Thesis (Ph. D.)--University of Chicago. / Includes bibliographical references. Also available on the Internet.

Thesis (Master's)--Bilkent University, 2003.

Thesis (M.A.)--Ball State University, 2009. / Title from PDF t.p. (viewed on June 07, 2010). "July 2003." Includes bibliographical references (p. 37-39).

Thesis (MPhil)--Stellenbosch University, 2004. / ENGLISH ABSTRACT: This project was undertaken in order to investigate the phenomenon of repositioning/rejuvenation in the South African women magazine industry, rooi rose and SARIE in particular. These two women magazines, already in a mature phase and seemingly showing very little difference in identity, have been constantly competing with one another for many years. One of the goals of the study is to determine whether the manner in which repositioning is applied would be a sustainable solution and/or whether, considering the saturated market in SA, this would be the sole solution. Hypothetically speaking, the recipe for success may be embedded in new or innovative information and information to support the adopting process of the reader. The Diffusion of Innovation theory is used as the theoretical platform. A content analysis of rooi rose and SARIE for the period July 2002 to December 2003 has been conducted and applied to seven categories. The data has been scientifically analysed using the Student’s t-test. It emerged from the quantitative study that no correlation could be found between innovative content and content supporting the adopting process, and the fluctuation of the ABC figures during that time period. By no means is this an indication that innovative content does not play an important role in the editorial mix, only that SARIE’s better performance since its repositioning should be attributed to other factors. The two magazines are almost similar in terms of positioning, content and target market. For this reason, the role that publicity plays at the launch of each monthly issue should not be underestimated. The Afrikaans women magazine market shows meagre growth that points publishers into other directions such as the expats market, for future growth and survival. Finally, the general interest women magazine should seriously consider her own role in providing innovative information for her reader in order to counter the strong upcoming niche magazine market, which seems to have taken over this very important function of providing innovative information and content supporting the adoption process. In the meantime, change as the only constant means that repositioning or rejuvenation is a given factor in the game of survival. / AFRIKAANSE OPSOMMING: Hierdie ondersoek is onderneem om die verskynsel van herposisionering/vernuwing en die wyse waarop dit toegepas word in die Suid-Afrikaanse vrouetydskrifmark te ondersoek, met spesifieke verwysing na rooi rose en SARIE. Die twee genoemde vrouetydskrifte is reeds in hul volwasse stadium, is in konstante mededinging met mekaar en blyk op die oog af dieselfde identiteit te hê. Die vraag of die wyse waarop herposisionering toegepas is, inderdaad ’n volhoubare oplossing is, of die enigste oplossing in die lig van ’n moontlike versadigde mark, is een van die doelwitte van die studie. ’n Hipotetiese stelling is gemaak dat die resep vir sukses moontlik in vernuwende inhoud lê, en in inhoud wat die daaropvolgende besluitnemingsproses van die leser ondersteun. Die Diffusie van Innoveringsteorie is as teoretiese vertrekpunt gebruik. ’n Inhoudsanalise van rooi rose en SARIE is oor die tydperk Julie 2002 tot Desember 2003 gedoen en toegepas in sewe kategorieë. Die data is met behulp van die Student se t-toets wetenskaplik geanaliseer. Op grond van die resultate van hierdie kwantitatiewe ondersoek is bevind dat vernuwende inhoud en inhoud wat die besluitnemingsproses ondersteun, geen korrelasie getoon het met die styging en daling van die ABC-syfers nie. Dit beteken geensins dat vernuwende inhoud nie ’n belangrike deel van die inhoudsvermenging uitmaak nie, bloot dat SARIE se sukses sedert herposisionering dus toe te skryf is aan ander faktore. Die twee tydskrifte stem grootliks ooreen in terme van posisionering, inhoud en teikenmark. Daarom is die rol wat publisiteit speel ten tye van die bekendstelling van ’n nuwe uitgawe van groot belang. Die Afrikaanse vrouetydskrifmark toon nie veel meer groei nie, wat beteken dat die twee tydskrifte ander opsies soos onder meer die “expats”-mark moet ondersoek. Ten slotte sal die algemene vrouetydskrif ernstiger moet besin oor haar rol in die aanbieding van innoverende inhoud en inhoud wat die besluitnemingsproses ondersteun as sy die opkomende nistydskrifmark, wat op die oog af hierdie funksie oorgeneem het, wil trotseer. In die tussentyd sal tydskrifte vir lief daarmee moet neem dat gereelde herposisionering/vernuwing noodsaaklik is vir oorlewing.

Thesis (MA (Journalism))--University of Stellenbosch, 1985. / Toe Sarie uiteindelik in 1949 letterlik die lig op straat gesien het was sy die vierde volwaardige Afrikaanse vrouetydskrif en die eerste wat die vrou se lewe in alle fasette gedek het, soos in hierdie verhandeling aangetoon sal word.

No description available.

No description available.

Thesis (MBA)--Stellenbosch University, 2014. / Globally and locally, print media publications and companies have been under immense pressure as circulation and advertising revenues have declined steadily. The rise of the internet and subsequently, Web 2.0 and Web 3.0 created new platforms on which consumers can access information. As a result, advertisers have followed consumers and have moved their funds away from print to digital and broadcast portals. The impact of the changing environment and changing media consumption behaviour on the newspaper industry has been well documented. This research report sought to understand the impact of these changes in the environment on the women’s magazine industry and to add to the lack of a body of knowledge in the academic sphere. The researcher chose a sample of women’s magazine editors based on the non-probability convenience sampling method, and to answer the research question, the researcher undertook a qualitative research methodology study. The researcher held in-depth interviews with each editor and open-ended questions were posed to them in order to understand their views on the future of women’s magazines based on the media consumption behaviours of readers, the media consumption behaviour of Millennials and the evolution of content and migration from print to digital. Findings from the survey revealed that the women’s magazine publishing industry has been in a steady decline. Older and more established glossy magazines have struggled to stabilise circulation figures. Consumer magazines in print format targeted at young females have closed down in favour of digital platforms. The future of women’s magazines in South Africa is dependent on the publishing companies’ ability to capture the Millennial consumer on appropriate and relevant platforms, but the industry first has to understand the drivers for media consumption behaviour in that particular market. One of the researcher’s key findings from this research is that women’s magazines will not only change platforms but that the old revenue model based on circulation and advertising revenue will need to be replaced by a completely new business model.

Submitted in fulfillment of the requirements for PhD: Management Sciences , Durban University of Technology. Durban. South Africa, 2015. / The history of South Africa has many scars of oppression and women have long experienced a disempowered position in society. It is also a history of intrepid efforts to emancipate South Africans from past afflictions. Media in South Africa played a key role in amplifying the apartheid regime and also overthrowing it. Media has significant power, is regarded as a bastion of freedom and nation building, and by means of its representation, contributes to our individual and social identities. Magazine media, in particular, are modern and popular cultural forms of representation. It is a significant force in South African culture and plays a central role in shaping public opinion on women. South Africa has a deep-rooted patriarchal value system and while advances can be commended, significant challenges persist. Despite women actively engaging in various aspects of society, from business to sport, they continue to receive marginal support and media attention. Stereotypical representations abound in magazine content and women are often sexualised and objectified in traditionally feminine, decorative roles and framed by their social positions as homemakers and non-professionals. This study explores magazines’ representation of women and the influence on identity construction. The connected landscapes of media’s production and consumption practices is also addressed, as there is a powerful interplay of how the economics of publishing significantly shape media content. This study proposes a model that contributes to promoting diversity in media content, ownership and control, critical citizenry and media accountability in terms of social change and gender equality. The qualitative methodological approach addresses the issue of objectification of women in editorial content and advertisements of two of South Africa’s leading consumer magazines, YOU and DRUM. The findings reveal that gender stereotypes thrive in magazine texts that repeatedly represent women as objects for male consumption, thereby not reflecting the diverse and progressive roles of modern day women. Magazine media can play a powerful role in helping to dislodge the patriarchal, public attitudes towards women. Diversified, equitable representation of gender in media is important so that it may demonstrate, and influence, society’s shift towards egalitarian principles. This study serves as a catalyst for change by building a knowledge base and raising awareness regarding magazines’ role in identity construction, by advocating gender issues and by contributing to gender parity in and through the media. / D

[Truncated abstract] The aim of this thesis is to describe and analyze how Indonesian female teen magazines represent Indonesian adolescents. Female teen magazines are an important source of information on how gender is constructed in Indonesia. The thesis will contribute modestly not only to knowledge in the immediate fields of gender relations and adolescence in Indonesia but also to the wider body of literature on the relationships among gender, capitalism and patriarchy and the role of print media in shaping these relationships. Consequently, I place my discussion of how adolescents are presented in Indonesian female teen magazines within a larger context of global-local interaction at the national level. This research places Indonesian female teen magazines within the wider genre of women’s magazines. Most of the research on female magazines is focused on women rather than female adolescents, but because gender relations in society cut across the generations, this research is relevant to the study of magazines for female adolescents. Theories about women’s magazines provide insight into women’s magazines as a forum of expression that reflects gender and power relations in society. Teen magazines exist due to the rising significance of Indonesian adolescents. Indonesian adolescents emerged as a significant social group because of the course of national history and the state’s national development. Adolescence in this thesis is not treated as a biological stage of human physical development, but as the result of changes in the perception and treatment of young people by the society in which they appear. In the analysis I use Merry White’s argument with regards to marketing strategies to adolescents. I claim that Indonesian female teen magazines often have a conflicting double agenda in representing adolescents.¹Teen magazines have to make money for publishers and advertisers in order to achieve their own financial security and, at the same time, these magazines have to acknowledge local values in order to be accepted by the society. For marketing purpose, adolescents in teen magazines are represented as a modern social group. Modernity in the magazines is associated with a globalized western popular culture. My particular interest is to explore to what extent and in what ways western influences (as the standard of modernity) are employed to construct representations of female adolescents. I argue that the ways the magazines construct their own ideals of the “west” are related to the ways they construct images of Indonesian female adolescents. The magazines portray local adolescents emulating western performance and appearance