Submitted by Sandra Pereira (srpereira@ufrrj.br) on 2016-10-17T16:51:41Z No. of bitstreams: 1 2015 - Karenina do Nascimento Rodrigues.pdf: 1238410 bytes, checksum: e8462d133e6da1f161c58ff79d8dbf31 (MD5) / Made available in DSpace on 2016-10-17T16:51:41Z (GMT). No. of bitstreams: 1 2015 - Karenina do Nascimento Rodrigues.pdf: 1238410 bytes, checksum: e8462d133e6da1f161c58ff79d8dbf31 (MD5) Previous issue date: 2015-11-26 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The main aim of this work is to analyze the figuration of valido in the 17th Century Spanish court play C?mo ha de ser el privado. At first, considering the Jauss? approach of Aesthetics of Reception, it was considered the proper intention of the play?s poetical speeches, situating their potential meanings as something mediated by the rhetorical and poetical devices of Early Modern European literary genres. Therefore, it is not a matter of this work speculating about the intentions of 'Quevedo' as an individual or psychological author. We have thought that the romantic-liberal readings on the play have harmed its proper epochal meanings, creating anachronistic perceptions. Then, from the play?s structural tropics, or from its rhetorical-poetical forms and motives, and also considering its contextual functions as dramatic genre proper to solace of Spanish court and its King, we have analyzed the function of valimento as main play?s theme. We have build the comprehension that the play is formed by scenic poetical dialogues that dramatize the valido as an ideal king?s chief counselor conforming to the current expectations shaped in the renaissance genre Mirror for Magistrates, such as Castiglione?s The Book of the Courtier. / O objetivo central deste trabalho ? analisar a figura??o de valido presente na pe?a teatral cortes? C?mo ha de ser el privado. Para tanto, partindo da Est?tica da Recep??o de Jauss, foi considerada a inten??o enquanto efeito do discurso na obra, ponderando o horizonte de expectativas e o modelo de leitor/audi?ncia nela contidos, diferentemente, portanto, de seguir a tend?ncia de vi?s rom?ntico de focalizar a inten??o da obra num suposto indiv?duo ?Quevedo?, ou seja, evitou-se concentrar numa no??o individualizada oitocentista de sujeito-autor os sentidos poss?veis de legibilidade para a pe?a. Acreditamos que a leitura rom?ntico-liberal feita at? ent?o sobre a pe?a compromete a sua legibilidade epocal, recaindo em leituras anacr?nicas. A partir dos elementos da forma gen?tico-tr?pica ou ret?rico-po?tica da pe?a, construiu-se um entendimento acerca do sentido e da fun??o espec?fica do tema do valimento na pe?a, a qual entendemos como formada por poesias c?nicas dialogais que dramatizam os mesmos horizontes de expectativas contidos no g?nero renascentista Espelho de Magistrado, a exemplo do intertexto poss?vel com o modelo de Baldassare Castiglione em O Cortes?o