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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Finding a voice—a closer look at Chinese choral music development in the early twentieth century through Chao Yuan-Ren, Huang Zi, and Xian Xing-Hai

Yu, Lei Ray 07 June 2017 (has links)
At the beginning of the twentieth century, when young Chinese scholars looked to Western nations for answers in hope of revitalizing a nation that once dominated the East, musicians and poets embarked on a journey of establishing a new Chinese style of music. Three sets of composer/poet collaborations and three different ways of infusing Western culture with Chinese culture laid the foundation for Chinese choral music today. Chao Yuan-Ren was a brilliant linguist and music lover who thought that to simply implant Western music onto Chinese text would suffice–his HaiYun, set to a poem of the equally brilliant poet Xu Zhi-Mo serves as a good example. Huang Zi believed in Confucius’ teachings that all new things must grow out of tradition. He and the lyricist Wei Huang-Zhang extended a literary tradition started in the Tang dynasty and produced Song of Everlasting Sorrow, which illustrates this philosophy quite well. Yet, for the underprivileged people who also loved music, folk songs provided a fertile ground as seen in the works of Xian Xing-Hai. During the second Sino-Japanese War, the poet Guang Wei-Ran and Xian worked hand-in-hand, producing the Yellow River Cantata that contains folksong-like melodies and many folk-music elements. Chinese choral music today is unavoidably connected to these three pieces. This document traces the early history of Chinese choral music through these three pieces and explains their influences on Chinese choral music today.
2

圓仁法師「入唐求法巡禮行記」所見的唐代文化

葉蓁蓁, YE, ZHEN-ZHEN Unknown Date (has links)
一、研究目的:試從圓仁日記「入唐求法巡禮行記」進一步了解唐代的社會,以及唐 代文化給予日本的影響. 二、文獻:以圓仁日記「入唐求法巡禮行記」為主,並參酌其他有關資料. 三、研究方法:從圓仁的日記□收集種種發生的事.分類而歸納成幾點,再現圓仁當 時在中國的生活.以叡山文庫所藏的足立喜六釋注,鹽入良道加以補訂,補注(日文 )釋注本作為底本.故足立釋的原著,以東寺觀智院所藏的影印本(簡稱「東本」) 為底本,與諸本照對或嚴密的校訂,大都基於日本奈良國立博物館,小野勝年博士的 日文譯注本(簡稱「小野本」),因此關於原文的注,僅在足立譯與「小野本」不同 之處注記,其他全基於「小野本」. 四、研究內容:透過圓仁的日記,看當時的中日關係以及唐代中國的風俗儀式、官府 制度、政治措施、宗教、經濟問體等.第一章:圓仁法師的生平概略.第二章:中日 文化與遣唐史.第三章:圓仁與中國官員之交往.第四章:圓仁在唐所見的中國人生 活.第五章:圓仁所見的佛教.第六章:圓仁所見的唐代鎮壓佛教活動.第七章:圓 仁返日以後.第八章:結論. 五、研究結果:從日記與相關資料□得到了,我國歷來史家一些大都語焉不詳或忽視 的有關政治、經濟、宗教等的詳細資料.深理解了其日記具有廣泛的史料價值以及深 遠的歷史、文化影響,也同時對唐代社會多了一層認識,並對中日之間的關係多一層 了解.

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