Thesis (M. A. (African languages) -- University of Pretoria, 2006. / Includes bibliographical references (leaves 180-189)

Thesis (D.Litt. et Phil.)--University of South Africa, 1999.

In this dissertation the rights of women are investigated with special reference to Monyaise's novel, Bogosi Kupe. The description is based on the theory offeminism and womanism. Among those scholars who have discussed theories on feminism are Ashworth (1995), Lovenduski and Randall (1993), Ryan and Van Zyl (1992), Besley and Moore (1989), Nosizwe Mrwebi (1996) and Phindile Xaba (1999). Among those who have advanced theories on womanism are Alice Walker and Chekwenye Okonjo Ogunyemi (1997), Cannon (1995), Lovenduski and Randall (1993), Collins (1990) and Jones e.a. (1994). The main aim of the dissertation is to investigate the two narratologicallevels of the novel, Bogosi Kupe, namely content and plot structure, with special attention to the rights of women. Furthermore, the concept of feminism is discussed as the movement that fights for the rights of women. In this investigation the two concept to define and to interpret are also examined. Furthermore, the examination follows the adapted narratological model of theorists such as Mojalefa and Groenewald. In terms of this model, a literary text operates on three levels: content level, plot level and style level. Bogosi Kupe is discussed within the framework of this adapted narratological model, with the focus being on the first two levels, namely, content level and plot level. The concept topic is highly significant with regard to the content level because it links the events of the content level, coherently. In Monyaise's text, Bogosi Kupe, the topic has been identified as exhorting or inspiring women to fight for their rights. This topic determines the relationship between all the events on the content level. On the plot level, the theme is strongly emphasised as the most important component of the plot structure because it also links the events of the plot level coherently. The events in Bogosi Kupe are arranged and linked by means of specific techniques to highlight the author’s intention. Title, as an element of plot level is also investigated as it plays a significant role in making the reader aware of the distinguishing name of the literary text and also in enunciating the type of the literary text. Another component which is also considered as vitally important when analysing plot structure, is the design which is the framework in which the story is rooted. Furthermore, design has been described as having two parts which determine plot structure of a particular literary text so that the message is highlighted by the theme and thus well disclosed to the reader. In that way, design in the text can be discussed as having two special functions which are firstly, to identify the type of literary work and secondly to examine characterization. It has been observed that Bogosi Kupe, also falls within the category of womanism because it reflects certain features of womanism. F our phases of the plot, namely exposition, development, climax and denouement have also been examined as the pillars of literary text. In the exposition phase, the first conflict is discussed in terms of the technique of fore shadowing to highlight the rights of women for which Matlhodi strives for. The events, in the development phase are arranged and linked by means of nineteen techniques to form a unit. In the climax phase, Monyaise uses three techniques namely, flashback, frequency and contrast, to highlight the power of modernism in contrast to traditionalism. In the denouement phase, the author uses three basic techniques namely, frequency, elision and symbol to reflect the dawn of civilization and the fading out of tradition. Monyaise concludes Bogosi Kupe with an important occasion in which characters celebrate the advent of civilization. These events are also arranged and linked by means of three basic techniques which are related to the theme of this novel. / Dissertation (MA (Setswana))--University of Pretoria, 2007. / African Languages / unrestricted

Chapter One of this thesis investigates the growth and development of the Tswana short story. It commences with an evaluation of studies done on this genre and proceeds to a brief exposition of the Tswana short stories published prior to 1995. It also provides theoretical backgmund on the modern short story. The main focus of Chapter Two concerns the major themes explored in Tswana short stories. These include tradition and culture, love and marriage, the makgoweng motif, religion as well as corruption and other social problems. This thesis has discovered that the Tswana Miters not only criticise the negative aspects of these realities, but also recognise their significance and beauty. Chapter Three examines the organisational patte~ of the Tswana short story and tests it against the structural pattenl of the West. It is revealed that the Tswana short story, like short stories of other cultures, shows a continuous sequence of exposition, development and resolution. However, it occasionaHy deviates from the nonn and commences with philosophical commentaries and details irrelevant to the developmental phase. In structuring their stories, the Tswana writers also use flashback and foreshadowing to link their events. However, what has been discovered is that foreshadowing occurs less frequently than flashback in the Tswana short story. Chapter Four focusses on the word, the sentence and the paragraph and refers to other related clements such as repetition, rhetorical questions, proverbs, idioms and Biblical allusions. These elements serve to enhance the style of the Tswana short story and bring the readers into a dialogic relationship with their language and culture. Creative writing in Tswana illustrates a strong, dynamic relationship with oral tradition. Chapter Five shows how writers have cirawn from the wealth of their traditional and cultural heritage original and wlique devices to improve their works of art. The threads of oral tradition that reveal themselves in the Tswana short story pertain to the organisation of material, characterisation, setting, style and language as well as narrative perspective. In Chapter Six the findings of the earlier chapters are highlighted and recommendations for future research are outlined. / African Languages / D.Litt. et Phil.(African Languages)

Chapter One of this thesis investigates the growth and development of the Tswana short story. It commences with an evaluation of studies done on this genre and proceeds to a brief exposition of the Tswana short stories published prior to 1995. It also provides theoretical backgmund on the modern short story. The main focus of Chapter Two concerns the major themes explored in Tswana short stories. These include tradition and culture, love and marriage, the makgoweng motif, religion as well as corruption and other social problems. This thesis has discovered that the Tswana Miters not only criticise the negative aspects of these realities, but also recognise their significance and beauty. Chapter Three examines the organisational patte~ of the Tswana short story and tests it against the structural pattenl of the West. It is revealed that the Tswana short story, like short stories of other cultures, shows a continuous sequence of exposition, development and resolution. However, it occasionaHy deviates from the nonn and commences with philosophical commentaries and details irrelevant to the developmental phase. In structuring their stories, the Tswana writers also use flashback and foreshadowing to link their events. However, what has been discovered is that foreshadowing occurs less frequently than flashback in the Tswana short story. Chapter Four focusses on the word, the sentence and the paragraph and refers to other related clements such as repetition, rhetorical questions, proverbs, idioms and Biblical allusions. These elements serve to enhance the style of the Tswana short story and bring the readers into a dialogic relationship with their language and culture. Creative writing in Tswana illustrates a strong, dynamic relationship with oral tradition. Chapter Five shows how writers have cirawn from the wealth of their traditional and cultural heritage original and wlique devices to improve their works of art. The threads of oral tradition that reveal themselves in the Tswana short story pertain to the organisation of material, characterisation, setting, style and language as well as narrative perspective. In Chapter Six the findings of the earlier chapters are highlighted and recommendations for future research are outlined. / African Languages / D.Litt. et Phil.(African Languages)

M.A. (African Languages) / The main aim of this study is to focus on symbolism as a literary technique in D P S Monyaise's novel, Bogosi Kupe. In this work a semiotic study of Monyaise' s Bogosi Kupe will be dealt with, the existence of a symbol will be investigated, traced, interpreted and its function . described according to African historical, cultural and ethical context. The biography of Monyaise and the approach with regard to Symbolism in Bogosi Kupe will be discussed...

M.A. (African Languages) / Please refer to full text to view abstract