Texte remanié de: Mémoire de DEA--Études théâtrales--Paris 10, 2001. Titre de soutenance : Philippe Adrien : de la classe d'interprétation à la mise en scène. / En appendice, entretien de l'auteur avec P. Adrien datant du 26 août 2008 et choix de textes. Bibliogr. p. 77-81.

Thèse : Médecine : Paris : 1935. / Biographie présentée à la Faculté de médecine de Paris pour le 13e anniversaire de la mort de Marcel Proust. Principaux ouvrages de M. Proust p. [57]-59. Notes bibliogr.

Thesis (doctoral)--Université de Paris-Sorbonne (Paris-IV), Paris. / Includes bibliographical references (p. 254-324).

Texte remanié de: Thèse--Histoire moderne--Limoges--Faculté des lettres et sciences humaines, 2002. Titre de soutenance : Adrien de Monluc, comte de Cramail (1571-1646). / Contient : "La correspondance d'Adrien de Monluc", 27 juin 1595-25 octobre 1635. Bibliogr. p. 381-399. Pulim = Presses universitaires de Limoges.

Thesis (doctoral)--Université de Paris-Sorbonne (Paris-IV), Paris. / Includes bibliographical references (p. 254-324).

Wittenberg, Universiẗat, 1989--Halle.

Th. 3e cycle--Philos.--Tours, 1986.

No description available.

Peintre et dessinateur, Adrien Dax fait partie du groupe surréaliste réuni autour d’André Breton après 1948. Son œuvre et l’appareil théorique qui l’accompagne contribuent au renouvellement de l’automatisme pictural. Dax pense un nouveau paradigme de l’automatisme en peinture notamment nourri d’éléments empruntés aux sciences ou à l’ésotérisme, l’inscrivant dans le sillage de l’automatisme absolu. La production de l’artiste, marquée par une démarche expérimentale, se distingue par l’invention de nouveaux procédés techniques et par un vocabulaire plastique qui laisse la part belle au biomorphisme. Les années de jeunesse d’Adrien Dax mêlent avant-gardes, lutte antifasciste et engagement révolutionnaire. Elles contribuent à lui donner le recul nécessaire pour participer pleinement à l’action collective du groupe surréaliste, faisant de lui un des principaux animateurs du mouvement après-guerre, bien qu’il ait volontairement occulté son œuvre. Étudier le parcours d’Adrien Dax permet de caractériser une nouvelle génération qui, à partir de 1951, s’empare du surréalisme pour le faire vivre. / From 1948 onwards, Adrien Dax participated, with his paintings and drawings, in the activities of the surrealist group around André Breton. Dax’s work and its theoretical underpinning contributed to the renewal of pictorial automatism. Dax created a new paradigm of automatism in painting which, in particular, contained elements borrowed from the sciences or from esoterism, placing him directly in line with absolute automatism. His output, marked by an experimental approach, is notable for the invention of new technical processes and by a plastic vocabulary which emphasized biomorphism. When he was young, Adrien Dax was involved with « avant-garde » movements, the fight against fascism and revolutionary commitment. This enabled him to gain the necessary perspective for participating fully in the collective activities of the surrealist group, making him one of the leading figures of the movement after the war, despite his persistent discretion regarding his work. A study of Adrien Dax’s life enables us to identify a new generation, which from 1951 onwards, was to reinvigorate the surrealist movement.

Made available in DSpace on 2014-12-17T14:36:13Z (GMT). No. of bitstreams: 1 MariaARR_TESE.pdf: 2603692 bytes, checksum: 4a1ff25f034fabe0a128c24b4d583020 (MD5) Previous issue date: 2010-12-14 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The present thesis is an analysis of Adrien-Marie Legendre s works on Number Theory, with a certain emphasis on his 1830 edition of Theory of Numbers. The role played by these works in their historical context and their influence on the development of Number Theory was investigated. A biographic study of Legendre (1752-1833) was undertaken, in which both his personal relations and his scientific productions were related to certain historical elements of the development of both his homeland, France, and the sciences in general, during the 18th and 19th centuries This study revealed notable characteristics of his personality, as well as his attitudes toward his mathematical contemporaries, especially with regard to his seemingly incessant quarrels with Gauss about the priority of various of their scientific discoveries. This is followed by a systematic study of Lagrange s work on Number Theory, including a comparative reading of certain topics, especially that of his renowned law of quadratic reciprocity, with texts of some of his contemporaries. In this way, the dynamics of the evolution of his thought in relation to his semantics, the organization of his demonstrations and his number theoretical discoveries was delimited. Finally, the impact of Legendre s work on Number Theory on the French mathematical community of the time was investigated. This investigation revealed that he not only made substantial contributions to this branch of Mathematics, but also inspired other mathematicians to advance this science even further. This indeed is a fitting legacy for his Theory of Numbers, the first modern text on Higher Arithmetic, on which he labored half his life, producing various editions. Nevertheless, Legendre also received many posthumous honors, including having his name perpetuated on the Trocad?ro face of the Eiffel Tower, which contains a list of 72 eminent scientists, and having a street and an alley in Paris named after him / Este trabalho teve por objetivo inventariar, sistematizar e avaliar as obras em Teoria dos N?meros do matem?tico franc?s Adrien-Marie Legendre (1752-1833), com certa ?nfase no seu livro Teoria dos N?meros, edi??o francesa de 1830, bem como realizar um estudo hist?rico da vida desse matem?tico. Para tanto, foi investigado o papel desempenhado por essas obras e sua influ?ncia no desenvolvimento da Teoria dos N?meros no contexto de sua ?poca. Uma leitura da vida de Adrien-Marie Legendre foi realizada por meio de suas rela??es pessoais e de suas produ??es cient?ficas e colocou em evid?ncia certos elementos hist?ricos do desenvolvimento de um povo, das ci?ncias e suas poss?veis consequ?ncias que nortearam a pr?pria evolu??o da sociedade francesa dos s?culos XVIII-XIX, e revelou caracter?sticas marcantes da personalidade de Legendre no meio matem?tico contempor?neo, como as infind?veis querelas com Gauss a respeito de prioridades de descobertas cient?ficas. Um estudo sistem?tico da obra Teoria dos N?meros (1830) num contexto hist?rico-social e a an?lise de certos conte?dos da obra comparados a alguns textos de outros autores nos permitiram compreender a evolu??o din?mica dos caminhos percorridos pelo autor, quanto ? sem?ntica, ? organiza??o das demonstra??es, ? estrutura l?gico-dedutiva que permearam suas descobertas matem?ticas em Teoria dos N?meros, a exemplo da sua famosa lei de reciprocidade. O impacto causado por suas obras em Teoria dos N?meros na comunidade matem?tica francesa da ?poca e as contribui??es do autor ? ci?ncia antes e depois da publica??o da obra revelou que Teoria dos N?meros, obra ? qual o autor consagrou mais da metade de sua vida no intuito de aperfei?o?-la, tornou not?ria a honra que lhe ? devida como o primeiro tratado de uma Aritm?tica superior que tanto inspirou a outros matem?ticos para o avan?o dessa ci?ncia no s?culo XX. Legendre recebeu homenagens p?stumas dos matem?ticos Beaumont, e Poisson, que inclusive discursou em seu funeral, e o seu nome se encontra perpetuado na face Trocad?ro da Torre Eiffel que cont?m uma lista de 72 ilustres cientistas e d? nome a uma passagem e a uma rua do 17? bairro da cidade de Paris