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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The Many Facets of Shostakovich's Suite for Voice and Piano, Op. 143

Murdock, Mary H. January 2013 (has links)
Analyzing the twelve-tone compositions of Shostakovich often requires the application of various analytical procedures. This study examines Shostakovich's Suite for Voice and Piano, Op. 143, focusing on the two twelve-tone songs in the Suite. While the songs exhibit some traditional treatment of twelve-tone rows, the study focuses on Shostakovich's unique manipulations and the integration of tonal elements and chromaticism. An innovative analytical tool developed by Dr. Stephen Brown (NAU) is utilized in the study, as it provides clarity and strengthens otherwise weak associations. Along with the application of Brown's dual interval space, the study includes twelve-tone analysis and traditional harmonic analysis to provide a more comprehensive analysis of the Suite.
2

"Другой" в прозе Марины Цветаевой / “The Other" in Marina Tsvetayeva's prose

Šaranova, Irina 14 June 2006 (has links)
The aim of the master’s of literature diploma paper “The Other in Marina Tsvetayeva prose” by a holder of master’ degree Irina Sharanova the essay “My Pushkin” is analyzed,in which M.Tsvetayeva’s conscious and unconscious perception of A.Pushkin as a person and a poet is disclosed with reference to pecularities of a child’s and a mature person’s perception. A.Pushkin is considered by M.Tsvetayeva as “Hers” and “The other” and also as unusual and not a canonical icon. In “The story of Sonechka” the problem of ‘The Other” is contemplated as approaching the miracle of The Other’s event, what helps M.Tsvetayeva to have a sensation of self-respect and value herself in this wopld.
3

O meu Púchkin de Marina Tsvetáieva: tradução e apresentação / My Pushkin of Marina Tsvetáieva: translation and presentation

Almeida, Paula Costa Vaz de 03 November 2008 (has links)
Este trabalho é composto pela tradução anotada do ensaio (Meu Púchkin, 1937), da poeta russa Marina Tsvetáieva, bem como por uma apresentação da obra em prosa da autora, de um modo geral, e do ensaio Meu Púchkin, em particular. Para tanto apontaremos seus principais procedimentos compositivos à luz de Mikhail Bakhtin, Tzvetan Todorov, Elisabeth Burgos, entre outros. / This research is composed by twou parts: a commented translation of the russian poet Marina Tsvetayevas essay (My Pushkin, 1937) and a presentation of her prose literary production, in a general way, as well as a particular focus on My Pushkin essay. To accomplish this task, the main compositive procedures have been pointed out in the light of Mikhail Bakhtin, Tzvetan Todorov, Elisabeth Burgos and other authors view.
4

O meu Púchkin de Marina Tsvetáieva: tradução e apresentação / My Pushkin of Marina Tsvetáieva: translation and presentation

Paula Costa Vaz de Almeida 03 November 2008 (has links)
Este trabalho é composto pela tradução anotada do ensaio (Meu Púchkin, 1937), da poeta russa Marina Tsvetáieva, bem como por uma apresentação da obra em prosa da autora, de um modo geral, e do ensaio Meu Púchkin, em particular. Para tanto apontaremos seus principais procedimentos compositivos à luz de Mikhail Bakhtin, Tzvetan Todorov, Elisabeth Burgos, entre outros. / This research is composed by twou parts: a commented translation of the russian poet Marina Tsvetayevas essay (My Pushkin, 1937) and a presentation of her prose literary production, in a general way, as well as a particular focus on My Pushkin essay. To accomplish this task, the main compositive procedures have been pointed out in the light of Mikhail Bakhtin, Tzvetan Todorov, Elisabeth Burgos and other authors view.

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