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Nakenhetens narrativa funktion : En semiotisk analys med grund i Westworlds första säsongs nakenscener / The Narrative Function of Nudity : A semiotic analysis based on Westworld’s first season’s nude scenesHansson, Louise January 2022 (has links)
I denna semiotiska analys granskas hur nakenhet i Westworlds första säsong används för att stöda en etablering av androiderna som objekt. Detta görs utifrån en analys av mise-en-scène i två sekvenser av scener där nakenscenen följs av en påklädd sådan. I analysen ses ett samband mellan nakenscenernas science fiction-kodade miljöer och teorier kring en perfekt artificiell kropp, medan de påklädda scenerna visar livfulla och känslosamma ögonblick. Detta resulterar i en nakenhet som inte kan bli osedd och som även förändrar hur tittaren ser på påklädda scener. / This semiotic analysis examines the way nudity in Westworld’s first season is used to support an establishment of the androids as object. This is done through an analysis of mise-en-scène in two sequences of scenes where the nude scene is followed by a clothed one. In the analysis a connection between the nude scenes’ science fiction coded environments and theories about a perfect artificial body can be found, while the clothed scenes show lifeful and emotional moments. This results in a nudity that cannot be unseen and even affects the way the viewer sees clothed scenes.
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Hosting Consciousness: The Implications of Voice and Consciousness in WestworldMauraisin, Grégoire January 2019 (has links)
In this paper, I take a look at the ontological status of Westworld as a TV show and of Westworld as a theme park and move within the show’s ontological frame to analysis the theme park as a narrative medium. From this perspective, I also consider the ontological status of the hosts and examine the implications of their being on their voice. I further analyze the role of voice in relation to consciousness portrayed in Westworld. First by addressing a notion of consciousness held by one of the creators of the park and then by referring to the philosophical debate surrounding the recognition of a conscious entity. This rise to consciousness serves as a basis for a re-inspection of the hosts voice, this time outside of the realm of narratology. Finally, I see how self-consciousness is at the origin of the war between hosts and humans. I then investigate the existential implications of the hosts newly gained consciousness and reflect on the possible future outcomes of machines becoming conscious.
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