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1	Mosaique et memoire : paradigmes identitaires dans le roman feminin tunisien Lunt, Lora G. January 2000 (has links) No description available. Women authors, Arab -- Tunisia.
2	Mosaique et memoire : paradigmes identitaires dans le roman feminin tunisien Lunt, Lora G. January 2000 (has links) Mosaique et memoire studies paradigms that contribute to the construction of identity in the writings of thirteen Tunisian women novelists writing in French: Emna Bel Haj Yahia, Aicha Chaibi, Annie Fitoussi, Behija Gaaloul, Annie Goldmann, Souad Guellouz, Jelila Hafsia, Souad Hedri, Turkia Labidi Ben Yahia, Alia Mabrouk, Nine Moati, Katia Rubenstein, and Fawzia Zouari. Drawing upon post-colonial and feminist perspectives, this thesis analyzes texts through their poetics and in linguistic, cultural and literary contexts. Novels by women offer an inside view of women's evolution through a variety of characters representing three generations, just as they explore alternate ways of entering modernity based upon harmonizing traditional values (cultural roots, family, faith, community solidarity, a Mediterranean warmth of spirit, thinking "in Arabesques") with 'modern' values such as sexual equality and individual freedom. / Multiple women's voices protest patriarchal and colonial or racist discourse, but also reveal spaces of happiness in women's lives. Jewish voices at times reinforce views by Muslim authors but at others present opposing viewpoints, deconstructing concepts such as 'Arab identity' and questioning nationalist claims to Islamic tolerance and multiculturalism. / In these French-language novels, images and metaphors, as well as expressions in dialectical Arabic, recall the rich cultural heritage underlying national consciousness, the memory and the mosaic which form both individual and national identities. The juxtaposition of Arabic and French suggests both the cross-fertilization of cultures and the impossibility of naming the inexpressible, just as it contributes to deconstructing identity through the medium of the novel. Women authors, Arab -- Tunisia.
3	Redirecting al-nazar contemporary Tunisian women novelists return the gaze / Mamelouk, Douja. January 2010 (has links) Thesis (Ph.D.)--Georgetown University, 2010. / Includes bibliographical references.
4	De la tradition a la modernite : aspects de la representation de la femme dans les romans de trois pays maghrebins Van Aardt, Anna Jacomina Susanna 07 October 2015 (has links) D.Litt. et Phil. / The broad aim of the present study was an exploration of the representation of women in the novels of the Maghreb written in French. Two questions provided obvious and logical starting points: Is the fairly aggressive feminism that is so integral to current Western writing equally evident in the fiction of countries where the position of women is governed by religious conviction? Does the fiction emanating from the pens of male authors differ, in the way it reflects this problem, from the fiction written by women? Women in literature
5	Vers une poétique du sacré dans la littérature tunisienne : de l'intertexte du Coran et du Hadith à la découverte de la dimension littéraire du "sacré" dans un corpus d'oeuvres d'expression arabe et française / Towards a poetics of the sacredness in the Tunisian literature : intertext of the Qur’ân and Hadith to the discovery of the literary dimension of "sacred" Ben Hassen, Nadia 17 December 2015 (has links) Cette thèse s’inscrit dans une optique comparatiste et interdisciplinaire qui étudie les traits spécifiques du « sacré » tel qu’il se manifeste dans un corpus bilingue, en ayant recours conjointement à des théories littéraires et exégétiques. À travers cette étude de l’intertexte du Coran et du hadith dans la littérature tunisienne d’expression française et arabe, nous avons pu souligner l’importance de trois dimensions intertextuelles majeures qui contribuent pleinement à l’élaboration d’une poétique du « sacré » à savoir : la mystique, la rythmique et le mythe. Notre thèse déconstruit les idées reçues qui font perdurer la séparation entre la littérature et le sacré en démontrant la pertinence de la relecture des textes « sacrés » par les auteurs. Ceux-ci semblent en effet, avoir intuitivement accédé à la déconstruction de plusieurs mythes inscrits dans l’ « impensable » islamique. Leur apport est plus que pertinent en ce moment, où l’Islam se propage plus par ces mythes que par l’essence de ses textes. / In this thesis we aim to study what defines the sacredness in a comparative and interdisciplinary perspective as it manifests itself by a bilingual corpus. We had resorted to both literary and exegetical theories. Through this study of intertext of Qur’ân and Hadith in the tunisian literature which uses french and arabic-language we had emphasized the importance of three major dimensions in interextuality that contribute fully to devise the poetry in the « sacredness » : mystic, rhythmics and myth. Our thesis deconstructs preconceived ideas that keep the separation between the literature and sacredness by showing the importance of reviewing the sacred texts beyond doubt. The Authors seem to have intuitively deconstruct many myths of the « unthinkable » islamic thought. What they brought has considerable merit while Islam is becoming known more by its myths than by the essence of its texts. Poétique du « sacré » Coran Hadith Mythe Rythme Vision mystique Abdelwahab Meddeb Chems Nadir Ibrahim Darghouthi Fredj Lahouar Mahmoud Al-Messaadi Intertextualité Diction of poetry of scardness Qur’ân Hadîth Myth Rhythmic Mystic vision Tunisian literature Abdelwahab Meddeb Chems Nadir Ibrahim Darghouthi Fredj Lahouar Mahmoud Al-Messaadi Intertextuality

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