Tesis-Universidad de Valladolid, 2000. / Incluye referencias bibliográficas e índice.

Tesis-Universidad de Valladolid. / Incluye referencias bibliográficas e índice.

Tesis Univ. de Valladolid (inédita). / Incluye referencias bibliográficas e índices.

Tesis-Universidad de Valladolid (inédita). / Incluye referencias bibliográficas e índice.

Tesis-Universidad de Valladolid (inédita). / Incluye bibliografía e índices.

Tesis Universidad Valladolid (inédita).

Tesis-Universidad de Valladolid (inédita). / Incluye referencias bibliográficas e índices.

Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-06-18T14:17:24Z No. of bitstreams: 1 thaianagomesvieira.pdf: 2856828 bytes, checksum: e00adab9785887bdee3baf36c4561665 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-06-27T11:54:36Z (GMT) No. of bitstreams: 1 thaianagomesvieira.pdf: 2856828 bytes, checksum: e00adab9785887bdee3baf36c4561665 (MD5) / Made available in DSpace on 2018-06-27T11:54:36Z (GMT). No. of bitstreams: 1 thaianagomesvieira.pdf: 2856828 bytes, checksum: e00adab9785887bdee3baf36c4561665 (MD5) Previous issue date: 2017-05-08 / O tema que pesquiso refere-se às formas de controle da vestimenta na Baixa Idade Média. Utilizo como documento “leis suntuárias” elaboradas na Península Ibérica, especificamente na região de Valladolid, nos séculos XIII e XIV. Assim, o objetivo do trabalho não é realizar uma simples descrição linear sobre a história da moda, mas pensá-la como objeto representativo da história, pois se articula a diversos fenômenos políticos, econômicos e sociais. No caso, buscamos verificar como as leis controlam as vestimentas, sejam das camadas ascendentes, dos grupos sociais marginalizados (como por exemplo, judeus, mouros ou prostitutas), as restrições dos adornos, cores e tecidos, e analisar porque eram estabelecidas. O período da Baixa Idade Média é bastante intenso e fecundo em normatividades, e ainda, momento de surgimento do que consideramos moda. As vestimentas são, nesse momento, representações sócio-políticas e as leis suntuárias reconhecem e registram as diferentes condições dos habitantes da comunidade. Desse modo, tratar do controle exercido pelas autoridades na sociedade da Baixa Idade Média na Península Ibérica por meio das vestimentas é pertinente e tema pouco explorado. O presente trabalho tem como objetivo principal verificar quais eram as motivações da instituição monárquica de Valladolid ao legislar sobre as roupas nos séculos finais da Idade Média. Além de analisar qual a relevância da aparência nesta mesma região; explorar a historiografia referente à indumentária e o controle social na Baixa Idade Média e identificar as leis referentes ao controle da indumentária outorgadas na Península Ibérica. / My research subject refers to dress control forms in the Late Middle Ages. I use as document the "sumptuary laws" elaborated in the Iberian Peninsula, specifically in the region of Valladolid, in the thirteenth and fourteenth centuries. Thus, the purpose is not to perform a simple linear description about the fashion history, but to think of it as an representative object of history, because it's related to many political, economic and social aspects. In this case, we verify how laws control clothing, whether from higher social levels, marginalized social groups (eg jews, moors or prostitutes), restrictions on adornments, colors and fabrics, and we also analyze why this laws were established. The period of the Late Middle Ages is quite intense and fecund in normativities, and is also the moment of emergence of what we consider fashion. The garments are, at that moment, socio-political representations and the sumptuary laws recognize and record the different conditions of the community inhabitants. Thus, talk about the control exercised by the authorities in the society of the Late Middle Ages in the Iberian Peninsula through the clothing is pertinent and a subject rarely explored. The present work has as main objective to verify what were the motivations of the monarchical institution of Valladolid when legislating on the clothes in the final centuries of Middle Age. In addition to analyzing the relevance of appearance in this same region; to explore the historiography referring to the dress and social control in the Late Middle Ages and to identify the laws regarding the clothing control granted in the Iberian Peninsula.

Le sculpteur français Juan de Juni (1507-1577) s’installa en Espagne au début du Siècle d’Or. Après quelques travaux au gré de son itinérance, il établit son atelier à Valladolid en 1540. L’artiste contribua à l’émergence de « l’École de Sculpture de Valladolid ». Il réalisa au total en Espagne une cinquantaine d’œuvres, principalement en bois polychrome, consacrées à la Passion du Christ et au culte marial. Précisément, notre travail de thèse consiste à ne pas restreindre son œuvre à la sphère artistique ibérique mais au contraire à montrer le caractère cosmopolite et la polyvalence stylistique du sculpteur ; pour cela, nous cherchons à faire la lumière sur son parcours de formation (1507-1533), depuis ses premières œuvres dans sa région natale jusqu’à son établissement à Valladolid / French sculptor Juan de Juni (1507-1577) settled in Spain at the beginning of the Golden Century. He sculpted a few works as his route took him until he reached Valladolid where he installed his workshop in 1540. The artist contributed to the emergence of the “Sculpture Academy of Valladolid”. He made fifty works in Spain in all, mostly in polychromatic wood, dedicated to the Passion of Christ and the cult of marriage. Our Ph-D study does not precisely consist in restricting his work to the Iberian artistic sphere but on the opposite in showing the cosmopolitan nature and stylistic versatility of the sculptor; in that aim we try to get right to the bottom of his career path (1507-1533), starting with his first works in his native region to his establishment in Valladolid

Tesis-Universidad de Valladolid, 1999. / Incluye bibliografía e índice.