Thesis--Cornell. / Vita. Includes bibliographical references (p. 334-346).

Orientador: Josué Pereira da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-20T02:01:08Z (GMT). No. of bitstreams: 1 Rangel_EduardoAzanha_M.pdf: 905988 bytes, checksum: 3a71f807d22998edca3e268838dacc52 (MD5) Previous issue date: 2011 / Resumo: Esta pesquisa busca apresentar a construção do conceito de ideologia em Fredric Jameson, discutindo as principais referências teóricas utilizadas pelo autor e as especificidades de sua análise, como a dialética da ideologia e da utopia. A partir destes objetivos, retomamos, primeiramente, a distinção entre ideologia e utopia feita por Karl Mannheim, na tentativa de pensar os conceitos em relação à sociologia enquanto prática analítica e ao historicismo enquanto método e as influências da ideologia na cognição e na epistemologia. Posteriormente, há o resgate do conceito de pós-modernismo em Jameson, com o intuito de fixarmos seu diagnóstico da contemporaneidade e refletir sobre suas relações e críticas às concepções de ideologia de Louis Althusser e Theodor Adorno. Por fim, abordaremos as principais temáticas jamesonianas relativas à ideologia, como os limites estruturais da produção simbólica, as formas de mediação entre indivíduo e sociedade e a ideologia enquanto consciência de classe, para apoiar a necessidade teórica de Jameson de fundar uma hermenêutica positiva em sua análise ideológica, a perspectiva da utopia / Abstract: The purpose of this research is to present the construction of the concept of ideology in Fredric Jameson, discussing the main theoretical references used by this author and the specificities of his analysis, such as the dialetics of ideology and utopia. From these objectives, we will resume, at first, the distinction between ideology and utopia as made by Karl Mannheim, in an attempt to ponder on the concepts related to sociology as an analytical practice, and historicism as a method, as well as the influences of ideology on the cognition and epistemology. Subsequently, there will be a resumption of the concept of postmodernism in Jameson, with the purpose of engraving his diagnosis into contemporaneity, and pondering on his relations and criticism to Louis Althusser's and Theodor Adorno's conceptions of ideology. Finally, we will approach the main jamesonian themes related to ideology, such as the structural limits of symbolic production, the forms of mediation between individual and society, and ideology as class consciousness, to support Jameson's theoretical need for establishing a positive hermeneutics in his ideological analysis, the perspective of utopia / Mestrado / Sociologia / Mestre em Sociologia

This study examines the expression and patterns of alternate history in nineteenth-century Britain and France. “Alternate history” refers to the presentation of events that did not happen in order to consider historical trajectories that might have been and the consequent displacements of present and future. The central chapters of this thesis correspond to the three fields of writing in which these texts are clustered: in narratives of undefeated and resurgent Napoleons, which I trace from the rival journalistic claims made about Napoleon and his historical significance; in accounts that re-imagine the transition from antiquity to modernity, for example by delaying the passage of Christianity from the Middle East to western Europe; and, as part of the plurality-of-worlds debate, in the popular-astronomical imagination of variant versions of human history upon other planets. Three patterns of alternate history are discernible: the romantic-utopian, the critical-reflexive and the linear-chronological. I attach to these patterns the figures of the garden, the map and the dial. These models do not correspond to the three temporal fields of the recent, antique and planetary past, and there is not a straightforward development of these patterns or modes across the nineteenth century; they rather represent a spectrum of purposes for the fictional alteration of the past which occur at various moments and contexts in the century. Alternate history in this period has never been the subject of in-depth analysis. The approach of this study will not absorb such transformations of history into a tradition of futurist writing, as some critics have done. Maintaining alternate history’s distinctness from futurism makes it possible to avoid framing the texts as precursors to science fiction’s historical anticipations. This study will argue that alternate history should instead be recognised as a category of writing that is aware of and concerned with the way that history is written and received, in particular with history’s interactions with other literary forms and the relationships between writing history and other disciplinary fields. More broadly, alternate history should be interpreted in the context of the often described formation of History as a positivist discipline by the late nineteenth century; but far from indicating a steady progression toward scientific historiography, alternate-historical texts reflect upon that transformation and its consequences in other literary fields (journalism, political theory, popular Astronomy, the romance novel) in the century whose “great obsession” is said to have been history.

青綠山水在中國繪畫史上歷史悠久，可追溯到魏晉時期（220-420），甚至更早，可謂中國山水畫科之始。然而，在經歷隋唐（581-907）的成熟和兩宋（960-1279）的高峰後，隨著水墨繪畫的興起，文人趣味的改變，加上材料技術的失傳，青綠山水在元代開始衰落。儘管這樣，還是有人致力於青綠創作，理想世界成為作品中時常表達的憧憬。 / 本文包含四個部分：「緒論」闡述青綠山水的定義，並回顧傳統青綠山水的沿革。第一章梳理傳統青綠山水對理想世界的描繪，把它分成「隱逸」、「桃源」和「仙境」三類，從技法和主題來分析作品背後的意涵。第二章先以近代畫壇大師為例，指出他們對青綠山水創作的重視既在於表達理想世界，更在於對傳統技法的保存和延續。而現當代的青綠創作雖形式繁雜，但至少有五種面貌。第三章則闡述個人如何參考傳統技法和風格為創作元素，展現對傳統和當下的思考。文章期能對青綠山水這一古老畫科與理想世界的關係作一探討，並為當代青綠山水的創作再添註釋。 / Regarded as the origin of the genre of landscape painting, blue-and-green landscape painting has a long history in China, dating from the Wei and Jin periods (220-420) and even earlier. It was developed in the Sui and Tang dynasties (581-907) and was at its glorious status in the Song dynasty (960-1279). However, a change in the taste of the literati class and the loss of the related techniques and materials gave rise to monochrome ink painting, and as a result, the blue-and-green tradition declined in the Yuan dynasty (1271-1368). Despite the prevailing trend of Chinese landscape painting, there are still people who devote themselves to the blue-and-green style and use it to depict an ideal world. / This thesis consists of four sections. In the Introduction, I formulate a definition for blue-and-green landscape painting and trace its development in the narratives of Chinese art. Chapter One straightens out the depictions of an ideal world in the blue-and-green tradition, dividing them into ‘recluse’, ‘peach blossom spring’ and ‘immortal land’, and deciphers the meaning of the works regarding their techniques and subjects. Chapter Two studies the masters of the modern and contemporary art world and their landscape views. The value of blue-and-green landscape painting is still highly regarded not only because it is used to depict an ideal world, but also seen as a means to preserve and continue the traditional painting techniques. The contemporary blue-and-green landscape paintings come in a variety of styles and yet there are at least five categories from my observation. The final chapter is my reflection on the Chinese tradition and on the presence as I express these by making reference to the traditional techniques and styles. In studying the close relationship between the primitive genre of blue-and-green landscape painting and an ideal world, this thesis intends to offer a new perspective in painting blue-and-green landscape in a modern context. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 蔡德怡. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 84-90). / Abstracts in English and Chinese. / Cai Deyi.

陶飛亞 = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / 論文(哲學博士)--香港中文大學, 2001. / 參考文獻 (p. 276-290) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Tao Feiya = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (p. 276-290) / Zhong Ying wen zhai yao.

"May 2003." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2003. / Includes bibliographical references (p. 209-226). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.

No description available.

Thesis (M.A.)--University of Nevada, Reno, 2006. / "May, 2006." Includes bibliographical references (leaves 53-55). Online version available on the World Wide Web.

Thesis (Ph. D.)--Rutgers University, 2009. / "Graduate Program in Art History." Includes bibliographical references (p. 304-331).

Thesis (Ph. D.)--University of Chicago, 1910. / Includes bibliographical references (p. 128-129).