Thesis (Ph.D.) -- University of Adelaide, Dept. of Politics, 1999. / Bibliography: leaves 290-311.

Despite significant evidence to the contrary in the Latvian language, especially the memoirs of General Peteris Radzins, Latvians, historians included, and others, have persisted in mythologizing the military events of 8 October to 11 November 1919 in Riga as some sort of national miracle. Since this Latvian army victory, first celebrated as Lacplesis Day on 11 November 1920, accounts of this battle have been unrepresented, poorly represented or misrepresented. For example, the 2007 historical film Rigas Sargi (The Defenders of Riga) uses the 1888 poem Lacplesis by Andrejs Pumpurs as a template to portray the Latvians successfully defeating the German-Russian force on their own without Allied military aid. Pumpurs' dream and revolutionary legacy has provided a well used script for Latvian nation building. However, the reality documented by Radzins in 1922 clearly gives most of the credit to the Allied Fleet which provided two significant series of well planned and well coordinated naval artillery barrages in support of Latvian infantry offensives which succeeded in driving their dual enemy out of Riga thereby ending Russian-German hegemony in the Latvian territory and making Latvian independence possible. How the poem, military event, and film are related in a problematic way with respect to Latvian/Russian relations is the subject of this thesis. / Graduate / mackie9@telusplanet.net

The study looks at the land issue from the perspective of Missiology. It shows in what sense the land issue is an issue for mission. The pastoral cycle of Henriot and Holland is used to analyse the land issue in Zimbabwe. The analysis takes seriously the situation of the marginalized in Zimbabwe in relation to other stakeholders in the land issue. The study also looks at the ecological implications of the land issue. A comparison is drawn between South Africa and Zimbabwe as far as the land issue is concerned. A major aspect of the study is the theological question on God and land. The study concludes with a proposal on the kind of action that needs to be taken in resolving the land question. / Christian Spirituality, Church History and Missiology / M.Th.(Missiology)

This thesis is an in-depth study of Shona fiction about the liberation war in Zimbabwe. It looks at the way Zimbabwe’s liberation war is portrayed in Shona fiction and focuses on the factors that shaped writers’ perspectives on that war. It is argued that Shona war fiction writers romanticised the war and in the process simplified and distorted history. The researcher postulates that writers’ perspectives on this liberation war were shaped by factors that include the mood of celebration and euphoria, the dominant ideology of the time, the situations of independence and freedom, and literary competitions. The thesis further raises and illustrates the point that writers produced romances of adventure because they were writing on the theme of war, and if one writes on the theme of war one ends up writing an adventure story. However, it is also acknowledged that because authors were writing on a historical event they could not ignore history completely. Some aspects of history are incorporated into the fiction, thereby retaining a semblance of historical realism. The post-independence period is also seen as a time of cultural revival and this is considered as the reason behind the authors’ tendency to celebrate Shona traditional institutions and culture. The celebration of Shona traditional religion and culture introduced into the fiction the element of the supernatural that strengthened the romance aspect of the novels. Shona war fiction writers also perpetuate female stereotyping. Female characters are depicted as everything except guerrilla fighters. It is argued that there are no female characters that play roles of guerrilla fighters because during the actual war women were not visible at the war front, fighting. The thesis argues that men, who were pioneers of the guerrilla war and writers of the war stories, excluded women from liberation war discourse and ultimately from literary discourse as well. A few writers who comment on the quality of Zimbabwe’s independence and freedom show the disillusionment and despair of the peasants and ex-combatants as they struggled to settle down and recover from the war. / African Languages / D.Litt. et Phil.

The study looks at the land issue from the perspective of Missiology. It shows in what sense the land issue is an issue for mission. The pastoral cycle of Henriot and Holland is used to analyse the land issue in Zimbabwe. The analysis takes seriously the situation of the marginalized in Zimbabwe in relation to other stakeholders in the land issue. The study also looks at the ecological implications of the land issue. A comparison is drawn between South Africa and Zimbabwe as far as the land issue is concerned. A major aspect of the study is the theological question on God and land. The study concludes with a proposal on the kind of action that needs to be taken in resolving the land question. / Christian Spirituality, Church History and Missiology / M.Th.(Missiology)

This thesis is an in-depth study of Shona fiction about the liberation war in Zimbabwe. It looks at the way Zimbabwe’s liberation war is portrayed in Shona fiction and focuses on the factors that shaped writers’ perspectives on that war. It is argued that Shona war fiction writers romanticised the war and in the process simplified and distorted history. The researcher postulates that writers’ perspectives on this liberation war were shaped by factors that include the mood of celebration and euphoria, the dominant ideology of the time, the situations of independence and freedom, and literary competitions. The thesis further raises and illustrates the point that writers produced romances of adventure because they were writing on the theme of war, and if one writes on the theme of war one ends up writing an adventure story. However, it is also acknowledged that because authors were writing on a historical event they could not ignore history completely. Some aspects of history are incorporated into the fiction, thereby retaining a semblance of historical realism. The post-independence period is also seen as a time of cultural revival and this is considered as the reason behind the authors’ tendency to celebrate Shona traditional institutions and culture. The celebration of Shona traditional religion and culture introduced into the fiction the element of the supernatural that strengthened the romance aspect of the novels. Shona war fiction writers also perpetuate female stereotyping. Female characters are depicted as everything except guerrilla fighters. It is argued that there are no female characters that play roles of guerrilla fighters because during the actual war women were not visible at the war front, fighting. The thesis argues that men, who were pioneers of the guerrilla war and writers of the war stories, excluded women from liberation war discourse and ultimately from literary discourse as well. A few writers who comment on the quality of Zimbabwe’s independence and freedom show the disillusionment and despair of the peasants and ex-combatants as they struggled to settle down and recover from the war. / African Languages / D.Litt. et Phil.