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Tid genom kroppNygren, Isak January 2023 (has links)
No description available.
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Separating art from idea : an argument for art's inherent autonomy from the world of ideasEillert, Gideon January 2023 (has links)
No description available.
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A Slender Arc of LightByrkjeland, Linn January 2023 (has links)
No description available.
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The Animal LanguageCostas Martín, Noa January 2023 (has links)
No description available.
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InstarSharp, Rebecca January 2023 (has links)
No description available.
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Guilts From Childhood, Bread Tasted Better When Everyone Was Home, Paralyzing Truth, Where Even Water Sets You On Fire, Time Is Healing Without You, Loyalty, Painted In A Beautiful, Destructive Way, That Even Birds Came Flying To Your ArmsPrikazcik, Kiril January 2023 (has links)
1. Guilts From Childhood, 100 x 55 cm, Gouache on paper, 2023 2. Bread Tasted Better When Everyone Was Home, 63 x 40 cm, Gouache on paper, 2023 3. Paralyzing Truth, Where Even Water Sets You On Fire, 63 x 40 cm, Gouache on paper, 2023 4. Time Is Healing Without You, 63 x 40 cm, Gouache on paper, 2023 5. Loyalty, Painted In A Beautiful, Destructive Way, That Even Birds Came Flying To Your Arms, 63 x 40 cm, Gouache on paper, 2023
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Bo Peep? Ah ha ha ha!Hurtig, Therése January 2023 (has links)
No description available.
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Bojen var i slutändan bortaZanichelli, Fredrik January 2023 (has links)
No description available.
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MasteressayVesterlund, Jesper January 2023 (has links)
Vulnerable in the face of existence curiosity wanders longing with the eyes of a child listening and seeing open and hungry sensibly reminded of a place, there is something more. Beyond the horizon sounds its epithet, comfortingly capable. Well versed in books composed in music the water flows, down from the cheeks.
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Waves of Movement through Suspension then Release : Finding the voice of Afro-EmiratisAljerman Alali, Ameena January 2024 (has links)
Since the documented history was and still mainly is viewed as autonomous, this essay attempts to challenge history’s formal disciplined approach with a narrative from slaves’ own history rather than seeing slavery as an event. The Indian Ocean slavery has not been documented as much as Atlantic slavery history, in which led to a gap within the history of the Persian/Arabian Gulf countries. Moreover, the essay looks specifically at my own family history, as an artist, the interest of documenting such history was to find ways to relate and understand the afterlife of slavery. I raise questions regarding reflecting on the remembrance and presentation of slaves’ history as an amendment process and as an attempt to fill in the gaps in order to understand history and the socio-political positioning of Afro-Emiratis. The essay unfolds with its suspension then release, in three main narratives titled: Fairuz, Dalma, and Zar, that took place in the last century. The methodology was mainly focused on weaving narratives, events, and heritage of Afro Emiratis into a steppingstone to further document and present of an unspoken history.
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