition requires that the care and concern concerning the law comply with the experience shared within the world of experiences and in the fine balance of the social rules and guarantee concepts, without which, in the extreme of the Dasein projection in the scope of its social injunction, we would inevitably have a process of conceptual rupture of the law experience or annulment of Dasein before the law.

SUmmaries in Afrikaans and English / Text in Afrikaans / Die oogmerk van hierdie verhandeling is om te wys op die tekstuele en visuele kontraste in Georgi con 11.1 - 108. Ten aanvang word 'n bree vergelyking getreftussen Georgicon I en II om sodoende die funksie asook die effek van Boek 2 in die viertal gedigte te bepaal. Vir 'n meer indringende ontleding word Boek 2, asook die relevante verse, skematies verdeel en alhoewel die panoramiese effek versteur word, kan die problematiek van hierdie gedig alleenlik s0 noukeuriger opgelos word. Daar word getoon dat Boek 2 in drie afdelings verdeel is met 'n laus-tema wat telkens as hoogtepunt dien vir elk van die dele. Ook die oorkoepelende tema van variatio-labor en die wisselwerking daarvan kan duideliker waargeneem word. Verse I - I 08 is didakties van aard en eenvoudige patrone word saamgestel uit alledaagse objekte en idees. Vergilius slaag daarin om vergelykings af te dwing en om kontras te bewerkstellig deur die skep van imagines. Hierdie beelde kom duideliker na vore deur 'n baie noukeurige analise van die teks en s6 word vorm, lyn, kleur en tekstuur beklemtoon en gekontrasteer. W anneer die fokus verskuif vanaf die natuur na die mens, word daar gewys op die kontras in verse 3 5 - 46 tussen die landbouers en die politieke magsfiguur van Maecenas. Die onderliggende felix I fortuna/us tema word s6 beklemtoon. Die problematiek van didaktisisme word aangespreek deur die effek van die kontrastering van parallelle passasies aan te toon. As Leitmotiv word telkens gewys op die tekstuele en visuele kontraste in die digter se keuse en rangskikking van 'n ryke verskeidenheid van borne - met spesifieke verwysing na hulle aard, voorkoms, herkoms en funksie. / The aim of this dissertation is to indicate the textual and visual contrasts in Georgi con TI.l - 108. In a broad comparison between Georgica I and II the function and the effect ofBook 2 within the framework of the four poems is determined. With a view to a more penetrating analysis, Book 2 as a whole and specifically lines 1 - 108 will be dealt with schematically. Although this puts the panoramic effect at risk, it is the only way in which the complexities of this poem can be successfully resolved. Book 2 is shown to have a tripartite structure, with a taustheme as the climax of each of the three divisions. The over-arching theme of reciprocating variatio- labor also comes to light more clearly. Lines I - I 08 are of a didactic nature, and simple patterns are shaped out of everyday objects and ideas. By creating imagines Vergil manages to enforce comparisons and to bring about contrasts. A meticulous analysis of the text highlights these images more clearly and in this manner the poet accentuates colour, form, line and texture. When the focus shifts from nature to man, the contrast between the farmers and the politically powerful Maecenas in lines 3 5 - 46 is brought to the fore to emphasize the underlying theme of felix I fortunatus. The problem of didacticism is addressed by focusing on the effect of the contrasts between parallel passages. The textual and visual contrasts in the poet's choice and marshalling of a rich variety of trees, with a particular reference to their nature, occurrence, provenance and function, serve as Leitmotif for the dissertation as a whole. / Classics and Modern European Languages / M.A. (Latyn)

SUmmaries in Afrikaans and English / Text in Afrikaans / Die oogmerk van hierdie verhandeling is om te wys op die tekstuele en visuele kontraste in Georgi con 11.1 - 108. Ten aanvang word 'n bree vergelyking getreftussen Georgicon I en II om sodoende die funksie asook die effek van Boek 2 in die viertal gedigte te bepaal. Vir 'n meer indringende ontleding word Boek 2, asook die relevante verse, skematies verdeel en alhoewel die panoramiese effek versteur word, kan die problematiek van hierdie gedig alleenlik s0 noukeuriger opgelos word. Daar word getoon dat Boek 2 in drie afdelings verdeel is met 'n laus-tema wat telkens as hoogtepunt dien vir elk van die dele. Ook die oorkoepelende tema van variatio-labor en die wisselwerking daarvan kan duideliker waargeneem word. Verse I - I 08 is didakties van aard en eenvoudige patrone word saamgestel uit alledaagse objekte en idees. Vergilius slaag daarin om vergelykings af te dwing en om kontras te bewerkstellig deur die skep van imagines. Hierdie beelde kom duideliker na vore deur 'n baie noukeurige analise van die teks en s6 word vorm, lyn, kleur en tekstuur beklemtoon en gekontrasteer. W anneer die fokus verskuif vanaf die natuur na die mens, word daar gewys op die kontras in verse 3 5 - 46 tussen die landbouers en die politieke magsfiguur van Maecenas. Die onderliggende felix I fortuna/us tema word s6 beklemtoon. Die problematiek van didaktisisme word aangespreek deur die effek van die kontrastering van parallelle passasies aan te toon. As Leitmotiv word telkens gewys op die tekstuele en visuele kontraste in die digter se keuse en rangskikking van 'n ryke verskeidenheid van borne - met spesifieke verwysing na hulle aard, voorkoms, herkoms en funksie. / The aim of this dissertation is to indicate the textual and visual contrasts in Georgi con TI.l - 108. In a broad comparison between Georgica I and II the function and the effect ofBook 2 within the framework of the four poems is determined. With a view to a more penetrating analysis, Book 2 as a whole and specifically lines 1 - 108 will be dealt with schematically. Although this puts the panoramic effect at risk, it is the only way in which the complexities of this poem can be successfully resolved. Book 2 is shown to have a tripartite structure, with a taustheme as the climax of each of the three divisions. The over-arching theme of reciprocating variatio- labor also comes to light more clearly. Lines I - I 08 are of a didactic nature, and simple patterns are shaped out of everyday objects and ideas. By creating imagines Vergil manages to enforce comparisons and to bring about contrasts. A meticulous analysis of the text highlights these images more clearly and in this manner the poet accentuates colour, form, line and texture. When the focus shifts from nature to man, the contrast between the farmers and the politically powerful Maecenas in lines 3 5 - 46 is brought to the fore to emphasize the underlying theme of felix I fortunatus. The problem of didacticism is addressed by focusing on the effect of the contrasts between parallel passages. The textual and visual contrasts in the poet's choice and marshalling of a rich variety of trees, with a particular reference to their nature, occurrence, provenance and function, serve as Leitmotif for the dissertation as a whole. / Classics and Modern European Languages / M.A. (Latyn)