Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2018-05-09T18:11:56Z No. of bitstreams: 1 2016 - Adriano Lima de Souza.pdf: 2192319 bytes, checksum: 807ca78fcd7f6e3b189d186b495a2ac9 (MD5) / Made available in DSpace on 2018-05-09T18:11:56Z (GMT). No. of bitstreams: 1 2016 - Adriano Lima de Souza.pdf: 2192319 bytes, checksum: 807ca78fcd7f6e3b189d186b495a2ac9 (MD5) Previous issue date: 2016-11-03 / The understanding of the brazilian soul complexity arouses the interest of psychologists and researchers aligned with the theoretical framework of analytical psychology of Carl Gustav Jung. So this is the development of research on the african-Brazilian religious diversity. Genuinely Brazilian, Umbanda is marked by syncretism of indigenous, african traditions, catholicism and the spiritism of Kardec. It is remarkable the integration, on the mythical plan in his own Pantheon, of marginalized members categories. In this sense, Z? Pelintra is the direct representative of the Rio?s trickery which emerged in the early of the twentieth century. Historical fact of this period which we highlight, are the intense removals (remocao de que???) known as the "put-to-low" of Pereira Passos. It is in this period that the figure of the "trickster" appears circulating for several areas of the city. In 1808, with the arrival of the Royal Family and the Portuguese Court in Brazil, the Law of Pensions was established to ensure the Portuguese nobles the right to request a house to bring them satisfaction. During this period, the groups of ?capoeira? as well as tricksters, occupied the city on their own way. In the XXI century, Rio de Janeiro lives a new process of change in the urban and social space, as in the previous arbitrary removals which were part of history. Hence, Jung understands that the unconscious processes and the conscious activity generate psychic compensation ruled by tangible and / or abstract expressions. So here we have the following questions: what material and psychological impact urban removals are causing in the city of Rio de Janeiro? If removals reveal aspects of the class struggle present in the city, then we can consider the trickster and Z? Pelintra phalanx as individual and collective unconscious compensations? In our research we recognize that the image of Z? Pelintra reveals the psychological aspects related to the personification of a cultural complex. / A compreens?o da complexidade da alma brasileira desperta o interesse de psic?logos e pesquisadores alinhados com o referencial te?rico da psicologia anal?tica de Carl Gustav Jung. Logo, ? presente o desenvolvimento de pesquisas sobre a diversidade religiosa afro-brasileira. Genuinamente brasileira, a umbanda ? marcada pelo sincretismo das tradi??es ind?genas, africanas, o catolicismo e espiritismo de Kardec. ? marcante a integra??o, no plano m?tico, em seu Pante?o, de categorias s?cias marginalizadas. Nesse sentido, Z? Pelintra ? o representante direto da malandragem carioca surgida no come?o do s?culo XX. Fato hist?rico desse per?odo, que destacamos, s?o as intensas remo??es conhecidas como o ?bota-a-baixo? de Pereira Passos. ? nesse per?odo que a figura do ?malandro? aparece circulando por v?rias ?reas da cidade. Em 1808, com a chegada da Fam?lia Real e a Corte Portuguesa no Brasil, foi institu?da a Lei das Aposentadorias para garantir aos nobres portugueses o direito de requisitar uma moradia que lhe trouxesse satisfa??o. Nesse per?odo, as maltas de capoeira e assim como os malandros, ocupavam a cidade a sua maneira. J? no s?culo XXI, o Rio de Janeiro vive novo processo de mudan?a no espa?o urbano e social, assim como nos anteriores as remo??es arbitrarias fizeram parte da hist?ria. Jung compreende que os processos inconscientes e a atividade consciente geram compensa??es ps?quicas pautadas em manifesta??es tang?veis e/ou abstratas. Ent?o, aqui temos os seguintes questionamentos: qual impacto material e psicol?gico as remo??es urbanas est?o causando na cidade do Rio de Janeiro? Se as remo??es revelam aspectos da luta de classes, presentes na cidade, ent?o, podemos considerar que o malandro e a falange de Z? Pelintra s?o compensa??es inconscientes individuais e coletivas? Em nossa pesquisa reconhecemos que a imagem de Z? Pelintra revela e, ao mesmo tempo, desvela aspectos psicol?gicos que apontam para a personifica??o de um complexo cultural.