A thesis submitted in fulfilment of the academic requirements for the Degree of Doctor of Philosophy, Department of History, Faculty of Arts at the University of Zululand, 2018. / This research study delves into the role of the international community towards dismantling the apartheid regime in South Africa during the period 1960-1990. It argues that racial discrimination in apartheid South Africa came into being gradually over the centuries of white settlement that began when the Dutch East India Company founded a colony on the Cape in 1652. Dutch settlers were joined by English colonials who fought and won control of South Africa at the end of the nineteenth century. White control followed independence from Britain and the descendents of Dutch setters regained political power when the Afrikaner-dominated National Party (NP), which governed South Africa until 1994, won all-white elections in 1948. One of the National Party’s main goals was to codify centuries of de facto white domination. The legislative cornerstones of apartheid – including the Mixed Marriages Act of 1949 (prohibiting marriage between people of different races), the Population Registration Act and Group Areas Act, both of 1950, the Reservation of Separate Amenities and Bantu Education Bills both of 1953 – constructed distinct racial categories, and sought to ensure that racial groups were kept physically separate; and that black, Asian, and coloured South Africans receive inferior education and remain weak in political and economic terms. This research study posits that collective action against apartheid came out of, and involved, a number of different historical experiences, related to different historical processes and structural contexts. The reaction of the outside world to the development of apartheid was widespread and posed a sustained challenge to the South African regime, which, facing myriad internal and external threats, eventually capitulated to make way for a new, democratic dispensation during the 1990s. Central to the argument in this research study is that while countries throughout the world took various measures to weaken and topple apartheid, it was particularly the anti-apartheid movements in the United Kingdom (UK), the United States of America (USA), support from the Soviet Union, pressure by the United Nations (UN), the OAU and the Frontline States that mounted the most serious of these challenges to the apartheid state.

In both South Africa and the United States, the occurrence of certain political and social events have affected the cultural structure of the African society. As the patterns of community have been lost over time, due to colonialism and conquest, the foundations of traditional culture and tribal ritual have also been lost. There must be a recovery from this hopeless state of non-community. In the examination of the growth and development of a culture, it is pertinent to identify how people relate to themselves and other groups as a function of cultural identity. An intricate part of this is the way in which the individuals interact with each other spatially, and as a result of their surrounding environment. / Master of Architecture

M.A., Faculty of Humanities, University of the Witwatersrand, 2011 / Most previous academic studies undertaken on music festivals in South Africa have been largely done through economic lenses. They have dealt with growing the festival; financial benefits for the festival organisers; management styles and models of festivals. This research interrogates the impact of music festivals on the participating artists’ social, creative, intellectual and sustainable growth. The research studied these aspects through the analysis of the Standard Bank Joy of Jazz festival, which in 2010 was celebrating its diamond jubilee, and following six musicians who have participated in the festivals at different levels. Being a jazz artist myself, I became interested in what constitutes the development of a musician who participates in a jazz festival. This research seeks to depart from the socio-economic based studies by analysing the role of the Standard Bank Joy of Jazz festival in the lives of six South African jazz musicians and the perceived benefits. It also draws on a wide range of literature that covers issues ranging from socio-political scenarios to arts and culture policies from around the 1920s to the present day. What the research found is that music festivals had varying impact on developmental bands in comparison to established bands and musicians. It also looked at the effectiveness of arts and culture policies, legislations and their implementation in the South African music industry. Due to the width and breath of this research topic it must be stated that there are other areas that the research did not delve into due to the researcher’s limited tools - such as the psychological analysis capacity.

This thesis looks at the actions of Coca-Cola and Pepsi in South Africa during both the anti-apartheid movement and the post-apartheid era. The processes which led to those actions, both corporations’ removal of their presence in South Africa, the effects this had on South Africa, and their reemergence in a post-apartheid state are examined. It will be shown that, despite the public relations campaigns of both Coke and Pepsi, far more importance was placed on their products’ profitability than the well-being of the black Africans who produced, delivered, or consumed the soft drinks. However, both companies found their actions during the 1980s to affect their success after the fall of apartheid. Coke never truly left the country, leading to overwhelming dominance through the rest of the 20th century. Pepsi adhered to different social imperatives and suffered exceptionally low market shares as a result.

Thesis (MA)--University of Stellenbosch, 2004. / Bibliography. Also available via the Internet.

Texte remanié de: Diss.--Fachbereich Politologie--Universität Hamburg, 1989. Titre de soutenance : Zur politischen Funktion oppositioneller christlicher Kirchen in Südafrika (1968-1985).

Magister Psychologiae - MPsych / The history of South Africa is embedded in violence. This can be traced to the arrival of the Dutch settlers in 1652, to the Afrikaner–nationalist ideology of apartheid, and finally into the current dispensation of democracy. Historically, violence with its various forms and negative sequelae, has been narrated from an adult-centred perspective. Thus, due to the paucity of literature from the perspective of youth and adolescents, this study aims to review and synthesise the findings of existing empirical studies focusing on youth and adolescents’ perceptions of violence in post-apartheid South Africa. The study employed a systematic review methodology, which is a rigorous approach to reviewing the breadth and depth of literature on a particular topic, with specific criteria. After a systematic search of the literature, 34 articles were included in the review, with study samples including youth and adolescents aged 8 to 27-years. Three overarching themes were identified from the included studies, using thematic analysis, namely: exposure to violence; gender and sexual-based violence; and interpersonal and school violence. Findings demonstrate that the concept of violence is broad and nuanced, and that violence is experienced and enacted in multiple social settings. The key findings of the review are that several contributing factors result in violence, which includes but is not limited to the consequences of apartheid, low socioeconomic conditions, hegemonic masculinity, and male entitlement over women. At a grassroots level, more research is needed to gain deeper knowledge about how youth and adolescents understand, conceptualise, and contextualise the differing constructs of violence through various frameworks. Violence prevention and intervention requires a collaborative approach to exact meaningful change that will be beneficial for all stakeholders.

Magister Artium - MA / This mini-thesis draws on the biographical materials of activists; Zubeida Jaffer, Nokuthula Simelane and Siphiwo Mthimkulu in order to investigate their representation as South African Anti-Apartheid activists. Within Post-Apartheid South Africa there seems to be a strong tendency to focus on the spectacular violence that occurred between the National Party government and Apartheid activists. This almost singular focus has led to an overwhelming promotion of the heroic narrative and as a result the structural violence of daily life under apartheid has been side-lined

No description available.

No description available.