<p>Detta arbete är skapat av Andreas Bartziokas, som examensarbete för VT 2009. I denna uppsats beskrivs hur spelet B.O.B. har skapats. Vilken litteratur som varit användbar för skapandet av spelet, samt en övergripande beskrivning av själva spelet.</p>

Texte remanié de: Dissertation--Fachbereich Ev. Theologie--Universität Hamburg, 1999. / Bibliogr. p. 647-671.

Texte remanié de: Dissertation--Lausanne--Universität, 2003. / Bibliogr. p. 341-410.

Inaug.-Diss.--Freie Universität Berlin. / Bibliography: p. 3-12.

All throughout the 1911 century, the city of Athens manifest a distinct character that was inspired by its history. Flourishing with Neoclassical civic architecture, it remained a modest metropolis that was planned to function harmoniously around its ancient monuments. Today in the 21st century, its landscape has undergone a radical transformation. The city has expanded uncontrollably to accommodate an ever-increasing inflow of urban migration, accumulating one half of the nation's entire population within a confined geological space. Athens has become a product of cataclysmic urban growth. Furthermore, the ancient city is becoming increasingly anonymous, sprawling, with a landscape that is subjected to dominant economic trends. My photographic work for this practice led Ph. D. critically examines the ways in which development has made an impact on the Athenian landscape, altering its physiognomy. My research draws together Eugene Atget's documentation of the city of Paris, in conjunction to Walter Benjamin's criticism of modernity to demonstrate how capitalism produced a destructive effect on culture and a loss of history to society at large. In addition, I investigate the documentary value of the work by contemporary photographer Andreas Gursky to establish the character of our own modern age, and to create a critical image of the city and its landscape in the photographs of my work. Throughout my research, l consider how Atget, Benjamin as well asGursky utilise the aesthetic of the photographic document as a model for generating a criticism of society, new ways of perceiving the world, in addition to generating a sense of historical awareness for the observer of their work. Through particular subjects such as the industry of property development, tourism, as well as others, I explore how Athens has lost the inherent connection with its history and the cultural heritage that it is simultaneously trying to promote. Juxtaposing Athens with Old Paris, I consider how the historic parts of the city become destroyed in the interest of urban development, and argue that the present chaotic appearance of city is not only the product of its modern history, but also the outcome of capitalism as a world historic condition of our time

My thesis film for the Master of Fine Arts degree is a 10-minute documentary entitled Loose Bodies. It traces my mom's recovery from knee replacement surgery, meanwhile exploring her relationship to her knees through interviews and archival footage and my own relationship to my body's ability to move. The film contains three animated sequences, using the Renaissance anatomical drawings of Andreas Vesalius. This report is an account of the filmmaking process from initial idea to finished film. / text

No description available.

The quest to answer fundamental questions and solve complex problems is a principal tenet of Earth science. The pursuit of scientific knowledge has generated profuse research, resulting in a plethora of information-rich resources. This phenomenon offers great potential for scientific discovery. However, a deficiency in information connectivity and processing standards has become evident. This deficiency has resulted in a demand for tools to facilitate and process this upsurge in information. This ontology project is an answer to the demand for information processing tools. The primary purpose of this domain-specific ontology and knowledge base is to organize, connect, and correlate research data related to brittle deformation microstructures. This semantically enabled ontology may be queried to return not only asserted information, but inferred knowledge that may not be evident. In addition, its standardized development in OWL-DL (Web Ontology Language-Description Logic) allows the potential for sharing and reuse among other geologic science communities.

This thesis explores the representation of Heimat in contemporary German novels and films by authors and directors born in the 1960s and 1970s within the context of globalisation. The following texts and films are examined: Hierankl (2003) and Winterreise (2006) by Hans Steinbichler, Wer früher stirbt, ist länger tot (2006) and Beste Gegend (2008) by Marcus H. Rosenmüller, Der Geschmack von Apfelkernen (2008) by Katharina Hagena, Klausen (2002) by Andreas Maier, and Usambara (2007) by Christof Hamann. I argue that the static notion of the concept of Heimat and concomitant concepts of identity are challenged by these authors and filmmakers as they pit them against the cultural, political, and social changes brought on by globalisation with its altered notions of identity. Within German political and public discourse, globalisation is often presented as a foreign concept threatening German institutions, customs, and even national identity itself. The dynamics between dwelling and travel/movement are at the centre of the films and novels under discussion. Each of the four chapters focuses on one of the major topics of current literary discourses of Heimat and globalisation: changing images and roles of women in general and mothers in particular; the house, which has often been fundamental in representations of Heimat, as the site at which patriarchal norms and values are being renegotiated; nature and environment as sites of threatened Heimat within the context of Heimat, tourism, and Umweltschutz; and Africa as other Heimat, threatened by, yet relatively untouched by globalisation. In their exploration of notions of Heimat, all of the texts and films discussed in this thesis self-consciously refer to the texts and films of the Heimat and the anti-Heimat genre respectively. But far from focusing on the tainted notion of Heimat within the German historical and political context, as did the generation of 1968 in their films and texts, the new generation of writers and filmmakers marks notions of Heimat much more positively and appropriates them for its own purposes. Nostalgia, irony, and ambivalence are the major characteristics of the new “Heimatroman” and “Heimatfilm.” / Thesis (Ph.D, German) -- Queen's University, 2009-09-23 18:40:27.127

As increasing emphasis is placed upon the role surface processes play in regulating tectonic behaviour, the need for accurate measurements of denudation rate has become paramount. The quantity and quality of denudation rate studies has grown with the advent of cosmogenic radionuclide techniques, capable of recording denudation rates over timescales of 100 to 1000000 years. This study seeks to utilise cosmogenic 10Be concentrations measured in alluvial sediments in order to further develop this method and to investigate rates of basin-wide denudation in the San Bernardino Mountains, an active orogen associated with the San Andreas Fault system. The theory which underpins measurements of basin-wide denudation rates with cosmogenic radionuclide analysis is evaluated in light of recent understanding of production mechanisms. Field testing of the assumptions required by the basinwide denudation rate model highlights the importance of sampling thoroughly mixed sediments. Denudation rates ranging over three orders of magnitude are measured by applying the cosmogenic radionuclide technique in thirty-seven basins throughout the San Bernardino Mountains. Results show a relationship between denudation rate and slope which provides quantification of the threshold slope angle in high relief granitic environments and suggests tectonic activity is the first order control of denudation rates in these mountains. Mean annual precipitation is shown to exert no significant influence over the rates measured in the San Bernardino Mountains. Questions concerning denudation rates recorded over differing timespans are addressed using the cosmogenic technique, (U-Th)/He thermochronometry, incision into dated horizons and modern day sediment flux data. This comparison reveals that a decrease in rates with distance from the San Andreas Fault has been consistent throughout the lifespan of the San Bernardino Mountains and provides further evidence that a tectonic mechanism is driving denudation in this region. The relevance of both spatial and temporal scale in geomorphic studies is considered in light of these results, highlighting the need for a greater appreciation of their role in the interpretation of basin-wide denudation rates.