Made available in DSpace on 2017-07-10T17:55:28Z (GMT). No. of bitstreams: 1 Lucas_Andre_Berno_Kolln.pdf: 2141701 bytes, checksum: 71d34556cfccf15d79182153dce2a398 (MD5) Previous issue date: 2013-03-16 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation discusses the books of John Steinbeck published in the thirties, willing to comprehend the way that the dialogue between the author's literature and his dialectic relation with the historical reality in which he wrote and lived. The analysis of Steinbeck's writings produced during the thirties made possible the discussion about the effects of the 1929 crisis and the empowerment of monopolist capitalism, processes that became very evident in this period. The conflicts present in that reality molded the historical reading of the writer and of the social group that he centrally portrayed throughout his literary production, the small farmers. Steinbeck's deep connection with the old middle classes conditioned his literature and his worldview, since the writer was raised into that way of life and educated into the typical values of that social group. This made his literature, during the thirties, unfold itself in many different ways in order to deal with the experience of the destruction of that way of life in all of its complexity. As the crisis deepened, Steinbeck faced different expressions of it, being the proletarianization of the small farmers and the destruction of the basis of their world some of the most bruising aspects that his literature intended to expose, portray and denounce. Sometimes assuming nostalgic outlines to celebrate the past, sometimes drawing on the satire to question the bourgeois ethos, sometimes rising through the denounce to reveal the scars created by the economic transformations, Steinbeck did not duck the problems placed by the development of the American capitalism. Based on this, his literature has became not only an interpretation of the reality created by the Great Depression through its mechanisms, dynamics and structures, but also the literary testimony of a person who observed the decadence of the way of life in which he grew up and of his peers. In this sense, the dissertation aimed to situate and comprehend Steinbeck's writings in their historical concreteness, that is, in the terms in which they were conceived and produced, in such a way that it became possible to observe several dimensions of the crisis and of Steinbeck's historical reading related to this experience, marked by loss, by misery and by the transformation of the small farmers into agricultural workers / Essa dissertação discute as obras da década de 30 de John Steinbeck procurando compreender de que maneira se deu o diálogo entre a literatura do autor e a relação dialética desse com a realidade história na qual viveu e escreveu. A análise dos escritos de Steinbeck produzidos nos anos 30 possibilitou a discussão sobre os desdobramentos e efeitos da crise de 1929 e do fortalecimento do capitalismo monopolista, processos esses que se tornaram muito evidentes nesse período. A conflituosidade presente naquela realidade moldou a leitura histórica do escritor e do grupo social que ele centralmente retratou ao longo de sua produção literária, os pequenos proprietários agrícolas. A profunda ligação de Steinbeck com as antigas classes médias rurais condicionou sua literatura e sua visão de mundo, uma vez que o escritor foi criado em meio àquele modo de vida e educado dentro dos valores típicos desse grupo social. Isso fez com que sua literatura, ao longo dos anos 30, se desdobrasse de diferentes formas para lidar com a experiência da destruição daquele modo de vida em toda a sua complexidade. Na medida em que a crise se aprofundava, Steinbeck travou contato com diferentes expressões dela, sendo a proletarização dos pequenos proprietários e a destruição das bases de seu mundo alguns dos aspectos mais contundentes que sua literatura procurou desvelar, retratar e denunciar. Ora assumindo contornos nostálgicos para celebrar o passado, ora valendo-se da sátira para questionar o ethos burguês, ora erguendo-se por meio da denúncia para trazer à lume as mazelas geradas pelas transformações econômicas, Steinbeck não se furtou aos problemas postos pelo desenvolvimento histórico do capitalismo estadunidense. A partir disso, sua literatura se tornou não só uma interpretação da realidade criada pela Grande Depressão a partir de seus mecanismos, suas dinâmicas e suas estruturas, mas também o testemunho literário de um sujeito que observou a decadência do modo de vida no qual cresceu e dos sujeitos que eram seus pares. Nesse sentido, a dissertação buscou situar e compreender os escritos de John Steinbeck em sua concretude histórica, isto é, nos termos em que eles foram concebidos e produzidos, ao passo que tornou-se possível observar várias dimensões da crise e da leitura histórica de Steinbeck em relação a essa experiência, marcada pela perda, pela miséria e pela transformação dos pequenos proprietários rurais em trabalhadores agrícolas

Made available in DSpace on 2017-07-10T17:55:48Z (GMT). No. of bitstreams: 1 Cintia Fiorotti Lima.pdf: 921111 bytes, checksum: 742c444dfc33772bb2e04b5a26d2c65c (MD5) Previous issue date: 2009-02-27 / This scientific work argues the process of changes in the world of the work in the present time from the experiences lived deeply for the saleswomen of products of Avon and the Natura. The research of training sources such as manual, catalogues, news and codes of behavior produced by these companies, made possible to identify the form with that the involved force of work in the sales for catalogues is organized. The analysis of this material also allowed to understand the used mechanisms to convince these salesmen to fulfill the goals of sales. However, dialoguing with the stories of these workers, one became evident the tensions and conflicts between the practical ones intended by the companies and the practical ones effectively materialize by the saleswomen. In this context, the disputes around the meaning of this work had questioned the vision defended for the companies who define such independent occupation as, attributing denominations to it as peddlers or consultants with the purpose to deprive of characteristics any type of work relation and employment bond. Therefore, I looked for in such a way to analyze the changes in the world of the workers from these conflicts and tensions, valuing the subjectivity of the workers who live deeply this process, as the changes lived throughout the process of capitalist accumulation / Esta dissertação discute o processo de mudanças no mundo do trabalho na atualidade a partir das experiências vivenciadas pelas vendedoras de produtos da Avon e da Natura. A pesquisa de fontes tais como manuais de treinamento, catálogos, informativos e códigos de conduta produzidos por essas empresas, possibilitou identificar a forma com que a força de trabalho envolvida na venda por catálogos é organizada. A análise desse material permitiu também compreender os mecanismos utilizados para convencer essas vendedoras a cumprirem as metas de vendas. No entanto, dialogando com os relatos dessas trabalhadoras, tornou-se evidente as tensões e conflitos entre as práticas pretendidas pelas empresas e as práticas efetivamente concretizadas pelas vendedoras. Nesse contexto, as disputas em torno do significado desse trabalho questionaram a visão defendida pelas empresas que definem tal ocupação como autônoma , atribuindo-lhe denominações como revendedoras ou consultoras com a finalidade de descaracterizar qualquer tipo de relação de trabalho e vínculo empregatício. Portanto, procurei analisar as mudanças no mundo dos trabalhadores a partir desses conflitos e tensões, valorizando tanto a subjetividade dos trabalhadores que vivenciam este processo, como as mudanças vividas ao longo do processo de acumulação capitalista

This is a study of the creation and evolution of state forestry within colonial Kenya in social, economic, and political terms. Spanning Kenya’s entire colonial period, it offers a chronological account of how forestry came to Kenya and grew to the extent of controlling almost two million hectares of land in the country, approximately 20 per cent of the most fertile and most populated upland (above 1,500 metres) region of central Kenya . The position of forestry within a colonial state apparatus that paradoxically sought to both ‘protect’ Africans from modernisation while exploiting them to establish Kenya as a ‘white man’s country’ is underexplored in the country’s historiography. This thesis therefore clarifies this role through an examination of the relationship between the Forest Department and its African workers, Kenya’s white settlers, and the colonial government. In essence, how each of these was engaged in a pursuit for their own idealised ‘good forest’. Kenya was the site of a strong conservationist argument for the establishment of forestry that typecast the country’s indigenous population as rapidly destroying the forests. This argument was bolstered against critics of the financial extravagance of forestry by the need to maintain and develop the forests of Kenya for the express purpose of supporting the Uganda railway. It was this argument that led the colony’s Forest Department along a path through the contradictions of colonial rule. The European settlers of Kenya are shown as being more than just a mere thorn in the side of the Forest Department, as their political power represented a very real threat to the department’s hegemony over the forests. Moreover, Kenya’s Forest Department deeply mistrusted private enterprise and constantly sought to control and limit the unsustainable exploitation of the forests. The department was seriously underfunded and understaffed until the second colonial occupation of the 1950s, a situation that resulted in a general ad hoc approach to forest policy. The department espoused the rhetoric of sustainable exploitation, but had no way of knowing whether the felling it authorised was actually sustainable, which was reflected in the underdevelopment of the sawmilling industry in Kenya. The agroforestry system, shamba, (previously unexplored in Kenya’s colonial historiography) is shown as being at the heart of forestry in Kenya and extremely significant as perhaps the most successful deployment of agroforestry by the British in colonial Africa. Shamba provided numerous opportunities to farm and receive education to landless Kikuyu in the colony, but also displayed very strong paternalistic aspects of control, with consequential African protest, as the Forest Department sought to create for itself a loyal and permanent forest workforce. Shamba was the keystone of forestry development in the 1950s, and its expansion cemented the position of forestry in Kenya as a top-down, state-centric agent of economic and social development.