Spelling suggestions: "subject:"wilde, oscar, -- 1854c1900"" "subject:"wilde, oscar, -- 185411900""
41 |
Disciplining the Senses: Aestheticism, Attention, and Modernity / Aestheticism, Attention, and ModernityShaup, Karen L., 1979- 09 1900 (has links)
vii, 157 p. / In the second half of the nineteenth century, the Aesthetic Movement in England coalesced literary and visual arts in unprecedented ways. While the writers associated with the Aesthetic Movement reflected on visual art through the exercise of criticism, their encounters with painting, portraiture, and sculpture also led to the articulation of a problem. That problem centers on the fascination with the attentive look, or the physical act of seeing in a specialized way for an extended period of time that can result in a transformation in the mind of the observer. In this dissertation, I consider how Dante Gabriel Rossetti, Henry James, and Oscar Wilde utilize the attentive look in their poetry, fiction, and drama, respectively. As I argue in this dissertation, the writers associated with the Aesthetic Movement approach and treat attention as a new tool for self-creation and self-development. As these writers generally attempt to transcend both the dullness and repetitiveness associated with modern forms of industrialized labor as well as to create an antidote for the endless distractions affiliated with the modern urban environment, they also develop or interrogate systems for training and regulating the senses. What these writers present as a seemingly spontaneous attentive engagement with art and beauty they also sell to the public as a specialized form of perception and experience that can only be achieved through training or, more specifically, through an attentive reading of their works. While these writers attempt to subvert institutional authority, whether in the form of the Royal Academy or the Oxford University system, they also generate new forms of authority and knowledge. Even though the Aesthetic Movement is not a homogeneous set of texts and art works, the Aesthetic Movement can be characterized in terms of its utilization of attentiveness as a way to both understand and create modern subjectivity. / Committee in charge: Dr. Forest Pyle, Chair;
Dr. Sangita Gopal, Member;
Dr. Linda Kintz, Member;
Dr. Kenneth Calhoon, Outside Member
|
42 |
O triunfo da beleza: retratos do comportamento em contos de fadas de Oscar WildeFernandes Júnior, Marcos 26 September 2011 (has links)
This work aims to analyze the behavior of some characters in the fairy tales of Irish writer
Oscar Fingal O Flahertie Wills Wilde (1854-1900), more specifically the five ones those
consists the work The Happy Prince and other stories, from 1888. We intend to verify why
art s strength comes from the elements that compound it, whereas ideological units,
plurissignificant and multifaceted, are only likely to be analyzed when facing other
elements, containing contexts and users of such contexts. In Wilde s fairy tales this
aesthetic sense prevails and the characters tend to acquire multiple forms and a lot of
meanings. Therefore, if we could consider the literary work as an ideological system it is
essential to emphasize the characters who are inserted in that system, as well look into it so
that one can delimitate its constituting elements, identifying whether its actions are right
products of criticism and reflection about the facts or if they are motivated by instincts
inherent to rationality, and proceeding to the analysis of these characters not only
concerning themselves but also concerning the other characters, to the space they share, the
time offered to them and above all, the diegesis which captures them. Thus, Oscar Wilde
becomes a valuable importance author to verify all these concepts, due to the variety of his
gallery of literary types and due to his ironic and acute aesthetic sense that will lead to the
analysis of the characters constitution and motivation of their possible, unstoppable
sometimes, subversive posture. / Este trabalho visa analisar o comportamento de determinadas personagens em alguns
contos de fadas do escritor irlandês Oscar Fingal O Flahertie Wills Wilde (1854-1900),
mais especificamente os cinco contos que compõem a obra O Príncipe Feliz e outras
Histórias, de 1888. Desejamos verificar por que a força da arte advém dos signos que a
compõem e tais signos, enquanto unidades ideológicas plurissignificantes e multiformes,
somente são passíveis de serem analisados quando estão em face de outros signos, dos
contextos que os comportam e dos usuários que se fazem valer deles. Nos contos de fadas
wildianos esse senso de estética prevalece, e suas personagens tendem a adquirir formas
múltiplas e vários significados. Assim, se consideramos as obras literárias como sistemas
ideológicos, faz-se necessário dar relevo às personagens que povoam tais sistemas, olhá-las
de maneira a delimitar seus elementos constitutivos, identificar se suas ações são produtos
acertados da criticidade e da reflexão frente aos acontecimentos ou se elas são motivadas
pela força de instintos subjacentes à racionalidade, proceder à análise dessas personagens
não apenas frente a si próprias, mas também frente às demais personagens, ao espaço que
elas partilham, ao tempo que lhes é ofertado e sobremaneira à diegese que as acolhe. Nesse
sentido, Oscar Wilde passa a ser um autor de valorosa importância para a verificação de
todos esses conceitos, devido à sua variada galeria de tipos literários e de um aguçado e
irônico senso estético que nos leva a analisar as constituições e motivações das
personagens a partir de uma possível, e por vezes irrefreável, postura subversiva. / Mestre em Teoria Literária
|
Page generated in 0.0405 seconds