Thesis (M.A.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Nov. 30, 2009). Includes bibliographical references (p. 88-90).

In this study, differences between literary and digital storytelling are identified as a context for the issues explored within this thesis. I argue both the strengths and weaknesses of both the written and digital arratives. It is difficult to apply the same standards to two exceptionally different genres, but it is the truest way to compare and contrast the two. I will examine a few of the studies that have already been done that are similar and some of the assertions they have concluded. / Storytelling : past and present -- An objective comparison of narrative -- Literary and digital narrative -- Digital media and the digital narrative -- Objective and subjective issues. / Department of Telecommunications

In this thesis, I developed an empirically and theoretically grounded understanding of participatory action research (PAR). My aim was to develop and explore PAR methods within three culturally different fishing communities located in India, Portugal and the UK in order to generate emotionally meaningful stories. The work was conducted as part of the practice-led TOTeM research project and aspires to be associated with such works that have been able to make a methodological contribution by introducing theoretical insights, innovative methods and analytical concepts. In this study, the key finding is revealing the importance of the preliminary activities that helped design the innovative methods. I assess how my PAR methods, such as story interviews, digital storytelling workshops and story kits, helped me to gather participants’ personal experiences within the three chosen communities. Photographs and ‘objects’ provided a medium through which to identify stories that were emotionally meaningful to the participants. These stories gathered from the three chosen communities were analysed through a story narrative analysis method. Each method evoked strong, emotionally meaningful responses from the participants with regard to human relationships and demonstrated the vital role of objects in identifying stories that illustrate the participants’ intimate relationships. The collective findings from the three communities established that the methods utilised provided a new way of synthesising storytelling with digital technologies. The findings reinforce the role played by the participants as co-creators in collaboratively designing the methods, enabling me to craft a better way to gather stories. Upon critical reflection of the methods, supporting evidence was found that storytelling serves as an invaluable technique in providing participants with opportunities to explore their cultural identity through uniquely self-reflecting narratives and shared moments. I present the three stages of the participatory methods as my story culture framework and the findings and challenges as my original contribution to knowledge. I propose that this transferable framework will support designers as they engage with various settings to elicit information from user and stakeholder participants, develop their own experiential and critical perspectives and utilise their intuitive and expressive expertise to establish, manage and sustain productive human-centred design relationships.

Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 249-270).

Includes bibliographical references / This study is set against the background of a continued lack of social engagement across difference in South African classrooms. It set out to explore the potential of a specific pedagogical intervention - digital storytelling - as a post-conflict pedagogy in a diverse pre-service teacher education classroom. Personal storytelling has long been used to unearth lived experiences of differently positioned students in the classroom. More recently, the use of digital technologies has made it easier to transform these personal stories into publishable, screenable and sharable digital resources. In general, digital storytelling is lauded in the literature for its potential to facilitate an understanding across difference, allowing empathy and compassion for the 'Other'. In this study, I question this potentially naive take on digital storytelling in the context of post-conflict pedagogies. I was interested in the emotions emerging - particularly in what I termed a potential sentimentality - in both the digital storytelling process and product. I looked at sentimentality in a specific way: as the tension between the centrality of emotions to establish an affective engagement between a storyteller and the audience, and digital stories' exaggerated pull on these emotions. This is seen, for example, in the difficulty that we have when telling stories in stepping out of normative, sentimental discourses to trouble the way we perform gender, race, class and sexuality, all of which are found in the actual stories we tell and the images we use. It is also found in the audience response to digital storytelling. Adopting a performative narrative inquiry research methodology, framed by theorists such as Butler, Ahmed, and Young, all three feminist authors interested in the politics of difference, working at the intersection of queer, cultural, critical race and political theory, I adopted three different analytical approaches to a narrative inquiry of emotions. I used these approaches to analyse stories told in a five-day digital storytelling train-the-trainer workshop with nine pre-service teacher-education students. Major findings of this study are: In everyday life stories, students positioned themselves along racial identities, constructing narratives of group belonging based primarily on their racialized identities. However, in some students' stories - particularly those that offer a more complex view of privilege, acknowledging the intersectionality of class, gender, age, sexuality and race - these conversations are broken up in interesting ways, creating connections between students beyond a racial divide. Looking at the digital story as a multimodal text with its complex orchestration of meaning-making through its different modes, it became clear to me that conveying authorial intent is difficult and that the message of a digital story can be compromised in various ways. The two storytellers I looked at in more detail drew from different semiotic histories and had access to different semiotic resources, such as different levels of critical media literacy, with this compromising their authorial intent to tell counterstories. Finally, the genre storytellers chose, the context into which their stories were told, along with their positioning within this context in terms of their privilege, affected the extent to which they could make themselves vulnerable. This consequently shaped the audience response, which was characterised by passive empathy, a sentimental attempt to connect to what makes us the 'same', rather than recognising systemic and structural injustices that characterise our engagements across difference.

Magister Educationis - MEd / In this study, I seek to explore the potential that digital storytelling has in the teaching of undergraduate academic writing skills. I will focus on first year students' academic writing skills, how they are taught currently and how technology in the form of digital storytelling can help first year students improve their academic writing skills. The theoretical framework for the study is largely based on the New Literacies Studies which is championed by members of the New London Group such as Street and Street (1984) Lea and Street (2006) among others. The theoretical framework will draw on the notion of literacy as social practice rather than a set of reading and writing skills which explains why educators need to find new ways of teaching academic writing skills. I use semiotics and multimodality as a foundational concept for using digital storytelling in academic writing. That is because semiotics and multimodality further support the idea that literacy goes beyond words but that audio and visual elements are also part of learning and can help engage students in their academic work. The main aim of this proposed research is to explore both students and lecturer practices of digital literacies in the teaching and learning of academic writing at The Cape Peninsula University of Technology (CPUT).

Thailand has been extremely successful in promoting itself as a cultural country, with tourism being the country's primary source of income. However, cultural tourism for Thai people is considered to be a niche market, and little attention has been paid to the topic, compared to mass tourism. Moreover, Thai visitors have little motivation to visit actual historical sites and read the story displayed as part of exhibitions. This research aims to create, detail and evaluate a framework for inclusive digital storytelling to increase diversity and motivation for cultural tourism in Thailand. To broaden and increase the potential tourism market, this PhD research applies inclusive design principles as 'understanding and designing for diversity' by identifying potential Thai customers into five diverse groups (youth, older adults, disabled people, non-cultural tourists, and cultural tourists), and presents reports regarding the barriers and drivers for achieving this. To increase the motivation of Thai tourists, this PhD research adopts digital storytelling as 'the guideline for creating storytelling' to increase motivation among the five diverse groups, and illustrates how this was done in the second study. However, an issue arises if Thai people (particularly older adults and disabled people) cannot access or understand how to use this type of digital technology. These problems can in turn create opportunities for applying inclusive designs to digital technology in an effort to understand users' behavioural needs; this is presented in the third study. Finally, the fourth study evaluates the framework detailed from the previous three studies in order to answer the primary research question: "How could inclusive design and digital storytelling principles be applied to facilitate cultural tourism in Thailand?" This PhD research can suggest and establish links between three key areas and devise and detail a new framework to increase diversity and motivation for cultural tourism for Thai visitors in Thailand which is original and interdisciplinary.

Ce travail de thèse s’inscrit dans le cadre de l’étude des réponses optiques des nanocristaux à base de semiconducteurs II-VI. Ici nous avons déterminé les propriétés optiques de ZnTe, ZnS et ‘ZnS : Mn’ nanostructurés par ellipsométrie spectroscopique (SE). Nous avons déterminé la fonction diélectrique et les transitions optiques des NC-ZnTe par SE dans la gamme spectrale 0.6 à 6.5 eV. L’influence de la taille des NC sur les propriétés optiques et en particulier sur les transitions optiques a été aussi montrée. Les réponses optiques ont été déterminées en utilisant deux modèles : le modèle des points critiques d’Adachi et la loi de dispersion de Tauc-Lorentz. Tout au long de ce travail, nous avons tenté de contribuer à la compréhension du processus d’absorption dans les NC semi-conducteurs avec une technique non destructive capable de rendre compte des phénomènes liés à la réduction de la taille. Malgré le caractère indirect de l’ellipsométrie nécessitant une bonne connaissance de l’échantillon, nous avons démontré qu’elle est capable de déterminer plusieurs propriétés des NC (indice de réfraction complexe, coefficient d’absorption, énergie de gap, signatures des transitions optiques, excès de NC, taille moyenne, épaisseurs des couches de silice) et même de tenir compte des défauts liés à l’implantation / In this work, we report on the study of the optical responses of nanocrystals semiconductor based II-VI. Here we have determined the optical properties of nanostructured ZnTe, ZnS and 'ZnS:Mn' by spectroscopic ellipsometry (SE). We have obtained the dielectric function and optical transitions of NC-ZnTe by spectroscopic ellipsometry in the spectral range 0.6 à 6.5 eV. The influence of the NC size on the optical properties and on the optical transitions was also shown. The optical responses were extracted using two models: the generalized critical points model of Adachi and the Tauc-Lorentz dispersion formula. Throughout this work we have tried to contribute to the understanding of absorption processes in semiconductor NC with a nondestructive technique by tacking into account the phenomena related to quantum confinement. Despite the indirect nature of ellipsometry requiring a good knowledge of the sample, we demonstrated that it is able to determine several properties of NC (complex refractive index, absorption coefficient, energy gap, optical transition energies, NC of excess, thick layers of silica) and even to take account into defects due to implantation

The student union of Karlstad University is always working for the better for the students, so they can feel safe and that their time at the university is trouble free. To get the students to sign up for a membership, the organization have to inform the students about their work and the benefits that a membership brings. The problem is that the target audience is broadbecause there are all students at Karlstad University that are of different sexes, ages and nationalities, this can cause problems when the information must be adapted to each individual in order to make it interesting. The organizations various work areas have not reached the entire audience and therefore requires an information film in which all the areas can be presented in an attractive way that makes it easy for the audience to absorb the information. A strong trend in the world of information films are the so called infographics. These types of animated information films tend to involve and interest people because they consist of elements such as color, illustrations, music and so on. The project is based on theories of perception, narrative, color, illustrations, audio and metaphors. These theories are complemented by a focus group study, which all together results in an infographic movie that represents the organization.

This research aims to investigate an assertion, endorsed by a range of commentators, that multimedia teaching and learning approaches encourage learners to adopt a richer, creative and deeper level of understanding and participation within the learning environment than traditional teaching and learning methods. The thesis examines this assertion by investigating one type of multimedia activity defined (for the purposes of this research) as a digital audio video assessment (DAVA). Data was collected using a constructivist epistemology, interpretative and naturalistic perspective using primarily a qualitative methodology. Three types of data collection methods were used to collect data from thirteen Diploma of Event Management students from William Angliss TAFE. Firstly, participants completed the Biggs Study Process Questionnaire (2001) which is a predictor of deep and surface learning preference. Each participant then engaged in a semi-structured interview that elicited participant's self-declared learning preferences and their approaches to completion of the DAVA. These data sources were then compared. Six factors that are critical in informing the way that the participants approached the DAVA emerged from the analysis of the data. Based on these findings it is concluded that the DAVA does not restrict, inhibit or negatively influence a participants learning preference. Learners with a pre-existing, stable learning preference are likely to adopt a learning approach that is consisten t with their preference. Participants that have a learning preference that is less stable (more flexible) may adopt either a surface or deep approach depending on the specific task, activity or assessment.