M.A. / The study purports to trace and analyse how African women used local structures in the 1950's and 1960's to seek redress against the policies of racial segregation. This study intends showing how African women have piloted local organisations during the period under review, how they resisted all attempts by the local municipal council to have women removed from the location and how women rejected the authority of the local boards. Protest movements and organisations, and the type of political activity women engaged in before the 1950's, have been largely ignored by the few writers who have considered the matter at all. This has resulted in the assumption that there were no women's activities prior to 1950. C. Kros wrote: "...(that) there is a general assumption that until the 1950's women were passive and took a back seat in all spheres except forone or two outbursts of activity, like for instance the resistance against the passes in the Free State in 1913." 3 The study purports to dispel the myth that African women were inactive prior to 1950: This study shows that the emergence of the squatter settlement in the late 1940's was spearheaded by African women who had nowhere to settle, except by pitching up shacks. By early 1940 urban workers found it increasingly difficult to obtain suitably priced residential accommodation as no new houses were built. The study will analyse how Sofasonke Mpanza, a member of the Orlando Advisory Board and the leader of the Sofasonke Mpanza Party, was able to win adherents to his party, the majority of whom were women and why African women in Orlando defied the Municipal Council's regulations and pitched up "shelters" which came to be known as the "Shanty Town".

The Government of South Africa has placed a lot of emphasis on economic growth and the involvement of Black people in the mainstream of the economy. The implementation of Broad-Based Black Economic Empowerment (B-BBEE) created opportunities for direct empowerment of Black females in ownership and management. The Construction Industry is being challenged to increase the number of Black females in management and ownership levels. Due to the nature of the Industry, only a small population of females considers Construction as a career option. The Industry has also lost a significant number of skilled Engineers and is experiencing a shortage of skilled managers in Middle and Senior Management Levels. The research problem questioned the current state of empowerment for Black women in the Construction Industry as measured against the B-BBEE Scorecard. The literature review focused on the requirements of the B-BBEE scorecard and Construction Charter. The second phase focused on gender equality and the achievements of women in Construction. The research design was done by using questionnaires to the South African Federation of Civil Engineering Contractors (Safcec) members in the Eastern Cape. The research design and survey aimed to determine the status of empowerment in the Construction Industry. With reference to both the literature review and the empirical findings the state of female empowerment can be determined. Therefore iv recommendations and opportunities for further research in this regard can be identified.

In the 1928 romance novel, Dark Princess, W. E. B. Du Bois used the form of a love letter to ask "the first question of our world-work: What are you and I trying to do in this world?" Structured around this vexed notion of "world-work," "'Our World-Work': Gender and Labor in African Diasporic Literatures" takes seriously this communal question of what “you and I”—or we—are "trying to do." I extend Du Bois’s idea to locate the boundaries of the "we" in the face of variations in labor and gender. Thinking world and work together, I consider the grounds of collective narration and social organization on a broad scale, one structured by gender even as anti-sexism is evoked, such as in the case of Du Bois, who is often called a feminist by contemporary scholars. "'Our World-Work'" covers a range of twentieth-century writing, focusing on how figures and figurations of the "black woman," often at the site of the domestic, came to embody some of the urgent issues raised by the globalization of capital. Reading multi-genre works by Du Bois, Alice Childress, Ousmane Sembène, Paule Marshall, and others, "'Our World-Work'" explores how black writers and intellectuals were thinking, writing, and critiquing the world—and worlds—through their encounters with labor and gender during the middle of the last century. Attention to gender in this dissertation illuminates how modes of affiliation also contain exclusions. "'Our World-Work'" contributes to scholarship on accounts of worlding, intervening in critical debates around race, gender, and labor in the fields of black, feminist, postcolonial, and comparative literary studies.

M. Tech. (Department of Visual Arts and Design: Fine Art, Faculty of Human Sciences), Vaal University of Technology. / My practice-based research aimed to produce commemorative portraits of black women in key positions who are associated with the Vaal Region. The study was undertaken in order to contribute to the empowering, positive and growing body of creative research on the visual representation of black women in the visual art field. My concern lies in the dearth of artistic representation of black women, particularly from the Vaal Region and with the hegemonic Westernised portrayal of black women in a Visual Arts discipline dominated by prejudiced attitudes towards issues of race and gender. This was accomplished in two steps. Firstly, through the examination of black feminist theories which underpin my theoretical framework, and further challenge and draw attention to the omissions, invisibility, non-recognition and negative portrayal of black women. In addition selected techniques in artworks of Zanele Muholi, Karina Turok, Sue Williamson and Bongi Bengu have been appropriated to create my body of work. Secondly, I utilise commemorative portraiture to produce iconic portraits of advocate Faith Pansy Tlakula, Professor Ntombekayise Irene Moutlana, Professor Kholeka Constance Moloi, Avitha Sooful, Lerato Moloi, Terry Pheto, Lira, Palesa Mokubung and the late mama Adelaide Tambo which were exhibited in the bodutu gallery accompanied by a catalogue and a comment book. Both of these methods are qualitatively explored as creative strategies to portray and award agency positively to black women through Third World readings of gendered perspectives.

M. Tech. (Department of Visual Arts and Design: Fine Arts, Faculty of Human Sciences), Vaal University of Technology. / Problem statement This study investigates black women’s diverse hairstyles through art. The main research question is: How can black women’s diverse hairstyles be understood through art to appreciate the meaning attached to these hairstyles? The research question is informed by a black feminist theory. Objectives of the study Based on the research problem, the objectives of the study were first, to find out how black women’s diverse hairstyles could be understood through art to appreciate the meanings attached to these hairstyles. Secondly, to examine similarities and/or differences between how Lebohang Motaung (hereinafter referred to as Motaung) and Lorna Simpson (hereinafter referred to as Simpson) construct and express meanings of diverse hairstyles in their artworks. This was done by means of analysing the two artists’ artworks. Thirdly, to find out what or who influences Motaung’s choice of hairstyles, which was done by conducting an in-depth individual interview with Motaung. Fourthly, to find out what or who influences Simpson’s choice of hairstyles, which was done by reviewing the literature on Simpson. Fifthly, to explore how Motaung and Simpson interpret their physical appearance based on their hairstyles. Research design and methodology The empirical investigation focused on analysing black women’s diverse hairstyles by means of analysing artworks of Motaung (black South African female artist) and Simpson (black American female artist). This study contextualises black women’s artworks as visual responses to patriarchal, social subjugation and objectification of black women’s hair, by using black feminist epistemology through artistic production. Data collected through visual material were analysed using Barnet’s (2011:37-38) critical analysis of artefacts strategy. Barnet’s steps of critical analysis include description of the artefact, interpretation of the artefact, analysis of the artefact and personal report. The analysis of the artworks enabled the researcher to compare and contrast the artworks of the two selected participants. The researcher first analysed the black South African contemporary female artist, Motaung’s (b.1992), work as a visual form of resistance to masculine control of images of black women’s hairstyle representations and self-definition. The researcher believes that Motaung creates self-defined artworks that appreciate the beauty of black women’s hair and she demystifies the ambiguous meaning attached to black hairstyles. Secondly, Simpson’s (b.1960) artworks were analysed in the study to understand what or who influences her choice of hairstyles. The researcher found it appropriate, for her study, to focus on Simpson, because she is a prominent contemporary black American feminist artist, who explores the concept of black hairstyles, focusing on themes such as race, gender and identity formation. Furthermore, one in-depth, individual interview was conducted with Motaung. The analysis was based on black feminism that enabled the researcher to listen to Motaung’s views and be part of her portrayal of black women’s diverse hairstyles. The qualitative data collection and methodology were guided by ethical considerations of the Vaal University of Technology for undertaking research. Ethical procedures were followed regarding selected participants for both artwork analysis and the interview. Five themes emerged from this analysis, namely Motaung’s personal background, black hair politics, conceptual work, choice of medium and working process, art influencers and artwork clarification. Black women’s diverse hairstyles In contemporary times, black women’s hairstyle representations are highly politicised as black people strive to reclaim their identities. The changing meaning of what is good hair for black women is highly controversial; some black women consider natural hairstyles as good and authentic hair for black women, because they embrace the Afrocentric beauty standard that was degraded by whites since the colonial era. On the other hand, other black women are comfortable with altered hair that is viewed as a European beauty standard, because altered hair has become part of black women’s culture and identity. The literature review suggests that historically, narrow European-centric beauty standards have deemed black women’s natural features as unattractive and unprofessional, especially their textured, curly to kinky hair. These restrictive ideals have left black women in a compromised position, having to adhere to certain societal norms for the sake of upward mobility, whether that is getting ahead professionally or fitting into a myriad of social environments in which they can be accepted. Main findings From the literature review, the study found that there are controversial viewpoints regarding what is or is not suitable for black women in terms of their hairstyles. The controversy led to black women’s hairstyles being discussed constantly in binary opposition of good/ bad hair, natural/ unnatural, Afro-centric/ Eurocentric, authentic/ inauthentic, African/ Western, low/ high self-esteem, amongst others. The literature further indicates that there is a need to conduct a study that embraces diverse (both natural and unnatural) hairstyles to get rid of the politics, oppressions and binary oppositions placed on black women’s hairstyles. From the analysis of the two artists, Simpson’s works were found suitable for this study because her body of work links with that of Motaung’s, in terms of concept, style, theory, content and technique, despite the fact that these artists are located in different geographical contexts and settings. From the individual interview, the study found that Motaung was prompted by black hair politics, such as the politics of exclusion of black hairstyles, such as afros and braids in educational institutions and work places. Such politics inspired her to create artworks on black women’s diverse hairstyles. Motaung focused on natural hairstyles because she wanted black women to see what they can do with their natural hair. By using natural hairstyles, Motaung wanted to challenge the misconception that natural hair is not beautiful. The study also found that Motaung focused on unnatural hairstyles because there is bias against black women who wear synthetic hair. Motaung created artworks using synthetic hair to make a bold statement that synthetic hair is not fake hair but rather extra hair, which black women can use to self-express and self-define. Recommendations ● The study recommends that self-definition is a black feminist strategy that black women can use to self-insert and self-represent using diverse hairstyles. The act of insisting on black women’s self-definition validates black women’s power as human subjects, against structural patriarchal forces and beauty standards that are continuously set for black women. ● The study recommends that it is significant for black women to embrace diverse hairstyles, to get rid of the politics, oppressions and binary oppositions placed on black women’s hairstyles. ● From the artworks of Motaung and Simpson, the study recommends that it is significant for black female artists to produce artworks on diverse hairstyles to diminish oppressive structures that are placed on black women’s hairstyle representations.

Calls to protect Black women have garnered national attention, drawing attention to the axes of racialized and gendered violence that are central to this dissertation project: the intersecting mis/recognition of Black women’s vulnerability and affect within and outside of their own racial communities constrains their possibilities to seek repair and justice for harm. Baltimore community members used social media platforms to call attention to gendered violence, joining movements like Kimberlé Crenshaw’s #SayHerName and Tarana Burke’s #MeToo Movement to address the erasure of violent experiences of Black women and girls; yet the mis/recognition of their affective experiences persists through the societal focus on Black male vulnerability. Through careful ethnographic study with Baltimorean anti-gendered violence activists, Black gendered violence survivors, and Black community healers, this dissertation analyzes how these women and non-binary people mobilize emotions to construct memorial spaces, community-based movements, and their own lives in the midst of pervasive state and interpersonal violence. I investigate the affective and political processes of Black urban place-making, self-making, and memorialization to answer: How do Black women define their own subjectivity at the intersections of antiblack and gendered violence? How does their political mobilization of emotions such as fear and grief transform gendered and racialized understandings of affect? To answer these questions, I use a Black feminist care practice to examine the themes of haunting, violence, home, and care and to conceptualize new analytic tools for writing about violence against Black women. The first chapter of my dissertation undertakes a Black feminist reading of ethnographic interview data, Toni Morrison’s Beloved (1987), and Gayl Jones’s Corregidora (1975), examining themes of reproduction, violence, and slavery’s afterlife that ripple from the novels’ pages to my and my interlocutors’ lives. I locate the haunting inside and outside of the Black female body, and I discuss the particular way that Black trans life illuminates that haunting. In my second chapter, I explore the (im)possibility of gendered Black affect through a Black feminist mapping of the myriad practices Black people use to create home as a transitory, affective, symbolic, and metamorphic place. This chapter employs autoethnography and interlocutor photographs of emotional sites as analytical and methodological tools to answer its driving questions. The third chapter discusses Black gendered memorialization practices for victims of state-sanctioned and interpersonal violence. I develop my conceptualization of imagined (after)life and self power using ethnographic and archival data, using the aftermath of Korryn Gaines’s and Breonna Taylor’s state-sanctioned murders as primary texts. The fourth and final chapter of my dissertation focuses on Black anti-gendered violence activism and its challenges and failures in Baltimore. By examining the lived experiences of Black activist-organizers, I highlight the complexities inherent in the pursuit of Black liberation. Using a Black feminist abolitionist framework, I analyze photographs, art, and poetry from local artist-activists to illustrate how (after)lives of interpersonal violence survivors can be made radical. My analysis of the affective experiences of Black women and nonbinary people in Baltimore and the gendered politics of grievability in Black anti-violence movements ultimately demonstrates how these movements re-entrench white supremacist patriarchal norms that undermine the pursuit of Black liberation. Thus, we must turn to Black feminist abolitionist praxis to achieve liberation for all Black people.

Globally, an estimated one in four women have experienced intimate partner violence (IPV) in their lifetimes. IPV has enormous physical, mental, and social consequences across ecological levels of human experience. These consequences extend to the children of adult women survivors of IPV and are worsened by intersecting experiences of racism, classism, sexism, and xenophobia. Service systems purporting to help, such as child protective services (CPS) and health service systems, can either create additional harm for women and their children or offer services that women may have difficulty accessing due to cost, isolation, and other factors. These harms can be especially pronounced among (a) Black women who have used drugs, who have children, and who are in community supervision programs (CSPs) in the U.S. and (b) Syrian refugee women with children living outside camps in Jordan. These populations of women face particular challenges getting basic needs met while navigating safety for themselves and their children – both due to IPV and from systems themselves (e.g., risk of losing custody of their children, sociocultural risk of interference in family life). Yet, limited research exists on the relationship between experiencing IPV and service involvement within these two populations. The following dissertation aims to address these research gaps in three papers, using descriptive and bivariate data as well as logistic regression analyses of E-WORTH and Women ASPIRE studies, as informed by ecological theory. The first paper (E-WORTH), guided by ecological theory, aims to determine the prevalence of and test hypothesized associations between psychological, physical, and sexual IPV and CPS involvement among Black women who have used drugs, who ever had children, and who are in CSPs in New York City (N=247). I hypothesized that women who ever had children, were in CSPs, and had ever experienced psychological, physical, and/or sexual IPV by male partners would have higher odds of being involved with CPS in their lifetime than women who ever had children, were in CSPs, and had not experienced IPV by male partners. Using self-reported data from Black women who have used drugs and were recruited from CSPs in New York City, I found that 70.85% of women who ever had children and who were in CSPs reported ever experiencing psychological IPV by a male partner, 70.04% reported ever experiencing physical IPV by a male partner, 48.58% reported ever experiencing sexual IPV by a male partner, and 40.89% reported ever experiencing psychological, physical, and sexual IPV by a male partner. Further, I found that 55.87% of women reported ever having had an open case with CPS. Multivariable logistic regression analyses revealed that women who had experienced lifetime sexual IPV had significantly higher odds of ever being involved with CPS than women in the study who had never experienced sexual IPV (OR: 1.81; 95% CI: 1.09, 3.01). Similarly, women who experienced multiple forms of IPV (psychological, physical, and sexual) also had significantly higher odds of being involved with CPS (OR: 1.81; 95% CI: 1.07, 3.04). However, these associations did not hold in adjusted models. Paper 2 (Women ASPIRE) aims to (1) compare the prevalence of mental health symptomology (anxiety, depression, and PTSD) among Syrian refugee women with children under age 18 living outside camps in Jordan who have and who have not experienced physical and/or sexual IPV in the past year; and (2) examine the relationship between IPV and mental health symptomology among Syrian refugee women with children living outside camps in Jordan. Based on ecological theory as my conceptual framework, I hypothesized that Syrian refugee women with children who had experienced IPV in the past year would have significantly higher odds of meeting screening criteria for anxiety, depression, and PTSD as compared to Syrian refugee women with children who had not experienced IPV in the past year. I found high rates of IPV, anxiety, depression, and PTSD among women in the sample (N=412). Furthermore, using multivariable logistic regression models from the Women ASPIRE dataset, I found that women with children who had experienced physical and/or sexual IPV in the past year had significantly higher odds of meeting screening criteria for all three mental health conditions – anxiety (aOR: 3.68, CI: 2.28-5.94, p<0.001), depression (aOR: 3.03, CI: 1.83-4.99, p<0.001), and PTSD (aOR: 6.94, CI: 3.75-12.84, p<0.001) – than women with children who had not experienced IPV in the past year. Despite these findings, at least one-fifth of women with children reported an unmet need for mental health or protective services, and less than one-third of women were aware of the availability of these services in their local communities. The third paper (Women ASPIRE) aims to (a) examine the prevalence of physical and sexual IPV among health service-seeking Syrian refugee women with children in non-camp settings in Jordan and (b) compare the differences in health service use between women with children who had and who had not experienced IPV (N=412). Informed by experiences across levels of ecological theory, I hypothesized that women with children who had ever experienced IPV would have lower odds of using each type of health service (i.e., general, specialist, reproductive, mental health, and emergency health services) – and would have higher odds of using limited numbers of services – than women with children who had never experienced IPV. I tested my hypothesis using binary logistic regression models and an independent samples t-test. I found that nearly 60% of Syrian refugee women with children living outside camps in Jordan had ever experienced physical and/or sexual IPV by their current or most recent husband. Contrary to my hypotheses, I found that women with children who had ever experienced IPV had over three times the odds of using mental health services and were significantly more likely to use a greater variety of health services (including mental health services) than women who had not experienced IPV (aOR: 3.10, 95% CI: 1.92-5.00, p<0.001; mean 3.26 vs. 2.84 types of services respectively, t [410] = 03.71, p<0.001). Findings affirm that IPV is a serious public health issue among the affected populations and that access to needed services remains crucial to affected populations. Results fill gaps in existing literature by confirming that women with children in each study population have high odds of system involvement, particularly with CPS and mental health service systems, thereby offering social workers within those systems opportunities to intervene effectively. Thus, this dissertation can help social work practitioners and clinicians offer more responsive, accessible, and relevant services to clients within the study populations. Policymakers and administrators can fund development and testing of interventions across multiple ecological levels to promote the safety, health, and well-being of women and their children. Researchers can build on these findings through quantitative and qualitative studies on intervention effectiveness and accessibility among women engaged with system.

The purpose of this study was to examine the relationship of career choice, self concept, and grade level to the work value orientation of black females. More specifically, the study tested the extent to which the relationship among these variables could be shown to exist among a population of females enrolled in inner city vocational schools. An extensive review of the literature indicated the possibility of determining potential satisfaction of students in specific vocational areas by analyzing some of the basic internal characteristics of the individual while he or she is still in the school environment. In addition, the literature revealed that if vocational educators, in particular, are aware of certain basic characteristics about youth, it is likely that the youth could be helped to become better prepared for the world of work in terms of the personal meaning and value that work is capable of bringing to their lives. Further, it was found that many of the studies which have been conducted have been done so from a theoretical basis using a specific segment of the population--white middle class males. Research findings therefore, have indicated conflicting views relative to basic characteristics of other groups, i.e., their self concepts, their work value orientations, their satisfaction with work. Of particular interest have been black females who often experience both sex and race discrimination and who face a double disadvantage in the career choice process. Based on the literature review, this study was initiated to compare samples of black females in three traditionally female vocational areas and at three grade levels by using their mean scores on Part II of the <i>Meaning and Value of Work Scale</i> and the total positive score of the <i>Tennessee Self Concept Scale</i>. The population consisted of black females enrolled in Health Occupations, Occupational Home Economics, and Business and Office Education in the Career Development Centers of the District of Columbia Public Schools. Two hundred fifty nine subjects participated in the study. Null hypotheses were formulated to determine the relationships between the one dependent variable (work value orientation) and the three independent variables (career choice, self concept, and grade level). A factorial analysis of variance (ANOVA) procedure was utilized to analyze the data; level of significance was set at .05. Where there were significant F values obtained by the ANOVA procedure, the Newman-Keuls post hoc test was used to determine which differences contributed to the significance. The results of the study revealed that black females enrolled in inner city vocational schools do not clearly indicate tendencies toward either an extrinsic or intrinsic work value orientation. However, there were individual students who distinctly indicated tendencies toward either extreme of the continuum. In addition, the self concepts of the students were found to be below the norm for the instrument used. However, using the norm of the sample group, it was found that their self concepts fell within an average range. Differences were found in the female's work value orientation on career choice, self concept, and grade level. The post hoc test revealed specific differences in work value orientation of females in home economics, indicating their tendencies toward a more extrinsic work value orientation than the other two groups. Further, the test revealed that females with high self concepts and those in grade 12 tended to differ significantly in terms of work value orientation from the others. These females indicated tendencies toward an intrinsic work value orientation. Results of the interaction of career choice by grade level, grade level by self concept, and career choice by grade level by self concept failed to reject the null hypotheses. However, the test of the interaction of career choice and self concept did result in the rejection of null hypothesis. / Ed. D.

This study examines representations of Southern African black women in the works' of two male and two female writers. A comparative approach is used to review the ways in which the writers characterise women who labour under intense restrictions in domestic situations, the workplace, and in political contexts. Some representations suggest that women have come to terms with social strictures and have learned to live fulfilled lives despite them. Other representations are contextualised in creative situations in which social roles are re-imagined. In the process, women are removed from conventional object-related gendered positions. These representations suggest that women have the capability to achieve personal transcendence rather than accept the immanence imposed by stereotyped gender relationships and repressive political structures. The suggestion is made that writers can change the image of women by centralising them as active subjects, challenging their exclusion and creating spaces for women to represent themselves / English Studies / M.A. (English)

This study takes the concept of ubuntu, which means humanness and applies it to healthcare issues in general, and women's health, in particular. Ubuntu is based on the reality of interdependence and relatedness. It is a philosophy or way of life that finds its roots and meaning in humanity. The values espoused in ubuntu emphasize caring, sharing, reciprocity, co-operation, compassion and empathy in recognition that for human beings to develop, flourish and reach their full potential, they need to conduct their relationships in a manner that promotes the well-being of others. The values championed in ubuntu are what inform and shape African cultural, social, political and ethical thought and action. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.