Texte remanié de: Thèse de doctorat--Littérature--Toulouse 2, 2003. / Bibliogr. p. 449-468.

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Thesis (Ph.D.) - University of Queensland, 2006. / Includes bibliography. Also issued online.

Thesis (M.A.)--Eastern Illinois University, 1994. / Includes bibliographical references (leaves 94-95).

THISTLE & SAGE (One-Hour Weird-West Drama Pilot) Maggie Crolley, a budding folk witch and frontierswoman fights to liberate her family and other enslaved townsfolk from a troupe of vampires in 1870 Cheyenne, Wyoming.

Thesis advisor: Alan Richardson / This thesis examines the ways two Victorian authors employed the literary vampire to respond to contemporary anxieties regarding women and their role in society. The primary texts of interest in this thesis are Florence Marryat's 1897 novel The Blood of the Vampire and Sheridan LeFanu’s 1872 novella Carmilla. This thesis explores the way each story frames the vampire’s gender, sexuality, and racial background through the lens of her monstrosity. / Thesis (BA) — Boston College, 2023. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Departmental Honors. / Discipline: English.

Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02

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Broadly, this thesis is a project about queerness and its relationship to Twilight. This thesis seeks to recuperate the queer in the Twilight series. Using discourse analysis, I explore both common and uncommon representations of queerness and the popular and unpopular discourses of Twilight. While both Chapter 1 and 2 offer paranoid readings of the Twilight series and its relationship to queerness, Chapter 3 presents a reparative reading of the text. I argue that Meyer’s tame and conservative vampire, conventionally represented as being either sexually ambiguous or outside the norm, is symptomatic of a modern culture that is becoming more accepting of odd, strange, and/or queer individuals. I maintain, however, that the normalization of specific "ways of being" still comes at the expense of the constitutive “other”. Furthermore, I understand this process of normalizing a monster to be representative of a seemingly apolitical, yet violent, Faludian backlash toward queers.

Thèse (M.A.)--McGill University, 1988. / L'exemplaire 2 est en format papier.