Thesis (M.P.H.) - University of Queensland, 2003. / Includes bibliography.

Thesis (Ph. D.)--Florida State University, 2006. / Advisor: Alan R. Lang, Florida State University, College of Arts and Sciences, Dept. of Psychology. Title and description from dissertation home page (viewed June 15, 2006). Document formatted into pages; contains xii, 111pages. Includes bibliographical references.

This dissertation, “Wayward Reading: Women’s Crime and Incarceration in the United States, 1890-1935” illuminates the literary stakes of a crucial, yet overlooked, moment in the history of American incarceration: the development of the women’s prison and the unique body of literature that materialized alongside that development. In the late 19th and early 20th century, the women’s prison became a testing ground for the study of women’s sexuality: social scientists sought to assimilate their “patients” into gendered and racialized citizenship by observing the minutiae of women’s everyday lives and policing their sexual and social associations. Ultimately, this experimental study of women’s sexuality served to reinforce racial stratification: sociologists figured white women’s waywardness as necessitating rescue and rehabilitation into domesticity, and depicted black women’s waywardness as confirming their essential criminality, justifying their harsher punishment and consignment to contingent labor. I argue that women’s imprisonment also sparked another kind of experimentation, however, one based in literary form. A wide range of writers produced a body of literature that also focused on the “wayward girl’s” life trajectory. I contend that these authors drew on social science’s classificatory system and cultural authority to offer alternate scales of value and to bring into focus new forms of relationship that had the potential to unsettle the color line. In Jennie Gerhardt, for instance, Theodore Dreiser invokes legitimate kinship outside the racialized boundaries of marriage, while women incarcerated in the New York State Reformatory for Women exchanged love poetry and epistles that imagine forms of romance exceeding the racial and sexual divides that the prison sought to enforce. Wayward Reading thus draws together an unexpected array of sociological, legal and literary texts that theorize women’s crime and punishment to imagine alternate directions that modern social experience might take: popular periodicals such as the Delineator magazine, criminological studies by Frances Kellor and Katharine Bement Davis, the poetry and letters of women incarcerated at the New York State Reformatory for Women, and novels by W.E.B Du Bois and Theodore Dreiser. To understand how both social difference and social intimacy were reimagined through the space of the women’s prison, I model what I call “wayward” reading, tracing the interchange between social scientific and literary discourses. I draw attention to archives and texts that are frequently sidelined as either purely historical repositories (such as institutional case files from the New York State Reformatory) or as didactic and one-dimensional (such as Frances Kellor’s sociological exploration of women’s crime), as well as to literary texts not traditionally associated with women’s imprisonment (such as W.E.B. Du Bois’ The Quest of the Silver Fleece). Reading “waywardly” thus allows me to recover a diverse set of aesthetic experiments that developed alongside women’s imprisonment, and also to reconsider critical assumptions about the status of “prison writing” in literary studies. A number of critics have outlined the prison as a space of totalizing dehumanization that in turn reflects a broader logic of racialized domination structuring American culture. As such, scholars have read literary texts that describe incarceration as either enforcing or critiquing carceral violence. However, by turning our attention to the less-explored formation of the women’s prison, I argue that authors mobilized social science not only to critique the prison’s violence and expose how it produced social difference, but also to re-envision the relationships that comprised modern social life altogether.

Thesis (Ph. D.)--Indiana University of Pennsylvania. / Includes bibliographical references.

No description available.

D. Litt. et Phil. / This study is an exploration of the experiences of crisis and identity. It looks specifically at these experiences from within the context of imprisonment from the concrete to the abstract. Imprisonment is not merely looked at from the physical point of view, but also the metaphorical. This means that the sense of imprisonment is not only limited to people who are serving out sentences imposed by the courts of law. We can all experience the sense of being imprisoned at some level or another, whether though a sense of isolation, being labelled and controlled, or experiencing restriction in various forms. The post-modern worldview that underlies this study is social constructionist theory. From this perspective, our sense of what is real is communally created within specific cultural and historical contexts. Language is used as the vehicle through which our meanings are constructed between people. The social constructionist view of people holds that we are open systems so that our sense of self is not only impacted by perturbing “others”, but is also shaped and transformed in relationship. The shaping of identity takes place through language processes and is circumscribed by particular contextual constraints. Identity is not viewed as a constant entity, but as an ever-evolving narrative (story) and a product of interaction with others in the world. Whereas the modern definition of “crisis” underscores the idea that it is, at best, “something” to be avoided, social constructionists describe it as a boundary experience that is communally constructed. Furthermore, if we draw on chaos theory, crisis can also be seen as a bifurcation point. This means that it is a moment in our experiences in which we are moved to make decisions and potentially proceed into new directions. Therefore, crisis holds transformational potential. The notion of exploring the transformative potential of crisis and the construction of identity sprung from a personal crisis experience around the discomfort of progressing into a professional identity. My practical training within the Johannesburg Female Prison provided a context fertile with stories of imprisonment, crisis and how these impact on identity construction. Therefore, the context of this study is prison, so that a discussion around constructions of criminality and its treatment is important to paint a fuller picture. These are discussed from the perspectives of modern criminology theories, as well as post-modern impressions of criminality and its treatment as embedded in historical and social contexts. Since this study underscores an intervention-action research approach, the implications of crisis as a potential catalyst for therapeutic change is also considered. The social constructionist understanding of therapeutic practice is that it is a relational process. Therapy is a co-creation between the client and therapist so that new ways of moving forward is a collective, not an individual achievement. This study, as a form of action research, was born out of a one and a half-year long therapeutic endeavour with a group of women offenders in the Johannesburg Female Prison. The theoretical principles of Appreciative Inquiry were used to guide the process of inquiry. Three levels of participants were involved in the collection of data: A diverse mix of women incarcerated in the Johannesburg Female Prison, the core group of women participating in the “Who am I?” therapeutic group, as well as myself. Information was in the form of written personal texts, interviews (conducted by the core group) and a newsletter. Thematic analysis was used to scrutinise the information and the following themes were identified: Loss and gain, power and helplessness, hope and despair, differentness and sameness as well as connection and disconnection. Typical character types (identities) and whether there were progressive, regressive or stable narrative plots (directionality of stories) were considered in the various themes as points of crisis. Finally, the findings are integrated with the theory by exploring social constructionist ideas about identity as being ever-changing, multiple and created in our togetherness. The principles of first and second order cybernetics are also used as systemic explanatory models of identity transformation and/or “stuckness”. The creation of therapeutic communities was explored as a tool to facilitate the reconstruction of crisis and the transformation of healing identities of women in prison. / Dr. C.J. Oosthuizen

Thesis (Ph. D.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 24, 2009) Vita. Includes bibliographical references.

Thesis (Ph.D.)--Northeastern University, 2008. / Title from title page (viewed April 1, 2007). Graduate School of Arts and Sciences, Law, Policy & Society Program. Includes bibliographical references (p. 199-209).

Thesis (M.A.) -- Central Connecticut State University, 2009. / Thesis advisor: Katherine A. Hermes. "... in partial fulfillment of the requirements for the degree of Master of Arts in History." Includes bibliographical references (leaves 1-7, third numbering). Abstract available via the World Wide Web.

Dissertation (Ph. D.)--University of Akron, Dept. of Counseling, 2008. / "December, 2008." Title from electronic dissertation title page (viewed 12/28/2008) Advisor, James Rogers; Committee members, John Queener, David Tokar, Charles Waehler, Francis Broadway; Department Chair, Karin Jordan; Dean of the College, Cynthia Capers; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.