Fashion is a social construct and its very essence is to express identity and status. Depending on context we dress differently and we are constantly adapting in order to meet social expectations of dress. This work explores the relationship between archetypical garments and status. The main objective of this exploration is to challenge hierarchies in fashion by clashing different stereotypes by the means of construction. This implies to question social structures currently present in fashion. Due to these structures, we conform to stereotypical ideas of how to dress, which restricts us. What could be defined as missing within fashion today is the clash between garments on opposite sides of the hierarchy in fashion. While meetings within the same garment group has been explored before by numerous designers, combining archetypes from opposite sides of the hierarchy is yet relatively unexplored. If one was to transcend the boundaries and jump freely between garment groups, there is a possibility to select fragments from different categories in a garment to work with. This could then create more free ways of expressing oneself through dress. What is presented in this work is an approach aiming to challenge hierarchies in fashion. The examples can be read as archetypical and stereotypical hybrids with the intention to question how we dress in certain contexts. Resulting in new meetings of materials and expressions relating to dress codes.

This work starts with a simple question of ; Why not to draw the garment directly on the body since this is the way it will inevitably be worn? Working through steps; wrapping into a fabric and drawing the garment on the body to reveal lines for constructing that is directly based on the body, this work shows an alternative way of constructing a garment; the result that is presented can be seen as a base for further development within the field this method has explored. Further, the work challenges the current norms in archetypical garments with the intention to redefine their expression, where the methods aim is to broaden the field of garment construction, investigating the gap between construction lines and material expectations. The method Write Drunk/ Edit Sober is both discovering the fundamentals of garment construction and questioning the systematic interpretations we place on a garments connection to materials.