Entre 1880 et 1940, la Belgique francophone voit un accroissement significatif du nombre de femmes de lettres. À la croisée de l’histoire des femmes et de l’histoire des lettres belges, ce phénomène enregistre les nouvelles modalités d’inscription des femmes dans l’espace public, et en particulier leur accès progressif aux professions intellectuelles. Partant des acquis des études de genre (gender studies) et de la sociologie de la littérature, la thèse se propose d’étudier le rapport collectif et individuel que les femmes de lettres entretiennent vis-à-vis du littéraire. / Doctorat en Langues et lettres / info:eu-repo/semantics/nonPublished

Text in Afrikaans / In hierdie verhandeling word die tekste van onderskeidelik Mireille Cottenje (Dagboek van Carla - 1968), Daisy Ver Boven (Mayana - I974 ), Henriette Claessens (Afscheid van Rumangabo - 1983) en Lieve Joris (Terug naar Kongo - 1987) bespreek as verteenwoordigend van die koloniale literatuur deur die vroulike outeur. Die doel is om vas te stel hoe daar deur die vroue outeur in die Vlaamse letterkunde aan die Afrika-ervaring gestalte gegee is. Eerstens word 'n oorsig van die begrip koloniale literatuur gegee en daama word literer-histories op die Vlaamse Afrika-literatuur vanaf die prekoloniale- tot die postkoloniale era gefokus. Nadat 'n analise van die tekste gedoen is om die individuele perspektiewe te evalueer, blyk dit dat die vroue outeurs in 'n groot mate gemeenskaplike visies in hul siening van die koloniale era openbaar. 'n Beeld van die koloniale Kongo soos dit in die ervaringswereld van die vroue outeurs bly voortleefhet, kan so verkry word / In this thesis, the texts of Mireille Cottenje (Dagboek van Carla - 1968), Daisy Ver Boven (Mayana - 1974), Henriette Claessens (Afscheid van Rumangabo - 1983) and Lieve Joris (Terug naar Kongo - 1987) were respectively studied as representative of the colonial literature written by female authors. The aim is to establish how stature is given in the literature to the Africa experience by the female author. In the first instance the concept colonial literature is discussed followed by a historical review of the Flemish African literature from the pre-colonial to the postcolonial era. After an analysis has been completed to evaluate the individual perspectives of the different authors, it appears that the female authors reveal shared perspectives in their views on the colonial era. Through knowledge of the work of these authors, an image of the colonial Congo can be found, as it lives on in the world of the female literator / Afrikaans & Theory of Literature / M.A. (Afrikaans)

Text in Afrikaans / In hierdie verhandeling word die tekste van onderskeidelik Mireille Cottenje (Dagboek van Carla - 1968), Daisy Ver Boven (Mayana - I974 ), Henriette Claessens (Afscheid van Rumangabo - 1983) en Lieve Joris (Terug naar Kongo - 1987) bespreek as verteenwoordigend van die koloniale literatuur deur die vroulike outeur. Die doel is om vas te stel hoe daar deur die vroue outeur in die Vlaamse letterkunde aan die Afrika-ervaring gestalte gegee is. Eerstens word 'n oorsig van die begrip koloniale literatuur gegee en daama word literer-histories op die Vlaamse Afrika-literatuur vanaf die prekoloniale- tot die postkoloniale era gefokus. Nadat 'n analise van die tekste gedoen is om die individuele perspektiewe te evalueer, blyk dit dat die vroue outeurs in 'n groot mate gemeenskaplike visies in hul siening van die koloniale era openbaar. 'n Beeld van die koloniale Kongo soos dit in die ervaringswereld van die vroue outeurs bly voortleefhet, kan so verkry word / In this thesis, the texts of Mireille Cottenje (Dagboek van Carla - 1968), Daisy Ver Boven (Mayana - 1974), Henriette Claessens (Afscheid van Rumangabo - 1983) and Lieve Joris (Terug naar Kongo - 1987) were respectively studied as representative of the colonial literature written by female authors. The aim is to establish how stature is given in the literature to the Africa experience by the female author. In the first instance the concept colonial literature is discussed followed by a historical review of the Flemish African literature from the pre-colonial to the postcolonial era. After an analysis has been completed to evaluate the individual perspectives of the different authors, it appears that the female authors reveal shared perspectives in their views on the colonial era. Through knowledge of the work of these authors, an image of the colonial Congo can be found, as it lives on in the world of the female literator / Afrikaans and Theory of Literature / M.A. (Afrikaans)