MA (Xitsonga) / M.E.R. Mathivha Centre for African languages, Arts and Culture / See the attached abstract below

A dissertation submitted to the University of the Witwatersrand in fulfilment of the requirements of the degree of Master of Arts in Linguistics, March 2018 / Every language has its own unique set of preferred phonological structures, along with an array of strategies that it can employ to ensure that these structures are maintained. This study examines repair strategies used in Xitsonga in relation to syllable structure and Prosodic Word (PWord) minimality. Evidence gleaned from loanword adaptation supports claims by previous work (Vratsanos and Kadenge, 2017) that Xitsonga prefers a CV syllable structure. When words from English and Afrikaans are adapted to suit the Xitsonga phonological structures, several repair strategies may occur: segment substitution ensures that the phonemic inventory of Xitsonga is adhered to; vowel epenthesis is used to eliminate codas and break up consonant clusters; diphthongs are repaired using glide epenthesis and, in some cases, monophthongisation; and prenasalisation resolves NC consonant clusters. Secondly, Xitsonga requires words to be minimally disyllabic, and uses the epenthesis of a semantically null morpheme in order to achieve this. The analysis is couched within Optimality Theory (OT: Prince and Smolensky, 2004), with additional insights gleaned from Feature Geometry (FG: Clements and Hume, 1995). OT allows for strategies to be accounted for by means of constraint interaction, and for variation to be accounted for by means of constraint rerankings. The aim of this study is to present what is thought to be the first comprehensive account of repair strategies used in Xitsonga syllable to maintain preferred phonological structures, highlighting the importance of the syllable as a level of phonological analysis in this language and others like it. Additionally, the results of this analysis are compared to iv those of other Southern Bantu languages in an effort to situate Xitsonga within its language family, thereby contributing to linguistic typology. Key words: repair strategies, loanwords, rephonologisation, prosodic word minimality, Optimality Theory, Feature Geometry, constraints, candidates, input, output, Bantu languages / GR2019

Thesis ( M.A. (African Languages)) --University of Limpopo, 2014

The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women characters are portrayed to represent the current social and political reality. The study employs African feminist literary criticism as a tool in critically analysing the various literary genres. It also adopts purposive sampling of Xitsonga novels, poetry and proverbs that have women characters in them and analyse how these women characters have been portrayed. The naming of female characters is examined in relation to their roles in the texts and the titles of the texts are also investigated and critically analysed to establish whether they portray any gender stereotypes. The themes of the selected texts are also examined to establish if there is any gender biasness. Both male and female-authored texts have been investigated to explore whether male authors depict women differently from their female counterparts. The study concludes that there is gender-biasness in the manner in which women characters are depicted that do not reflect the current political and social order, however, some women authors, unlike their male counterparts do not reflect gender-biasness in their depiction of female characters. / African Languages / D. Litt. et Phil. (African Languages)

The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women characters are portrayed to represent the current social and political reality. The study employs African feminist literary criticism as a tool in critically analysing the various literary genres. It also adopts purposive sampling of Xitsonga novels, poetry and proverbs that have women characters in them and analyse how these women characters have been portrayed. The naming of female characters is examined in relation to their roles in the texts and the titles of the texts are also investigated and critically analysed to establish whether they portray any gender stereotypes. The themes of the selected texts are also examined to establish if there is any gender biasness. Both male and female-authored texts have been investigated to explore whether male authors depict women differently from their female counterparts. The study concludes that there is gender-biasness in the manner in which women characters are depicted that do not reflect the current political and social order, however, some women authors, unlike their male counterparts do not reflect gender-biasness in their depiction of female characters. / African Languages / D. Litt. et Phil. (African Languages)

PhD (Xitsonga) / Ehansi ka Senthara ya MER Mathivha ya Tindzimi ta Afrika, Vutshila na Ndhavuko / See the attached abstract below

The thesis of this study is that indigenous Tsonga literature forms a valid and authoritative commentary on missionary Christianity. In this study, the value of literary works by selected Tsonga writers is explored in three basic directions: (a) as a commentary on missionary Christianity, (b) as a source of and challenge to missiology, and (c) as a source of a Black missiology of 1 i berat ion. The momentous intervention of Swiss missionaries amongst the Vatsonga, through the activities of the Swiss Mission in South Africa (SMSA) must be granted. Similarly, its abiding influence formerly in the Tsonga Presbyterian Church (TPC), now the Evangelical Presbyterian Church in South Africa (EPCSA), the Vatsonga in general and Tsonga literature in particular must be recognized. But our missiological task is to problematise and explore both missionary instrumentality and local responses variously and creatively. The first chapter introduces the thesis, central issues of historiography and ideology as well as an introductory history of the SMSA. In the second chapter, the commentary of Tsonga writers through the media of historical and biographical works on missionary Christianity is sketched. Selected Tsonga novels become the object of inquiry in the third chapter. The novels come very close to a direct evaluation of missionary Christianity. They contain commentary on a wide variety of issues in mission. The fourth chapter concentrates on two Tsonga plays and a number of Tsonga poems. In the one play, missionary Christianity is likened to garments that are too sho· ~' whilst in the other, missionary Christianity is contemptuously ignored and excluded - recognition granted only to the religion and gods of the Vatsonga. The fifth and final chapter contains the essential commentary of indigenous Tsonga literature on missionary Christianity as well as the implications for both global and local missiology. / Christian Spirituality, Church History and Missiology / D. Th. (Missiology)

The thesis of this study is that indigenous Tsonga literature forms a valid and authoritative commentary on missionary Christianity. In this study, the value of literary works by selected Tsonga writers is explored in three basic directions: (a) as a commentary on missionary Christianity, (b) as a source of and challenge to missiology, and (c) as a source of a Black missiology of 1 i berat ion. The momentous intervention of Swiss missionaries amongst the Vatsonga, through the activities of the Swiss Mission in South Africa (SMSA) must be granted. Similarly, its abiding influence formerly in the Tsonga Presbyterian Church (TPC), now the Evangelical Presbyterian Church in South Africa (EPCSA), the Vatsonga in general and Tsonga literature in particular must be recognized. But our missiological task is to problematise and explore both missionary instrumentality and local responses variously and creatively. The first chapter introduces the thesis, central issues of historiography and ideology as well as an introductory history of the SMSA. In the second chapter, the commentary of Tsonga writers through the media of historical and biographical works on missionary Christianity is sketched. Selected Tsonga novels become the object of inquiry in the third chapter. The novels come very close to a direct evaluation of missionary Christianity. They contain commentary on a wide variety of issues in mission. The fourth chapter concentrates on two Tsonga plays and a number of Tsonga poems. In the one play, missionary Christianity is likened to garments that are too sho· ~' whilst in the other, missionary Christianity is contemptuously ignored and excluded - recognition granted only to the religion and gods of the Vatsonga. The fifth and final chapter contains the essential commentary of indigenous Tsonga literature on missionary Christianity as well as the implications for both global and local missiology. / Christian Spirituality, Church History and Missiology / D. Th. (Missiology)