The decision to close and never reopen four public housing projects in New Orleans following Hurricane Katrina was a highly contentious issue for people throughout the city and even the nation. This thesis investigates the tensions between those who supported and opposed public housing demolition by highlighting the work and history of two people on either side of the debate, Richard Baron and Bill Quigley. This study of contemporary housing policy draws on the history of public housing in America, and refers to Stacy Seicshnaydre.s assertion that public housing policy has been a consistent struggle between "Taking the Housing Now" and "Redevelopment as Blight Removal." This research posits that while this tension has been present, the current debate in New Orleans is more nuanced. In the end, the public housing redevelopment in New Orleans reflects a lack of commitment at the federal level to adequately house low-income people.

This thesis serves as documentation of my personal, intellectual, and physical process as an actor in creating the role of Miss Margarida in Miss Margarida's Way by Roberto Athayde. This document includes research, script analysis, character analysis, rehearsal journal, and an assessment of my performance. The University of New Orleans Department of Film, Theatre and Communications Arts in New Orleans, Louisiana produced Miss Margarida's Way during the Fall 2008 season. Miss Margarida's Way was performed in the Lab Theater of the Performing Arts Center at 7:30 pm December 3 at 6 with a matinee at 2:30pm on Sunday December 7th 2008.

Cookbooks have a unique ability to record women.s history, both private and public. Cookbooks transmit not only instructions for preparing specific dishes, but also the values of class, race and gender of the times and places in which they are created. This study will focus on several such cookbooks produced by Louisiana women in the mid-twentieth century, from the 1930s to the 1970s. Different though these works are, they collectively demonstrate that the best cookbook authors are purveyors not only of recipes, but also of class values, ethnic relations and folklore, and gender models that one generation of women endeavors to transmit to the next. Most important, this study will argue that these cookbooks provide a rich and penetrating insight into the class structure in rural Louisiana, race and accomplishment in an era of segregation, and the role of gender in domestic and professional occupation.

In the first few decades of the nineteenth century, Americans and immigrants moved to New Orleans hoping to take advantage of the opportunities the city offered. Many American citizens moved from cities like Boston, New York, and Philadelphia. Recognizing the lack of social welfare programs and assistance given to the poor, a group of women established the Female Orphan Society. From its creation, the Female Orphan Society worked in providing aid to indigent mothers and their children through providing religious, vocational, and educational training. In a short time, the FOS emerged as the only private, Protestant female refuge for immigrant families and their children in New Orleans. This involvement elevated the role of the asylum in the city and heightened the influence of an institution run by southern, upper-class white women.

The Works Progress Administration came to New Orleans in 1935, a time of economic uncertainty and even fear. The implementation of the relief embodied in the WPA was influenced by local factors that reinforced the existing social order at first but that left a framework through which that order could be challenged. The business of providing WPA relief also was attended by scandal and criticism. In spite of these inherent weaknesses and certain incident, the WPA left behind an enviable physical legacy that is used and enjoyed today by the citizens of New Orleans. This paper explores the roots of that legacy, some of the obstacles faced by the WPA, and how a local government, and its citizens, related and adjusted to an increasingly powerful and intrusive federal government.

The unique cultural techniques of the historic building trades of New Orleans are currently at risk of being lost due to a lack of new master craftsmen and the demise of the current generation of master craftsmen. The purpose of this study is twofold: to analyze the historic transmission of the trades in New Orleans through the lens of workforce development and to inventory and analyze current programs that teach the trades. Analysis of historic training in the trades and best practices in workforce development inform an assessment of the strengths of current programs and their ability to enhance the supply of master craftsmen. Additional analysis of workforce development practices and programmatic strengths combine to illustrate room introducing career pathways and intermediaries into the current system of training. This system of training in New Orleans is fragmented and insufficient to truly enhance supply; however, programmatic strengths present opportunities for improvement.

The failed New Orleans Cultural Center Complex was cultural genocide to an area of the neighborhood known as Treme, where a tribute to the jazz great and native son, Louis Armstrong, was planned as an afterthought. The questions remain, was the planning and building of Louis Armstrong Park responsible for the genocide of the Treme neighborhood, is the park an appropriate use of land, and what are the prospects for the park's future? This thesis examines the cultural gumbo of New Orleans history, explores the early days of Louis Armstrong and the development of jazz, sets the record straight by vindicating the Louis Armstrong Park as the culprit for demolition in Treme, and takes a look at "the Back ‘o Town" as a tribute to him.

The following thesis is a brief view of production of UNO's Spring 2009 production of Shakespeare's classic comedy Much Ado About Nothing. This thesis will include analysis, research, production book, documentation from the production, and an evaluation of the process of bringing the production to life. The play was performed in New Orleans, Louisiana, at the University of New Orleans Performing Arts Center Robert E. Nims Theatre on April 23, 24, 25, and 30 as well as May 1, 2, and 3.

Framed through the standardizations of food and generalizations of people, this research explores the shifting ingredients of migrant identities and the ethnic foodways carried with them as they cross the border into the United States. Using ethnographic observational fieldwork, content analysis of menus, and semi-structured interviews with restaurant staff and migrant workers, this study examines the transnational narratives of the day laborer population and their deterritorialized food culture in post-Katrina New Orleans. Further, this research explores this flow of people and culture through a globalization lens in order to achieve a more holistic understanding of the “migrant experience” and how Latinos are both defined and self-defined within an increasingly global context.

This thesis is a short story collection set primarily New Orleans and focuses on the subject of fathers and sons. It explores the effect that the absence of a father figure or the presence of an unsuitable father may have on boys and men. The stories are literary fiction.