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1	The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust Potter, Mary-Anne 2012 November 1900 (has links) The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age that educate the girl-child into becoming accepting of their domestic roles ultimately alienate her from her true state of being. While she may garner some sense of importance within the imaginary realms of fantasy narratives, as these female protagonists demonstrate, she is reduced to the position of submissive in reality – in ‘growing up’, she must assume a ‘fallen down’ state in relation to the male. / English Studies / M.A. (English) Victorian womanhood Fairy tales Fantasy literature Portals Woman as ‘Other’ Growing up and falling down Self-alienation Neil Gaiman Lewis Carroll 823.8 Alice (Fictitious character : Carroll) Carroll, Lewis, 1832-1898 -- Influence Literature -- Philosophy Sex role -- Children's literature
2	The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust Potter, Mary-Anne January 1900 (has links) The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age that educate the girl-child into becoming accepting of their domestic roles ultimately alienate her from her true state of being. While she may garner some sense of importance within the imaginary realms of fantasy narratives, as these female protagonists demonstrate, she is reduced to the position of submissive in reality – in ‘growing up’, she must assume a ‘fallen down’ state in relation to the male. / English Studies / M.A. (English) Victorian womanhood Fairy tales Fantasy literature Portals Woman as ‘Other’ Growing up and falling down Self-alienation Neil Gaiman Lewis Carroll 823.8 Alice (Fictitious character : Carroll) Carroll, Lewis, 1832-1898 -- Influence Literature -- Philosophy Sex role -- Children's literature
3	Combating the Banality of Evil: Portrayals of the Literary Female Villain in GÃ¼nter Grass's Danziger Trilogie and Novella, Im Krebsgang. Baumgarten, Joseph Ephraim 10 August 2005 (has links) (PDF) In Günter Grass's Danzig Trilogy and novella, Im Krebsgang, an antagonistic female type makes a repeated appearance. She appears in the guise of Susi Kater and Luzie Rennwand in Die Blechtrommel, and as Tulla Pokriefke in the other works, Katz und Maus, Hundejahre, and Im Krebsgang. This antagonistic female type is not like other women in these works. A review of Le Deuxième Sexe by feminist Simone de Beauvoir reveals several crucial components contributing to woman's position in society. Most essentially, a woman's natural attributes and (dis)abilities and the conventions of society have enforced her historical submission to man. This thesis analyzes how the antagonistic female type, or villain, compares and contrasts with other female figures in these works by Grass, according to a paradigm derived from Beauvoir's description of woman. From this analysis, a better understanding of the female villain's nature emerges. Indeed, such a comparison demonstrates that certain female figures in the works of Grass transcend their historically oppressed or subdued status by refusing to submit to those natural handicaps and societal restrictions identified by Beauvoir, and thus become a threat to man's status or security as an antagonistic female type, or villain. However, the villain figure is not always inherently evil, but possesses the capacity to change. The villain and victim can reconcile their differences and may even form a friendly relationship. This evolving villain-victim duality becomes most clear in Grass's work, Im Krebsgang, and suggests the possibility of assuaging contemporary conflicts as educators sympathize with the experiences of both extremist groups and victimized parties and help them come to terms with their differences. Günter Grass Danzig Trilogy Danziger Trilogie Krebsgang Blechtrommel Katz und Maus Hundejahre Crabwalking Cat and Mouse Dog Years Tin Drum örtlich betäubt Tulla Pokriefke Ursula Pokriefke Susi Kater Luzie Rennwand Vero Lewand Niobe Schwarze Köchin Oskar Matzerath Simone de Beauvoir The Second Sex woman as Other female villain female antagonist femmes fatales la femme fatale Gewöhnung habituation Rede von der Gewöhnung Ben and Dieter Vergangenheitsbewältigung German Language and Literature Slavic Languages and Societies

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