Während der Große Galgenteich eine der ältesten Stauanlagen in Sachsen ist, ist die Talsperre Altenberg die jüngste Trinkwassertalsperre des Freistaates. Gemeinsam bilden sie ein Talsperrensystem und versorgen zusammen mit dem Wasserwerk Altenberg 22 Gemeinden im Osterzgebirge mit Trinkwasser. Altenberg ist ein beliebtes Ausflugsziel, auch wenn die beiden Talsperren der Trinkwasserversorgung dienen und weder Baden noch Wassersport erlaubt sind. Bitte beachten und befolgen Sie die Hinweisschilder im Einzugsgebiet des Talsperrensystems. Viele Wanderwege verbinden die Talsperren Altenberg und Großer Galgenteich. Auch der 285 Kilometer lange Kammweg Erzgebirge führt am Talsperrensystem vorbei. Im Winter werden hier Loipen gespurt. Redaktionsschluss: 08.05.2024

Thesis (doctoral)--Technische Universität, Berlin, 2002. / Includes bibliographical references (p. 385-396).

Thesis (M.A.). / Written for the Faculty of Music. Title from title page of PDF (viewed 2008/07/24). Includes bibliographical references.

Thesis (doctoral)--Technische Universität, Berlin, 2002. / Includes bibliographical references (p. 385-396).

This thesis will introduce the Viennese Modernism from the background of social and aesthetic changes at the turn of the 20th century. First will be outlined the social situation around 1900 and a position of bourgeois class in this society, because this class is where the culture of Viennese Modernism came from. From this social status as well as numerous scandals of modern art in this conservative society will be explained the organization of the cultural life of the young generation of artists. Furthermore there will also be introduced the Modernism in painting, architecture and music by their major artists. Similarly, in literature will be presented Hermann Bahr as an organizer of the literary group Young Vienna and his biggest opponent Karl Kraus, the satirist of his time. Thematically, the work of the authors of Young Vienna is divided into three areas, namely into the image of the society, which is mainly reflected in the work of Arthur Schnitzler and Peter Altenberg, aestheticism, which is also the subject of the most important works by Leopold Andrian, Richard Beer-Hofmann and the early dramas of Hugo von Hofmannsthal. The last theme is Chandos-Brief, written by Hugo von Hofmannsthal, which is a document of the language crisis in this time.

For his first work composed without Schoenberg's supervision, Berg chose to set five short poems by his friend and intellectual idol, the controversial poet Peter Altenberg. Carrying the title Filnf Orchesterlieder nach Ansichtskarten-Texten von Peter Altenberg (1912), the cycle is at once aphoristic (with respect to the songs' duration) and titanic (with respect to their orchestration and motivic density). But the title invites the question: what imagery might the composer have hoped to illustrate with these musical postcards? This thesis investigates text-music relations in Berg's opus 4 with the objective of showing that the music's structure, far from being semantically neutral, participates actively in the création of rich poetic imagery anchored in the socio-cultural context of turn-of-the-century Vienna. Previous studies focus on the work's cyclic motives its interval-cycle substructure. The present study focuses on text-music relations and voice leading - the contrapuntal and harmonie procedures which govern the music's surface and determine its deep structure. It is shown that the voice-leading structures of the individual lieder - in both local detail and at a more broadly conceptual level - give form, meaning, and nuance to the poetic image that emerges in each song, and help define the different facets—physical, emotional, and spiritual — of the protagonist that inhabits them.

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