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This Education Resource Guide includes discussion questions, as well as activities regarding the following three topics related to Diary of a Wimpy Kid: The Long Haul.

This Education Resource Guide includes activities regarding the following three topics related to P.S. Be Eleven, followed by discussion questions, and a list of books for further reading: Motown Vietnam War and PTSD Senator Robert F. Kennedy

This paper introduces the American Library Association’s award (Batchelder) for most outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States, to encourage American publishers, librarians, and booksellers to seek out superior children’s books abroad and to promote communication among the peoples of the world. The purpose of the introduction is to share our philosophy, supported by theory, as to the need for young people to read and respond to intimate, literary, and thematic stories from other cultures and countries in order to develop into empathetic international citizens. Such philosophy relates to the scholarly contentions of Carl Tomlinson, author of “Children’s Books From Other Countries”; Mildred Batchelder, the consummate former director of the American Library Services for Children division of the ALA, after whom the award is named; and Louise Rosenblatt, well-known reader response theorist. Specifically, a discussion of these theorists’ perspectives will reveal sharing Batchelder books, rather than just factual websites or textbook information about the peoples and places on our globe, helps young people build a foundation of international understanding; brings the experiences of young people in other countries to life, revealing “living, breathing” individuals and diminishing stereotypes; and assists in raising awareness as to how each member of the international community may benefit, one from the other. The authors’ method will be to discuss and summarize several significant Batchelder titles, also providing suggestions for curricular, reader-response tie-ins associated with each title, presenting librarians with myriad means by which these treasured books may be shared with young people. The activities suggested will heavily consider Rosenblatt’s “mirror to window” and aesthetic reader response assertions. Hopefully, both librarians and booksellers will become knowledgeable of the award titles and work to collect and stock, respectively, these international treasures in libraries and stores, right along with Newbery and Caldecott titles, hence adopting the role of creating internationally aware readers and citizens within our diverse and multicultural world. The implications of such awareness are significant at both a micro and macro level. First, at the micro level, engaged students, reading about and connecting to “exotic” children from cultures other than their own, will strengthen reading fluency and language arts skills. The distinctive, differing styles and points-of-view in these texts will assist in the understanding of literary elements, while also, on a human rather than textbook level, disclosing major world issues of both the past and present. Additionally, the internationalization of curricula will be enhanced if librarians are aware of the proposed methods. At the macro level, the titles serve to nurture the value of international understanding and respect amongst peoples of the world, develop humane and supportive world citizens, and confirm humanity’s universal experiences, overshadowing differences and conflicts.

This thesis considers the use of Young Adult Chicana Literature in the classroom to help young Chicanas work through their process of finding their identities. It begins by making the case that Chicana identities are complex because of their intersectional borderland positioning between Mexican and U.S. American cultures, which makes the identity formation process more difficult for them than others. By relating these complex issues facing young Chicanas to literature that is more relevant to them and their struggles, it is argued that teachers can help ease some of the tensions that exist within their students and help them work more easily through the identity issues they may be facing. This text engages in an analysis of two pieces of Young Adult Chicana Literature, Sandra Cisneros’ The House on Mango Street and Isabel Quintero’s Gabi, A Girl in Pieces, through the critical lens of autohistoria-teoría to argue that because the forms of these novels follow this pattern of theorizing through experience and reflection, they can be of critical assistance in helping young Chicanas work through their own experiences and issues. Finally, this thesis moves into my own autohistoria-teoría in which I reflect on my own experiences with the identity formation process and how recognition of myself in literature played a critical role in my own process, and how the overwhelming lack of this type of literature stunted my identity formation process.

Reducing diabetes risk among Hispanic-American adults in the United States is a critical public health need and programs targeting young Hispanic-American adults with prediabetes can reduce the risk for developing diabetes. The purpose of this project was twofold: (a) to examine the literature related to diabetes prevention best practices among young adult Hispanic-Americans with prediabetes and (b) create an intervention program to promote these best practices to delay or reverse the trajectory toward diabetes. The inclusion criteria for the literature review were studies with at least a 12-month follow-up and reported outcomes related to changes in diet, increased exercise, and the effects of psychotherapy as modeled in the Diabetes Prevention Program (DPP). Studies that met these inclusion criteria for the period 2002 through January 2016 were evaluated and 11 studies supported the development of recommendations for future implementation. Pender's health promotion model provided useful theoretical support for the effectiveness of individual health behavior changes to reduce the risk of developing diabetes. Based on the literature review, proposed interventions included dietary interventions, behavior modifications, and both aerobic and resistance exercise training adapted for the young adult Hispanic-American population. The planned interventions will fill an evidence-to-practice gap in application of the DPP. The program when implemented will promote social change through lifestyle modifications among young adult Hispanic-Americans with prediabetes and is expected to improve dietary intake, weekly exercise, fasting glucose, and glucose tolerance and support weight loss, all of which can delay or stop progression to diabetes.

'Snap Shot' is a Young Adult novel centred around two main characters – 16 year-old Bel and her older step-sister, Diane, who was living in New York on September 11, 2001. The novel begins with a bus crash on a city freeway, and the narrator, who we later learn is Bel, unfolds the story that leads up to the crash. There are many plotlines that run through the novel, narrated in a variety of voices by Bel. She tells the story of her step-sister, who witnessed the September 11 attack from a distance (in Queens). She reveals her sister's story in the weeks following the attack. Diane is inspired by the image of one of the victims of the attack, a woman named Sena. She sees her photo in one of the desperate fliers that popped up around the city after the attack, and recognises a bracelet the woman is wearing as similar to one owned by her mother. Diane acts on an impulsive idea to somehow bring redemption to the family of this woman by creating a false photograph of the bracelet at Ground Zero, but she is detained by the National Guard. This is an incident that leads to her mother's decision to return to Australia to live. Back in Australia, Diane makes contact with her father, who is distant and dishonest with her. Diane asks to see her younger step-sister, Bel, but she is met with strong resistance. It is obvious that she is being kept from her sister. Bel also learns that her step-sister is back, but her attempts to make contact are blocked by her parents. Eventually the two sisters get together, and the younger forms a fascination and powerful admiration for her older sister, who is now a photographer. She takes images of men she has never met and posts them on her website with emotive labels such as 'victim' or 'terrorist'. Bel's fascination with her older sister leads her to want to emulate her. She sets out to take a photograph of a stranger, and stalks a young man for two days, working up the courage to approach him and interact with him. The fact that she wants to interact with her subject creates tension with her sister, who never speaks with her subjects. They argue about Bel's safety and Diane's courage. Bel eventually approaches the young man, Robert, and forms a connection with him. The coming together of these three characters sets in motion an idea, impulsive and provocative, driven by Bel, to create an artificial moment of terror on a bus as a means to shock the passengers and shake them from a 'dream'. This story is told through counter-voices that offer harmony and dissonance, and at times perspective, to the unfolding plotline. There is Shahrazade, an evocation of Bel's imagination, who is the ultimate in the courageous storyteller. Shahrazade uses narrative to divert her audience away from murderous revenge and into empathic connection. There are the short passages depicting the moments in the bus from the points of view of several passengers. There are the chapters where Bel is interrogated by two police officers, who slowly slide from being realistic characters to figments of Bel's overactive imagination. At the beginning of the novel, Bel tells the reader, 'You are witness to a tragedy, but you don’t call it that.' (Bone 2008) By the end, the verdict is left open. Are the three guilty of creating terror on the bus? Was it a tragedy? Is there redemption in the act of telling a story? The exegetical component of this thesis explores the social, literary and political context of the writing of 'Snap Shot'. It is in three parts, predicated on my research enquiry about the nature of the world we now live in post-September 11, a day that was supposed to have changed history. I explore whether there is a consistent and unified narrative that, as members of the public, we are engaging with. I look at the use of fear by the terrorists, and explore how this fear has manifested itself post-September 11. I ask whether there is an ongoing narrative of fear, and if so, what is its nature? How is it perpetuated? How does the public engage with this narrative? And what implications does this have for the writing of 'Snap Shot'? I explore literary and artistic responses to September 11, and explore the role of the artist as provocateur. What are the taboos and sore points that provocative art can touch on when looking at the subject of the world that has emerged post-September 11? The exegesis also explores how fear and terror are communicated, with a particular reference to symbolism and frames. What imaginings emerged from the subterranean consciousness prior to September 11, and what imaginings are at play today? Significantly, I explore what implications this imagination has for communicating an anti-terrorism message within the context of writing 'Snap Shot'. / Thesis (Ph.D.) - University of Adelaide, School of Humanities, 2008

<p>Högtider är i Skandinavien förknippade med alkohol och festligheter, detta är en del av vår kultur. Konsumtionstillfällena är få och oftast placerade vid veckoslutet, det är mer accepterat att vara full en fredagskväll är mer än en måndagsmorgon. Beslut från regeringen avser mål och insatser för bland annat användandet av alkohol samt att minska bruket av det. Att begränsa alkoholens negativa effekter har länge varit en viktig fråga för folkhälsan. I och med detta skapades kampanjen <em>Varannan vatten, </em>för att minska berusningsdrickandet i samhället. Detta är en intervjustuide där fyra unga vuxna har tillfrågats om deras upplevelse kring kampanjen <em>Varannan vatten</em>. Studien avser också att undersöka huruvida informanterna anser att kampanjen är ett verktyg för att påverka attityder till berusningsdrickande. Resultatet visar att informanterna upplever kampanjen som positiv och att den utgör en funktion då det finns ett problem kring berusningsdrickande. Dock visade resultatet tecken på informanternas svårigheter att ta till sig budskapet då det enligt dem upplevs motsägelsefullt. Studien kan i framtiden utvecklas till att undersöka hur individerna själva anser kunna förändra attityder och beteenden.</p> / <p>In our Scandinavian culture holidays are associated with alcohol. The occasion for alcohol consumptions are few and often located at weekends. It´s more acceptable to binge drink on a Friday night than on a Monday morning. Resolutions from the Swedish government refers to intoxication drinking and changes in drinking patterns.  The campaign Varannan vatten (every other water) started as a consequence to reduce drinking in society. This study investigates young adults experience of the campaign Varannan vatten (every other water). The study also investigates if young adults consider that the campaign serve a purpose to change attitudes towards intoxicated drinking. Data was collected from four participants, between 20-24 years, who took part in the current interview study. One of the most important findings in this study showed positive attitudes towards the campaign. Participants also saw intoxication drinking as a problem why they saw the campaign as well needed.  It was marked that the announcement of the campaign appeared as misleading and participants had a hard time to adopt its message. Conclusions suggest that future studies develop and investigate individual considerations as reasons for attitudes and behaviors change.</p>

Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2007.