Thesis (M.S.)--University of Wisconsin--Madison, 1966. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis--Wisconsin. / Vita. eContent provider-neutral record in process. Description based on print version record.

Texte remanié de: Th. Ph. D.--Philosophy--University of Wisconsin, 1970. / Notes bibliogr. à la fin de chaque chap. Bibliogr. p. 290-302.

Th.--Lett. et sci. humaines--Paris 1, 1984.

Mexican migrants living in New York City have not uprooted themselves from their homeland as did migrants from previous generations. These contemporary migrants have engaged themselves in the phenomenon of transnationalism, which is characterized by the building and maintenance of simultaneous linkages in both the migrants' country of settlement and their country of origin. New York City is the destination of a large number of Mexican migrants from different regions of the state of Puebla. Leaders of this Mexican state are increasingly engaging in new practices so that the Poblano (people from Puebla) population abroad remains socially, politically, culturally and economically part of the state from which it originated. This thesis is an ethnography of Casa Puebla, an organization in New York created conjointly by the Poblano migrants and their state government. It explores and describes the practices and activities employed by the leadership of this organization for involving migrants in a transnational experience. It also explores the role of this organization as a venue for the construction of a deterritorialized state of Puebla in New York and an "imagined" Poblano community. By strengthening the migrants' identification with their state of origin, the state can make new claims for their loyalty and sustain political, social and economic relationships between the Poblano migrants and their state of origin despite their living in another country. The creation of transnational organizations sponsored by the state of origin reflects the growing institutionalization of migration orchestrated by the sending regional states and highlights the role of the middle entity--the regional state— in the construction of the transnational experience. / Arts, Faculty of / History, Department of / Graduate

Call number: LD2668 .P7 1975 C56

No description available.

This thesis is an investigation of the relationship between the mass media and urban space, which takes as its object of analysis the concentration of newspaper buildings on Park Row in New York in the second half of the nineteenth century. By analysing five major New York newspapers and the architecture which housed them, commonalities in form, style and structure are revealed which are based on notions of display, spectacle, advertisement, order, and sensationalism. As daily newspapers achieved greater status in nineteenth century cities, their buildings increasingly took on Italian Renaissance, French Second Empire and Gothic forms, and became among the first skyscrapers in America. This thesis documents the designs and decisions of the construction process, as well as the interpretations and justifications of the chosen styles that were offered in the newspapers, in order to explain the form and meaning of this important phenomenon of American media history.

Thesis (Ph. D.)--Columbia University, 1923. / Vita. Published also without thesis note.

The strict divisions of city spaces created by physical urban planning disintegrated under transformations of capitalism and its accompanying crises of overaccumulation, social urban planning was elaborated to more effectively control the capitalist city and to reintegrate the increasingly blighted areas of the once popular amusements into the economy. / This disciplined reintegration, unsuccessfully attempted in New York City's Times Square since the late 1920s. is finally being realized by the redevelopment forces that began shaping the city's spatial practices in the wake of the fiscal crisis of 1975. The development projects undertaken in midtown Manhattan following the recovery from the fiscal crisis are transforming the renowned Times Square theater district into a strikingly different urban environment. The new politics of redevelopment under the regime of flexible accumulation are almost exclusively oriented towards economic development that is equated with speculative property investments, rebuilding Times Square to promote the global city's finance monopoly. Denying the existence of the public realm and celebrating free market laissez-faire policy, the 42nd Street Development Project, under the guise of removing blight, is eliminating the undesirable and underprivileged from the new image of the Bright Lights District. Times Square as a center of the local popular culture of Broadway theaters, cinemas, restaurants, billboard spectaculars, and public celebrations, has been lost as a public space. In the redevelopment projects now imaging the Crossroads of the World, the lost city of the past is recreated through the commodification of its collective memory, fashioning a Disneyfied spectacle for the global urban center. (Abstract shortened by UMI.)