The growing importance of China in Africa today makes the examination of the history of Communist China’s foreign policy towards Africa a necessary undertaking. In recent years, there has been an escalation of attention paid to China’s political and economic role in developing nations, with particular attention granted to China’s policies in African countries. However, China did not just begin to pay attention to Africa at the close of the twentieth century, and it is the purpose of this paper to look at the beginnings of these policies. Chronologically, this paper focuses on the birth and early evolution of China’s foreign policy towards Africa, namely from the years 1954 to 1964. These dates represent not only the beginning, but also a significant change in China’s foreign policies towards Africa. While many of the policies adopted and adapted by Communist China during this period were to encompass the whole of the emerging third world, this paper focuses on Africa, and in particular Zambia for more specific examples. China played an important role in the newly independent nations of Africa in the early 1960s, and it continues to play a significant, and often controversial, role there today. / text

本文是探討周恩來對文藝何主張？他的文藝主張與毛澤東、劉少奇之間是否有些不同 ，乃至因不同而相爭，周恩來又採取什麼樣的態度？ 第一章說明周恩來與文獻的關係，證明周恩來酷愛文藝，與他日後的文藝主張有密切 的關係。 第二章說明毛澤東、劉少奇、周恩來的文藝主張，比較他們的不同點，從而突出了周 恩來有自己的文藝理想。 第三章從周恩來的文藝講話，說明五十年代，中共領導人對文藝的看法，由合而分。 第四章具體證明周恩來提出自己的文藝主張。 第五章文化大革命之前，毛澤東、劉少奇兩派發生文藝論戰，周採取何種態度？他的 文藝生活有沒受到影響等等。 結論周恩來的文藝精神－藝術民主 論文共乙冊，全文約五萬字。