This dissertation conducts a theological study of Ancient Jewish and Pauline views of revelation and of revealed mysteries. Part one offers first a general introduction consisting of a summary of Old Testament antecedents to the post-biblical topic under discussion, and some observations about the nature and delineation of the 'Judaism' under examination. The following seven Chapters then address the understanding of revelation in general, and of revealed mysteries in particular, in various bodies of Jewish writings: apocalyptic literature, the Dead Sea Scrolls, wisdom literature, Philo, Josephus, the Targums and Greek versions, and early Rabbinic literature. Part One concludes with a brief synthetic statement outlining commonalities and distinctions in the different writings surveyed, highlighting the derivative nature of revelation (and the corresponding role of Biblical interpretation), and pointing out the significance of soteriological mysteries for questions of theodicy. After a short introduction, Part Two traces our theme in the letters of Paul. Chapter 8 offers a thematic treatment of Paul's fundamental view of revelation according to its past, present, and future dimensions, together with a brief assessment of the remaining revelatory value of the Old Testament. This is followed by an analysis of some specific passages dealing with the theme of a revelation of mysteries in the Roman and Corinthian correspondence (Chapter 9) and in Colossians (Chapter 10). The Conclusion begins with a short evaluation of previous research into relevant notions of revelation and of mystery. This is followed by a summary of the overall argument. The final observations evaluate the significance of the results for Jewish and Pauline studies, suggesting <i>inter alis</i> both a paradigmatic difference in the substance of revelation and yet a certain logical symmetry in the manner of its apprehension and development.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.

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Thesis (M.A.) - Simon Fraser University, 2005. / Theses (School of Communication) / Simon Fraser University. Also issued in digital format and available on the World Wide Web.

Thesis (Ph. D.)--University of Chicago, Dept. of Romance Languages and Literatures, August, 2001. / Includes bibliographical references. Also available on the Internet.

Thesis (M. Phil.)--University of Queensland, 2002. / Includes bibliographical references.

Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.